Love Story (1970)
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Love Story (1970) is a sentimental, romantic tearjerker film from director Arthur Hiller about a tragic couple. [Hiller had passed up the opportunity to work on The Godfather (1972) to make this film.] The melodramatic soap-opera, tremendously popular and a financial success (the top-earning film of the year) but panned by critics for its sappy content, was based upon Erich Segal's best-selling short novel of the same name. The film's tagline, "Love means never having to say you're sorry," appeared slightly differently in Segal's novelization: "Love means not ever having to say you're sorry."
The catchy, haunting, piano-plinking score won the Best Original Score Oscar (the film's sole award) for Francis Lai from its seven Academy Awards nominations: Best Picture, Best Actor (Ryan O'Neal), Best Supporting Actor (John Marley), Best Actress (Ali MacGraw), Best Director (Arthur Hiller), and Best Original Story and Screenplay (Erich Segal). Beau Bridges, Michael York, Michael Douglas, Jon Voight, Michael Sarrazin and Peter Fonda all turned down the part of Oliver - which ultimately went to Ryan O'Neal.
This film rescued Paramount from total bankruptcy (it was the 9th most profitable studio at the time), and began an incredible streak of major successes under Paramount VP of development Robert Evans' stewardship, including Harold and Maude (1971), The Godfather (1972), Play It Again, Sam (1972), The Getaway (1972), Serpico (1973), The Great Gatsby (1974), Chinatown (1974), Marathon Man (1976) and Black Sunday (1977). An inferior sequel was produced later in the decade - Oliver's Story (1978) pairing a still-grieving Ryan O'Neal with Candice Bergen.
Told as a flashback, this is an uncomplicated love story between two star-crossed lovers-students, Harvard pre-law hockey player Oliver Barrett IV (Ryan O'Neal) and Radcliffe music student Jenny Cavalleri (Ali MacGraw). Oliver narrates the opening line of the film, looking back:What can you say about a twenty-five-year-old girl who died? That she was beautiful and brilliant? That she loved Mozart and Bach, the Beatles, and me?
Their love triumphs over different economic-class backgrounds (he is a "preppie millionaire," she a smart-mouthed "social zero" from a blue-collar Italian/American family). Their main obstacle to romance is that his rich, powerful and snobbish father, Oliver Barrett III (Ray Milland) objects and threatens to cut off funding: "Oliver, if you marry her now, I'll not give you the time of day." To which the younger, bull-headed Oliver defiantly asks: "What offends you more, Father, that she's Catholic, or poor?" He ultimately responds: "Father, you don't know the time of day."
There are a number of touching, oft-remembered kissing scenes in this tearjerker romance, including the major scene of the star-crossed couple walking across Harvard campus and talking about their relationship. Oliver delivers a harsh ultimatum to Jenny:
Look, Cavalleri, I know your game, and I'm tired of playing it. You are the supreme Radcliffe smart-ass - the best - you can put down anything in pants. But verbal volleyball is not my idea of a relationship. And if that's what you think it's all about, why don't you just go back to your music wonks, and good luck. See, I think you're scared. You put up a big glass wall to keep from getting hurt. But it also keeps you from getting touched. It's a risk, isn't it, Jenny? At least I had the guts to admit what I felt. Someday, you're gonna have to come up with the courage to admit you care.
They stop walking as she replies - simply: "I care" before they kiss. The scene dissolves into their nude embracing and kissing during love-making in his dormitory room. Shortly later in the film, in a snowy montage, they end up playing in the snow, throwing snowballs and tossing a football at each other, and wrestling together - as they kiss with flecks of snow on their faces. The two young lovers marry and first move into a small apartment in Cambridge before Oliver is hired by a New York law firm and they move to the city.
After meeting many obstacles and making sacrifices, she is diagnosed as terminally ill when she is tested for pregnancy, and dies in his arms at the hospital in a tear-inducing closing. She makes a last request of him: "You, after all - you're going to be a merry widower." "I won't be merry," he responds. She replies: "Yes, you will be. I want you to be merry. You'll be merry, okay?"
In the final scene, Oliver quotes his late wife, when speaking to his father about their past misunderstandings. After his father tells him he's sorry that she has died, Oliver responds in the last memorable line of the film, quoting an earlier remark of Jenny's:
Love means never having to say you're sorry.
He then walks out into a snowy Central Park to contemplate what life might have been in a touching finale, as the award-winning musical score builds in the background.
