Robots in Film
A Complete Illustrated History

Part 7


Introduction: Throughout cinematic history, especially in science-fiction tales, robots have played a primary role. Throughout history and popular culture, robots have reflected the mood, social and cultural issues, and technology of their times. For example, in the Cold War 1950s, robots were generally viewed as threatening forces, but in later years reflected both the conflict and the continuity between man and machine. Robots have also functioned as both servant-helpers or oppressors of humanity, portraying the good and evil sides.

This compilation is not designed to be too strict in its choices of 'robots'. Herein are examples of various films with robotic characters.

Note: The films that are marked with a yellow star are the films that "The Greatest Films" site has selected as the 100 Greatest Films.
Robots in Film - A Complete Illustrated History
(Part 7, chronological)
Introduction | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12

Film/Year
Name of Robot
Description Example

D.A.R.Y.L. (1985)

D.A.R.Y.L. (Data Analysing Robot Youth Lifeform)

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A sci-fi drama about a super-intelligent, precocious android boy (Barret Oliver) named Daryl (Data Analysing Robot Youth Lifeform) with a computer brain and an organic body; after being returned to a government lab where he was created, Daryl was wired up for tests and exams on a table, and uncharacteristically communicated with the scientists on a computer monitor with the words: "I'M FRIGHTENED"; he was discovered to have a faulty or malfunctioning silicon computer chip due to his learning of human socialization skills and some emotional responses; the evil military establishment was not pleased with the failure of their AI experiment, and was determined to terminate their human-acting robot

Weird Science (1985)

Lisa

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In this wacky John Hughes' comedy about teenage geek dream fulfillment, unpopular teenaged nerds Gary Wallace (Anthony Michael Hall) and Wyatt Donnelly (Ilan Mitchell-Smith) decided to use Wyatt's computer to create a "perfect" woman after watching a colorized print of The Bride of Frankenstein (1935); in order to "simulate a girl," they connected up their phone modem and started feeding their computer cut-out magazine images of supermodels, Albert Einstein, and art/music skills while wearing brassieres on their heads ("It's ceremonial," explained Gary); they also connected electrodes to a plastic Barbie-doll figure; the computer started to act on its own while connecting into a government mainframe as it assembled the data - and an electrical storm activated the doll; suddenly after lots of explosions and wind, everything stopped and the door to Wyatt's room began to bulge inward, before finally exploding; out of the red-lit, foggy hallway entered a sexy, leggy red-headed Ultimate sexy woman named Lisa (supermodel Kelly Le Brock), wearing nothing but micro-panties and a small white muscle-shirt top; she stood in the doorway, as Dr. Frankenstein from Frankenstein (1931) shouted from their television: "She's alive! Alive!"; their creation cooed with a mischievous twinkle in her eyes: "So... what would you little maniacs like to do first?"; the film's concept was later expanded as a TV series in the mid 1990s, starring Vanessa Angel as the red-headed fantasy "magic genie" and John Mallory Asher and Michael Manasseri as the two teens


Aliens (1986)

Bishop

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In this James Cameron action-packed sequel to the original Ridley Scott film of 1979, Lance Henriksen portrayed an upgraded A2 model android, a knife-carrying model that was derived from the earlier Hyperdine System 120-A2 android (played deviously by Ian Holm (as Ash) in the first film), but now designed to be pacifistic ("The A2s always were a bit twitchy. That could never happen now with our behavioral inhibitors. It is impossible for me to harm or by omission of action, allow to be harmed, a human being"); Bishop preferred the label "Artificial Person" rather than "synthetic," although he also was quoted as saying: "I may be synthetic, but I'm not stupid"; he served as the Executive Officer of the warship Sulaco investigating the missing colony on the planetoid LV-426; he performed an impressive knife trick, stabbing it between the open fingers of crewmember Pvt. Hudson's (Bill Paxton) hand; in his demise, he was impaled in his midsection by the Alien, causing him to spew whitish blood; he was then ripped in two by the alien Queen Mother, but kept struggling


Chopping Mall (1986) (aka Killbots)

Killbots

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In this short, low-budget stalker-slasher, Roger Corman-produced film (with the tagline: "Where shopping can cost you an arm and a leg"), three high-tech security Protector 101 Killbot robots (with one horizontal red eye slit, retractable claw arms, two low-mounted headlights, and treads for motion), manufactured by the Secure-Tronics company, were installed in the Park Place 2000 shopping mall; the motorized security guards became murderous and malfunctioned after several lightning strikes struck the central roof-top computer, and went on a rampage against a group of teens (having a wild and drunken after-hours sex-party in the mall's furniture store); they were equipped with close-range sleeping darts and electrical shocks, but could also shoot lethal pink laser beams that exploded a human head; after each kill or demolition, they politely said: "Thank you--have a nice day"




Deadly Friend (1986)

Bee Bee

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Director Wes Craven's sci-fi/horror film told about a genius college student named Paul Conway (Matthew Laborteaux) who excelled in artificial intelligence and computers; he built a yellow robot named Bee Bee (voice of Charles Fleischer); when his neighbor girlfriend Samantha Pringle (16 year-old Kristy Swanson in her first major role) suffered brain-death wounds from abusive father Harry (Richard Marcus) and died, Paul implanted Bee Bee's AI microchip into her brain to reanimate her; now with dark circles around her eyes and a zombie-like 'deadly' stare, she had vision (seen from her point-of-view) and superhuman strength (exemplified when she picked up a male victim with two hands above her head, and tossed him into the windshield of a police car); she subsequently went on a vengeful murderous rampage, killing among others evil, crochety, shotgun-wielding neighbor Elvira Parker (Anne Ramsey) (who had killed the original robot Bee Bee with a blast) by a swift, decapitating basketball-toss to the head; in the shock ending set in a morgue, Samantha grabbed Paul's neck as her robotic skeleton became visible as he stripped away her outer skin - while she entreated: "Come with me, Paul"


Short Circuit (1986)

Nova S-A-I-N-T (Strategic-Artificially-Intelligent-Nuclear-Transport)
Number 5, renamed Johnny-5

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This John Badham comedy/sci-fi fantasy film told about a group of prototypical robots that were made by a defense-military contractor (Nova Robotics in Damon, Washington) for $11 million each; one of the five wheeled killing machines with deadly lasers, after it was struck by lightning during recharging - a symbolic act of creation - came alive with a conscience and pleasant personality; it now had a pacifist outlook on life with no desire to kill (or "disassemble"); since the robot was "Number 5" in the series, it was renamed Johnny 5 (voice of Tim Blaney) - after hearing the song "Who's Johnny" (performed by El DeBarge); it was an endearing, adorable, sophisticated drone-robot possessed of a processor made of gold, that was AWOL with the assistance of animal-loving protector Stephanie (Ally Sheedy); it quickly learned lots of information and pop cultural trends by speed-reading dictionaries/encyclopedias, and by watching television, and could soon imitate Saturday Night Fever's dancing John Travolta as well as cook in the kitchen; the film spawned a sequel in 1988, with rumors of a contemporary re-make 20 years later




*batteries not included (1987) (aka Miracle on 8th Street)

"Fix-it" Robots

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Mysterious philanthropic, flying-saucer-shaped, living “fix-it” mechanical robots came to the aid of elderly tenants (including diner owners Frank and Faye Riley, Hume Cronyn and Jessica Tandy) who were threatened with eviction in their soon-to-be-demolished New York apartment building, in this Steven Spielberg-produced film; the two good-natured but shy adult fix-it robots had three babies: Wheems, Jetsom and Flotsom, and continually repaired broken items, as well as served cheeseburgers in the diner; the film was a composite of E.T.: The Extra-Terrestrial (1982) and Cocoon (1985)

Cherry 2000 (1987)

Cherry 2000

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In a post-apocalyptic world in the year 2017, Sam Treadwell (David Andrews), the head of an Anaheim recycling plant, employed a perfect girlfriend -- a rare, irreplaceable, top-of-the-line blonde-haired sex robot named Cherry 2000 (Pamela Gidley); she was programmed with a shiny "chip" (similar to a quarter-sized mini CD) behind her ear; the film had the tagline: "She's Blond, Beautiful and Forever Young"; however, he found it difficult to replace her when she shorted out (wearing a tight red dress and yellow rubber gloves) when they were love-making on the floor and soapy water overflowed; when Sam went to a robot factory to get a replacement body for his girlfriend, his choices included Robby the Robot (from Forbidden Planet (1956) and Gort (from The Day the Earth Stood Still (1951))



 


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Created in 1996-2008 © by Tim Dirks. All rights reserved.