"That's the way it crumbles, cookie-wise."
The Apartment (1960)
Play clip (excerpt):

- "Did you hear what I said, Miss Kubelik? I absolutely adore you."
- "Shut up and deal!"
The Apartment (1960)
Play clip (excerpt):

"Mama, face it. I was the slut of all time."
BUtterfield 8 (1960)
Play clip (excerpt):

"Oh, I see. You think, uh, religion is for suckers and easy marks and molly-coddlers, huh? You think Jesus was some kind of a sissy, eh? Well, let me tell you, Jesus wouldn't be afraid to walk into this joint or any other speakeasy to preach the gospel. Jesus had guts. He wasn't afraid of the whole Roman army. Think that quarterback's hot stuff? Well, let me tell you, Jesus would have made the best little All-American quarterback in the history of football. Jesus was a real fighter - the best little scrapper, pound for pound, you ever saw. And why, gentlemen? Love, gentlemen. Jesus had love in both fists! And what is love? Love is the mornin' and the evenin' star. It shines on the cradle of the Babe. Hear ye, sinners! Love is the inspiration of poets and philosophers. Love is the voice of music. I'm talkin' about divine love - not carnal love."
Elmer Gantry (1960)
Play clip (excerpt):

"Sin. Sin, Sin. You're all sinners. You're all doomed to perdition. You're all goin' to the painful, stinkin', scaldin', everlastin' tortures of a fiery hell, created by God for sinners, unless, unless, unless you repent. Repent with Sister Falconer!"
Elmer Gantry (1960)
Play clip (excerpt):

"I've heard many a powerful Bible-walloper, but you not only put the fear of God into them, you scared the hell out of 'em. And the way you strung certain words together - America, home, mother. Heaven, hell... Love, hate, sin."
Elmer Gantry (1960)
Play clip (excerpt):

"But as long as I got a foot, I'll kick booze. And, as long as I got a fist, I'll punch it. And, as long as I got a tooth, I'll bite it. And, when I'm old and gray and toothless and bootless, I'll gum it till I go to heaven and booze goes to hell."
Elmer Gantry (1960)
Play clip (excerpt):

"I am more interested in the 'Rock of Ages' than I am in the age of rocks."
Inherit the Wind (1960)
Play clip (excerpt):

"The Bible is a book. It's a good book. But it is not the only book."
- "It is the revealed Word of the Almighty God spake to the men who wrote the Bible."
- "How do you know that God didn't spake to Charles Darwin?"
- "I know because God tells me to oppose the evil teachings of that man!"
- "Oh, God speaks to you?"
- "Yes!"
- "He tells you what is right and wrong?"
- "Yes!"
- "And you act accordingly?!"
- "Yes!!"
- "So, you, Matthew Harrison Brady, through oratory or legislature or whatever, you pass on God's orders to the rest of the world! Well, meet the Prophet from Nebraska! Is that the way of things?! Is that the way of things?! God tells Brady what is good! To be against Brady is to be against God!"
- "NO!!! Each man is a free agent!!"
- "Then what is Bertram Cates doing in a Hillsboro jail?! Supposing Mr. Cates had the influence and the lung power to railroad through the state legislature a law saying that only Darwin could be taught in the schools!"
- "Ridiculous! Ridiculous!! There is only one great Truth in the world!"
- "The gospel!! The Gospel according to Brady!! God speaks to Brady, and Brady tells the world!! Brady!!! Brady!!! Brady, Almighty!!!"
Inherit the Wind (1960)
Play clip (excerpt): (extended)

"Feed me!"
The Little Shop of Horrors (1960)
Play clip (excerpt):

"I didn't mean it."
The Little Shop of Horrors (1960)
Play clip (excerpt):

"The old man was right. Only the farmers won. We lost. We'll always lose."
The Magnificent Seven (1960)
Play clip (excerpt):

"We looked for the good in them, and we found it, didn't we?"
Pollyanna (1960)
Play clip (excerpt):

- "Do you have a vacancy?"
- "Oh, we have 12 vacancies: 12 cabins, 12 vacancies."
Psycho (1960)
Play clip (excerpt):

"Well, a boy's best friend is his mother."
Psycho (1960)
Play clip (excerpt):

"Mother, my mother, uh, what is the phrase? - She isn't qu-quite herself today."
Psycho (1960)
Play clip (excerpt):

"We all go a little mad sometimes... Haven't you?"
Psycho (1960)
Play clip (excerpt):

"I'm not even gonna swat that fly. I hope they are watching. They'll see. They'll see and they'll know and they'll say, 'Why, she wouldn't even harm a fly.'"
Psycho (1960)
Play clip (excerpt):

"I'm Spartacus!..." (repeated)
Spartacus (1960)
Play clip (excerpt):

"I mean, any gentleman with the slightest chic will give a girl a $50 dollar bill for the powder room. And I aIways ask for cab fare, too. That's another $50."
Breakfast at Tiffany's (1961)
Play clip (excerpt):

"Listen, you know those days when you get the mean reds...No, the blues are because you're getting fat or maybe it's been raining too long. You're just sad, that's all. The mean reds are horrible. Suddenly you're afraid, and you don't know what you're afraid of. Did you ever get that feeling?...When I get it, the only thing that does any good is to jump into a cab and go to Tiffany's. Calms me down right away."
Breakfast at Tiffany's (1961)
Play clip (excerpt):

- "...I coulda beat that guy, coulda beat 'im cold, he never woulda known. But I just had ta show him. Just had ta show those creeps and those punks what the game is like when it's great, when it's really great. You know, like anything can be great, anything can be great. I don't care, bricklaying can be great, if a guy knows. If he knows what he's doin' and why and can make it come off. When I'm goin', I mean, when I'm really goin', I feel like a... like a jockey must feel. He's sittin' on his horse, he's got all that speed and that power underneath him... he's comin' into the stretch, the pressure's on him, and he knows... just feels... when to let it go and how much. Cause he's got everything workin' for 'im: timing, touch. It's a great feeling, boy, it's a real great feeling when you're right and ya know you're right. It's like all of a sudden I got oil in my arm. The pool cue's part of me. You know, it's uh - pool cue, it's got nerves in it. It's a piece of wood, it's got nerves in it. Feel the roll of those balls, you don't have to look, you just know. Ya make shots that nobody's ever made before. I can play that game the way... nobody's ever played it before."
- "You're not a loser, Eddie, you're a winner. Some men never get to feel that way about anything."
The Hustler (1961)
Play clip (excerpt):

"You owe me money!"
The Hustler (1961)
Play clip (excerpt):

- "Fat Man, you shoot a great game of pool."
- "So do you, Fast Eddie."
The Hustler (1961)
Play clip (excerpt):

- "How do you find your way back in the dark?"
- "Just head for that big star straight on. The highway's under it - it'll take us right home."
The Misfits (1961)
Play clip (excerpt):

"I can't kid about these things because I am nuts about you, and I would go down on my knees to worship you if you really wanted me to. Bud, I can't get along without you. And I would do anything you'd ask me to. I would! I would! Anything!"
Splendor in the Grass (1961)
Play clip (excerpt):

"Though nothing can bring back the hour
Of splendor in the grass, of glory in the flower
We will grieve not, rather find
Strength in what remains behind."
Splendor in the Grass (1961)
Play clip (excerpt):

"Te adoro, Maria."
AND
"Te adoro, Anton."
West Side Story (1961)
Play clips (excerpt):

"That one convict's been a thorn in my side for 35 years. But I'll give him one thing - he's never lied to me."
Birdman of Alcatraz (1962)
Play clip (excerpt):

"Being in solitary is like being on rails. A man pushes your food through the door. You eat alone. Once a week you get a shower. You walk in the bullpen. Once a month an inmate comes and cuts your hair. You read. You pace your cell. Once a week you get clean laundry. You pace your cell. The routine's always the same. The only way you can break it is to go on sick call. You sit and listen to your heartbeat, and you hear your life ticking away. The thing that swells in your head until you lose your mind is you know absolutely for sure what's coming next."
Birdman of Alcatraz (1962)
Play clip (excerpt):

"...Bond. James Bond."
Dr. No (1962)
Play clips (excerpt): (extended)

"Look where I'm going. I'm not staying in burlesque! I'm moving, maybe up, maybe down! But wherever it is, I'm enjoying it. I'm havin' the time of my life! Because for the first time, it is my life! And I love it. I love every second of it! And I'll be damned if you're gonna take it away from me!"
Gypsy (1962)
Play clip (excerpt):

- "He was the most extraordinary man I ever knew..."
- "It was my privilege to know him and to make him known to the world. He was a poet, a scholar, and a mighty warrior...He was also the most shameless exhibitionist since Barnum and Bailey."
Lawrence of Arabia (1962)
Play clip (excerpt):

- "Well, what's the trick, man?
- "The trick, William Potter, is not minding that it hurts."
Lawrence of Arabia (1962)
Play clip (excerpt):

"Sherif Ali, so long as the Arabs fight tribe against tribe, so long will they be a little people, a silly people, greedy, barbarous, and cruel as you are."
Lawrence of Arabia (1962)
Play clip (excerpt):

"Well sir, goin' 'ome...'Ome, sir."
Lawrence of Arabia (1962)
Play clip (excerpt):

- "My yellow roses. My - uh, oh, my daughter....I can offer you a comfortable home, a sunny garden, a congenial atmosphere, my cherry pies...What was the decisive factor? Uh, my garden?"
- "I think it was your cherry pies!"
Lolita (1962)
Play clip (excerpt): (extended)

- "Well, you're not going to use the story, Mr. Scott?"
- "No, sir. When the legend becomes fact, print the legend."
The Man Who Shot Liberty Valance (1962)
Play clip (excerpt):

"So the red Queen is our baby. Well, take a look at this, kid. Fifty-two of them. Take a good look at 'em, Raymond. Look at 'em and while you're looking, listen. This is me, Marco talking. Fifty-two red Queens and me are telling you - you know what we're telling you? - it's over. The links, the beautifully-conditioned links are smashed. They're smashed as of now because we say so, because we say they oughta be smashed. We're bustin' up the joint, we're tearin' out all the wires, we're bustin' it up so good all the Queen's horses and all the Queen's men will never put ol' Raymond back together again. You don't work anymore. That's an order. Anybody invites you to a game of solitaire - you tell 'em: 'Sorry, buster, the ball-game is over!'"
The Manchurian Candidate (1962)
Play clip (excerpt):

"...Made to commit acts too unspeakable to be cited here by an enemy who had captured his mind and his soul. He freed himself at last and in the end heroically and unhesitatingly gave his life to save his country. Raymond Shaw. Hell! Hell!"
The Manchurian Candidate (1962)
Play clip (excerpt):

"Miss Jean Louise. Miss Jean Louise. Stand up. Your father's passin'."
To Kill a Mockingbird (1962)
Play clip (excerpt):

"Hey, Boo."
To Kill a Mockingbird (1962)
Play clip (excerpt):

"Neighbors bring food with death, and flowers with sickness, and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a knife, and our lives. One time Atticus said you never really knew a man until you stood in his shoes and walked around in them. Just standin' on the Radley porch was enough. The summer that had begun so long ago had ended, and another summer had taken its place, and a fall, and Boo Radley had come out. I was to think of these days many times. Of Jem and Dill and Boo Radley, and Tom Robinson - and Atticus. He would be in Jem's room all night, and he would be there when Jem waked up in the morning."
To Kill a Mockingbird (1962)
Play clips (excerpt): (short) (extended)

- "You wouldn't be able to do these awful things to me if I weren't still in this [wheel] chair."
- "But ya are, Blanche! Ya are in that chair!"
What Ever Happened to Baby Jane? (1962)
Play clip (excerpt):

"Then you mean, all this time we could've been friends?"
What Ever Happened to Baby Jane? (1962)
Play clip (excerpt):

- "Do you know what's wrong with you?"
- "No, what?"
- "Nothing."
Charade (1963)
Play clip (excerpt):

- "Man like that sounds no better than a heel."
- "Aren't ya all?"
- "Honey, don't go shootin' all the dogs 'cause one of them's got fleas."
- "I was married to Ed for six years. Only thing he was ever good for was to scratch my back where I couldn't reach it."
- "Ya still got that itch?"
- "Off and on."
- "Well, let me know when it gets to botherin' ya."
Hud (1963)
Play clip (excerpt):

- "I don't like sudden passes."
- "We'll ease into it, then. There's another one comin' up on your right."
- "Don't you ever ask?"
- "The only question I ever ask any woman is: 'What time is your husband comin' home?' What's keeping ya? You're over the age of consent, ain't ya?"
- "Way over."
- "Let's get our shoelaces untied. Whaddya say?"
- "I'd say I've been asked with a little more finesse in my time."
Hud (1963)
Play clip (excerpt):

"Infamy! Infamy! They've all got it in for me."
Carry On Cleo (1964)
Play clip (excerpt):

"Well, boys, I reckon this is it. Nuclear combat, toe-to-toe with the Rooskies...Now look, boys. I ain't much of a hand at makin' speeches. But I got a pretty fair idea that somethin' doggone important is goin' on back there. And I got a fair idea of the kind of personal emotions that some of you fellas may be thinkin'. Heck, I reckon you wouldn't even be human beins if you didn't have some pretty strong personal feelings about nuclear combat. I want you to remember one thing: the folks back home is a-countin' on ya, and by golly, we ain't about to let 'em down. Tell ya somethin' else. If this thing turns out to be half as important as I figure it just might be, I'd say that you're all in line for some important promotions an' personal citations when this thing's over with. That goes for every last one of ya, regardless of your race, color, or your creed. Now, let's get this thing on the hump. We got some flyin' to do."
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

"I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids."
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

"Mr. President, I'm not saying we wouldn't get our hair mussed, but I do say no more than ten to twenty million killed, tops, that is, depending on the breaks."
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

"Gentlemen. You can't fight in here. This is the War Room!"
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

"I think there's some kind of deviated prevert. And I think General Ripper found out about your preversion and that you were organizing some kind of mutiny of preverts. Now move!"
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

"OK, I'm gonna get your money to ya. But if you don't get the President of the United States on that phone, do you know what's gonna happen to you?...You're gonna have to answer to the Coca-Cola Company."
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

- "Hey, what about Major Kong?"
- "Aaaaaa hoooo! Waaaaa hooooo!" (riding atop a bomb)
Dr. Strangelove, Or: (1964)
Play clip (excerpt):

"Mein Fuhrer, I can walk!"
Dr. Strangelove, Or:... (1964)
Play clip (excerpt):

- "My name is Pussy Galore."
- "I must be dreaming."
Goldfinger (1964)
Play clip (excerpt):

"(Uh, just a drink.) A martini. Shaken, not stirred."
Goldfinger (1964)
Play clip (excerpt):

"You're a woman of many parts, Pussy!"
Goldfinger (1964)
Play clip (excerpt):

- "Do you expect me to talk?"
- "No, Mr. Bond. I expect you to die."
Goldfinger (1964)
Play clip (excerpt):

"Oh no, you don't! This is no time to be rescued."
Goldfinger (1964)
Play clip (excerpt):

- "Tell me, uh, how did you find America?"
- "Turn left at Greenland."
A Hard Day's Night (1964)
Play clip (excerpt):

"He's sex-obsessed. The older generation leading this country to galloping ruin!"
A Hard Day's Night (1964)
Play clip (excerpt):

"Supercalifragilisticexpialidocious..."
Mary Poppins (1964)
Play clip (excerpt):

"Simple phonetics. The science of speech. That's my profession, also my hobby. Anyone can spot an Irishman or a Yorkshireman by his brogue, but I can place a man within six miles. I can place him within two miles in London. Sometimes within two streets."
My Fair Lady (1964)
Play clip (excerpt):

- "The rain in Spain stays mainly in the plain."
- "What was that?"
- "The rain in Spain stays mainly in the plain."
- "Again."
- "The rain in Spain stays mainly in the plain."
- "I think she's got it. I think she's got it..."
My Fair Lady (1964)
Play clip (excerpt):

"Come on. Dover! Come on, Dover! Move yer bloomin' arse!"
My Fair Lady (1964)
Play clip (excerpt):

"Eliza? Where the devil are my slippers?"
My Fair Lady (1964)
Play clip (excerpt):

- "There are worse things than chastity, Mr. Shannon."
- "Yeah, lunacy and death."
The Night of the Iguana (1964)
Play clip (excerpt):

- "You I don't like."
- (in unison) "You he don't like."
- "And when Eric Von Zipper don't like somebody, they stay don't liked."
AND
- "Eric Von Zipper adores you. And when Eric Von Zipper adores somebody, they stay adored."
Beach Blanket Bingo (1965)
Play clips (excerpt):

- "Tonya! Can you play the balalaika?"
- "Can she play? She's an artist!"
- "An artist. Who taught you?"
- "No one taught her!"
- "Ah, then it's a gift."
Doctor Zhivago (1965)
Play clip (excerpt):

"Relax. This time I'm going to win it my way. Push the button, Max! (explosion) MAAAAAAXXX!"
The Great Race (1965)
Play clip (excerpt):

"I could never answer to a whistle. Whistles are for dogs and cats and other animals, but not for children, and definitely not for me. It would be too humiliating."
The Sound of Music (1965)
Play clip (excerpt):

"The Von Trapp children don't play. They march."
The Sound of Music (1965)
Play clip (excerpt):

"Some days, you just can't get rid of a bomb."
Batman (1966)
Play clip (excerpt):

"Who knows, Robin? This strange mixing of minds may be the greatest single service ever performed for humanity! Let's go, but, inconspicuously, through the window. We'll use our Batropes. Our job is finished."
Batman (1966)
Play clip (excerpt):

"All my fault, Sister. I was just trying to... I'm his brother-in-law, Sister...And this is his mother, Sister, and this is my wife, his sister, Sister."
The Fortune Cookie (1966)
Play clip (excerpt):

"If I've told you once, I've told you a hundred times. Do not fan the girls when they're wet! But you'll never learn, you'll be a eunuch all your life."
A Funny Thing Happened on the Way to the Forum (1966)
Play clip (excerpt):

"You see, in this world there's two kinds of people, my friend: Those with loaded guns and those who dig. You dig."
The Good, The Bad, and the Ugly (1966)
Play clip (excerpt):

"When you have to shoot, shoot. Don't talk."
The Good, The Bad, and the Ugly (1966)
Play clip (excerpt):

"Blond! You know what you are! Just a dirty son-of-a-b!" (theme music)
The Good, The Bad, and the Ugly (1966)
Play clip (excerpt):

"The bottom is loaded with nice people, Albert. Only cream and bastards rise."
Harper (1966)
Play clip (excerpt):

"I was home. What happened? What the hell happened?"
The Sand Pebbles (1966)
Play clip (excerpt):

"The last time I made love on a ship was the Titanic. Unfortunately, we never finished."
What's Up, Tiger Lily? (1966)

"I promised I'd put her in the film - somewhere."
What's Up, Tiger Lily? (1966)
Play clip (excerpt):

- "'What a dump!' Hey, what's that from? 'What a dump!'"
- "How would I know?"
- "Oh, come on, what's it from? You know!"
- "Martha."
- "What's it from, for Christ's sake?"
- "What's what from?"
- "I just told you. I just did it. 'What a dump!' Huh? What's that from?"
- "I haven't the faintest idea."
- "Dumbbell! It's from some damn Bette Davis picture... ...some goddamn Warner Brothers epic."
Who's Afraid of Virginia Woolf? (1966)
Play clip (excerpt):

"Martha! Damn it! I wonder what women talk about when the men are talking. I must find out sometime."
- "Whaddya want?"
- "Ha, ha, ha. Isn't that a wonderful sound?"
Who's Afraid of Virginia Woolf? (1966)
Play clip (excerpt):

"Now that we're through with Humiliate the Host, we're through with that one for this round anyway, and we don't want to play Hump the Hostess yet, not yet, so I know what we'll do. How about a little round of Get the Guests? How about that? How about a little game of Get the Guests?"
Who's Afraid of Virginia Woolf? (1966)
Play clip (excerpt):

- "Who's afraid of Virginia Woolf, Virginia Woolf, Virginia Woolf."
- "I am George."
- "Who's afraid of Virginia Woolf?"
- "I am, George. I am."
Who's Afraid of Virginia Woolf? (1966)
Play clip (excerpt):

- "How do ya like that? I didn't even get to squeeze the trigger. Oh, and you say you're a .38. You ain't just kiddin'."
- "It's not a gun, Mr. Helm. It's a new weapon they gave me, developed right here in our lab."
- "Developed pretty well."
- "Here, I'll show you. No, no, if you'll turn around."
- "Are you aiming or just being modest?"
- "I'm sorry I tricked you, Mr. Helm, but may I point out..."
- "You already did!"
- "...that that's why you're here. To become familiar with our latest equipment."
- "You're right. An agent should always keep abreast of the times!"
The Ambushers (1967)
Play clip (excerpt):

"We rob banks."
Bonnie and Clyde (1967)
Play clip (excerpt):

"My eyes! I think I'm blind. My eyes! Oh, the light hurts so bad."
Bonnie and Clyde (1967)
Play clip (excerpt):

"What we've got here is failure to communicate."
Cool Hand Luke (1967)
Play clip (excerpt):

"Anybody here? Hey, Ol' Man, You home tonight? 'Bout time we had a little talk."
Cool Hand Luke (1967)
Play clip (excerpt):

"Oh, Luke. He was some boy. Cool Hand Luke. Hell, he's a natural-born world-shaker."
Cool Hand Luke (1967)
Play clip (excerpt):

"I just want to say one word to you - just one word.... 'Plastics.'"
The Graduate (1967)
Play clip (excerpt):

"Mrs. Robinson, you're trying to seduce me, aren't you?"
The Graduate (1967)
Play clip (excerpt):

"Would you like me to seduce you? (What?) Is that what you're trying to tell me?"
The Graduate (1967)
Play clip (excerpt):

"...Because in the final analysis, it doesn't matter a damn what we think. The only thing that matters is what they feel, and how much they feel for each other. And if it's half of what we felt, that's everything."
Guess Who's Coming to Dinner (1967)
Play clip (excerpt):

- "Well, you're pretty sure of yourself, ain't ya, Virgil. Virgil, that's a funny name for a nigger boy to come from Philadelphia. What do they call you up there?"
- "They call me Mister Tibbs."
In the Heat of the Night (1967)
Play clip (excerpt):

- "I'm not gonna hurt you. What's the matter with you?"
- "I'm hysterical! I'm having hysteria 'cuz I'm hysterical! I can't stop when I get like this! I can't stop! I'm hysterical! Oh, no, no, no... I'm wet! I'm wet! I'm hysterical and I'm wet! I'm in pain! And I'm wet! And I'm still hysterical! No, no, don't hit, don't hit, it doesn't help! It'll only increase my sense of danger."
- "What can I do? What can I do? You're getting me hysterical!"
- "Go away, go away, you frighten me!"
The Producers (1967)
Play clip (excerpt): (short) (long)

"That's it, baby, when ya got it, flaunt it, flaunt it!"
The Producers (1967)
Play clip (excerpt):

"Hitler was better lookin' than Churchill, he was a better dresser than Churchill, he had more hair, he told funnier jokes, and he could dance the pants off of Churchill."
The Producers (1967)
Play clip (excerpt):

"We find the defendants incredibly guilty."
The Producers (1967)
Play clip (excerpt):

"Higher, you animals. Higher. We open in Leavenworth Saturday night."
The Producers (1967)
Play clip (excerpt):

"Son, have you ever been collared and dragged out into the street and thrashed by a naked woman? Huh?"
Reflections in a Golden Eye (1967)
Play clip (excerpt):

"Cutting off her nipples with a pair of garden shears. You call that normal? My God. Garden shears?"
Reflections in a Golden Eye (1967)
Play clip (excerpt):

- "You're very pretty, Pretty-Pretty."
- "My name isn't Pretty-Pretty. It's Barbarella."
Barbarella (1968)
Play clip (excerpt):

- "Well, Mr. Potts!"
- "What's the matter?"
- "Now you'll have to marry me. (laughter) So dreams can come true."
- "Yes, they can. Yes, they can. But you have to be practical, too. You have to face the facts. A man has to see things as they really are. After all, a man with responsibilities can't walk around with his head in the clouds all the time. A man should keep his feet solidly on the ground. Oh, a man should have his dreams, but a man has to learn to put those dreams to some practical use, not just sit around and think about 'em all the time."
Chitty Chitty Bang Bang (1968)
Play clip (excerpt):

"Hello, gorgeous."
Funny Girl (1968)
Play clip (excerpt):

- "Help! I'm a prisoner. I can't get out!"
- "We all prisoners, chickie-baby. We all locked in."
The Love Bug (1968)
Play clip (excerpt):

"They're coming to get you, Barbra."
Night of the Living Dead (1968)
Play clip (excerpt):

"Yeah, they're dead. They're all messed up."
Night of the Living Dead (1968)
Play clip (excerpt):

"I can't take it anymore, Felix. I'm crackin' up. Everything you do irritates me. And when you're not here, the things I know you're gonna do when you come in irritate me. You leave me little notes on my pillow. I told you 158 times - I cannot stand little notes on my pillow. 'We are all out of Corn Flakes. F.U.' It took me three hours to figure out that 'F.U.' was Felix Unger. It's not your fault, Felix. It's a rotten combination, that's all."
The Odd Couple (1968)
Play clip (excerpt):

"Please, sir. I want some more."
- "What!?"
- "Please sir, I want some more."
- "More?!"
Oliver! (1968)
Play clip (excerpt):

"Take your stinkin' paws off me, you damned dirty ape!"
Planet of the Apes (1968)
Play clip (excerpt):

"You finally really did it. You maniacs! You blew it up! God damn you! God damn you all to hell!"
Planet of the Apes (1968)
Play clip (excerpt):

- "What have you done to it? What have you done to its eyes?"
- "He has his father's eyes."
- "What are you talking about? Guy's eyes are normal.What have you done to him, you maniacs?!"
- "Satan is his father, not Guy. He came up from Hell and begat a son of mortal woman. (Hail, Satan. Hail Satan.) Satan is his father, and his name is Adrian. He shall overthrow the mighty and lay waste their temples. He shall redeem the despised and wreak vengeance in the name of the burned and the tortured! (Hail Adrian! Hail, Adrian! Hail, Satan! Hail, Satan! Hail, Satan!) He chose you out of all the world. Out of all the women in the whole world, he chose you. He arranged things, and he wanted you to be the mother of his only living son."
- "His power is stronger than stronger! His might shall last longer than longer! (Hail, Satan!)"
Rosemary's Baby (1968)
Play clip (excerpt):

"God is dead! Satan lives! The year is One, the year is One! God is dead! Why don't you help us out, Rosemary? Be a real mother to Adrian. You don't have to join if you don't want to. Just be a mother to your baby. Minnie and Laura-Louise are too old. It's not right. Think about it, Rosemary."
Rosemary's Baby (1968)
Play clip (excerpt):

- "...Open the pod bay doors, HAL."
- "I'm sorry Dave, I'm afraid I can't do that."
- "What's the problem?"
- "I think you know what the problem is just as well as I do."
- "What are you talking about, HAL?"
- "This mission is too important for me to allow you to jeopardize it."
- "I don't know what you're talking about, HAL."
- "I know that you and Frank were planning to disconnect me, and I'm afraid that's something I cannot allow to happen."
- "Where the hell did you get that idea, HAL?"
- "Dave, although you took very thorough precautions in the pod against my hearing you, I could see your lips move."
2001: A Space Odyssey (1968)
Play clips (excerpt): (short) (extended)

- "HAL, I won't argue with you anymore. Open the doors."
- "Dave, this conversation can serve no purpose anymore. Goodbye."
- "HAL, HAL, HAL, HAL, HAL!"
2001: A Space Odyssey (1968)
Play clip (excerpt):

"Look, Dave, I can see you're really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over."
2001: A Space Odyssey (1968)
Play clip (excerpt):

"Dave, stop. Stop, will you? Stop, Dave. Will you stop, Dave? Stop, Dave. I'm afraid. I'm afraid, Dave. Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it."
2001: A Space Odyssey (1968)
Play clip (excerpt):

"...It's called 'Daisy'. Daisy, Daisy, give me your answer due. I'm half-crazy, over the love of you. It won't be a stylish marriage. I can't afford a carriage. But you'll look sweet upon the seat of a bicycle - built - for - two."
2001: A Space Odyssey (1968)
Play clip (excerpt):

"…Eighteen months ago, the first evidence of intelligent life off the Earth was discovered. It was buried forty feet below the lunar surface, near the crater Tycho. Except for a single, very powerful radio emission aimed at Jupiter, the four million year old black monolith has remained completely inert, its origin and purpose still a total mystery."
2001: A Space Odyssey (1968)
Play clips (excerpt): (short) (long)

"Boy, I got vision and the rest of the world wears bifocals."
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

"Think ya used enough dynamite there, Butch?"
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

"Whatever they're sellin', I don't want it."
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

"I couldn't do that. Could you do that? How can they do that? Who are those guys?"
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

- "Kid. The next time I say: 'Let's go someplace like Bolivia,' let's go someplace like Bolivia."
- "Next time."
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

- "All right, I'll jump first."
- "Nope."
- "Then you jump first."
- "No, I said."
- "What's the matter with you?"
- "I can't swim."
- "(laughter) Why, you crazy? The fall'll probably kill ya!"
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

"Oh, good. For a moment there, I thought we were in trouble."
Butch Cassidy and the Sundance Kid (1969)
Play clip (excerpt):

- "You got a helmet?"
- "Oh, oh, I've got a helmet. I've got a beauty."
Easy Rider (1969)
Play clip (excerpt):

- "Oh, no thanks, I got some storebought right over here, on my own."
- "No, man, this is grass."
- "You- you mean marijuana. Lord have mercy, is that what that is? Well, let me see that."
Easy Rider (1969)
Play clip (excerpt):

- "You know, this used to be a helluva good country. I can't understand what's gone wrong with it."
- "Huh. Man, everybody got chicken, that's what happened, man. Hey, we can't even get into like, uh, second-rate hotel, I mean, a second-rate motel. You dig? They think we're gonna cut their throat or something, man. They're scared, man."
- "Oh, they're not scared of you. They're scared of what you represent to 'em."
- "Hey, man. All we represent to them, man, is somebody needs a haircut."
- "Oh no. What you represent to them is freedom."
- "What the hell's wrong with freedom, man? That's what it's all about."
- "Oh yeah, that's right, that's what it's all about, all right. But talkin' about it and bein' it - that's two different things. I mean, it's real hard to be free when you are bought and sold in the marketplace. 'Course, don't ever tell anybody that they're not free 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh yeah, they gonna talk to you, and talk to you, and talk to you about individual freedom, but they see a free individual, it's gonna scare 'em."
- "Mmmm, well, that don't make 'em runnin' scared."
- "No, it makes 'em dangerous."
Easy Rider (1969)
Play clip (excerpt):

- "We've done it. We've done it. We're rich. Wyatt. Yeah, man. Yeah. Clearly, we did it, man, we did it. We did it. Huh. We're rich, man. We're retired in Florida, now, mister. Whew."
- "You know, Billy? We blew it."
- "What? Huh? Wha-wha-wha- That's what it's all about, man. I mean, like you know - I mean, you go for the big money, man, and then you're free. You dig?"
- "We blew it."
Easy Rider (1969)
Play clip (excerpt):

"You're only supposed to blow the bloody doors off."
The Italian Job (1969)
Play clip (excerpt):

"Hang on a minute, lads, I’ve got a great idea."
The Italian Job (1969)
Play clip (excerpt):

"Uh, well, sir, I-I ain't a for-real cowboy. But I am one helluva stud."
Midnight Cowboy (1969)
Play clip (excerpt):

"(Hey!) I'm walking here! I'm walking here!"
Midnight Cowboy (1969)
Play clip (excerpt):

"It's alright. It's quite alright, really. She's having a rest. We'll be going on soon. There's no hurry, you see. We have all the time in the world."
On Her Majesty's Secret Service (1969)
Play clip (excerpt):

"Little girls, I am in the business of putting old heads on young shoulders, and all my pupils are the creme de la creme. Give me a girl at an impressionable age and she is mine for life. You girls are my vocation. If I were to receive a proposal of marriage tomorrow... from the Lord Lyon, king of arms, I would decline it. I am dedicated to you in my prime."
The Prime of Miss Jean Brodie (1969)
Play clips (excerpt): (early in film) (reprised at end, in voice-over)

- "I mean to kill you in one minute, Ned, or see you hanged in Fort Smith at Judge Parker's convenience. Which'll it be?"
- "I call that bold talk for a one-eyed fat man."
- "Fill your hand, you son-of-a-bitch!"
True Grit (1969)
Play clip (excerpt):

"Well, come see a fat old man sometime! Hyah!"
True Grit (1969)
Play clip (excerpt):

"If they move, kill 'em."
The Wild Bunch (1969)
Play clip (excerpt):

- "That damn railroad you're talkin' about sure as hell ain't a-gettin' no easier."
- "And you boys ain't a-gettin' any younger either."
- "We've got to start thinkin' beyond our guns. Those days are closin' fast."
The Wild Bunch (1969)
Play clip (excerpt):

"We're not gonna get rid of anybody! We're gonna stick together, just like it used to be! When you side with a man, you stay with him! And if you can't do that, you're like some animal. You're finished! We're finished! All of us!"
The Wild Bunch (1969)
Play clip (excerpt):