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FilmFour's 100 Greatest Films |
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The list aimed to include films that are generally considered as classics of cinema, broke new ground in technique, subject matter or ideas, had phenomenal popular appeal and a lasting impact on popular culture and represent the greatest work of cinema's most respected directors and performers. Note: The films that are marked with a yellow star
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Film Four's
100 Greatest Films of All Time (part 2, ranked) |
| 26. "Toto, I've a feeling we're not in Kansas anymore". Exuberant landmark of both children's entertainment and 1930s Technicolor filmmaking. Inventive, fantastical, colourful - and a surprisingly dark and complex tale about economics and the miseries of childhood. |
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| 27. We know what the year 2001 looks like now, and it doesn't look much like Kubrick's vision. But 2001: A Space Odyssey itself still looks immaculate. Spectacular, trailblazing and philosophical, it's an undisputed masterpiece. |
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| 28. KES (1969) Ken Loach's raw, truthful re-telling of Barry Hines's gritty story of a boy's alienation and brutal school life in 60s Yorkshire. |
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31. FARGO (1996) |
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32. |
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33. TRAINSPOTTING (1996) |
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34. THE FULL MONTY (1997) |
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35. |
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| 36. ALIEN
(1979) The film that gave us the action heroine, in the shape of Sigourney Weaver's Ellen Ripley, and presented space travel as just another job. It's a tour-de-force of suspense, slasher antics and good old-fashioned sci-fi. |
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37. THE SILENCE OF THE LAMBS (1990)
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38. WITHNAIL & I (1987) |
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39. THE GREAT ESCAPE (1963) |
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40. TOY STORY (1995) |
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| 41. Orson Welles' Harry Lime steals the show (and anything else he can get his hands on) in this stunning noir set amid the ruins of post-War Vienna, and featuring perhaps the most memorable chase sequence in cinema. |
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| 42. FOUR WEDDINGS AND A FUNERAL
(1994) Hugh Grant is at his bumbling best in this feel-good farce about whether or not to tie the knot. British filmmakers showed Hollywood how to do romantic comedy and Oscar nominations followed. |
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43. THE SOUND OF MUSIC (1965)
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| 44. FITZCARRALDO (1982) An obsessive adventurer decides to build an opera house in the middle of the Amazonian jungle. Easier said than done? Yes. A potent team-up from enigmatic talents Werner Herzog and Klaus Kinski. |
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45. DELIVERANCE (1972) |
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| 46. THE GOOD, THE BAD AND THE
UGLY (1966) Morricone's cheekily melodramatic score, and the physical interplay between the leading men all contribute to the film's (and Eastwood's) iconic status. |
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47. KIND HEARTS AND CORONETS (1949) |
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| 48. Polanski's masterly film noir takes us back to the days when Los Angeles was a (relatively) small town - and Jack Nicholson was a proper actor. |
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49. THE EXORCIST (1973) |
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| 50. Woody Allen's best work, this early romantic comedy starring Diane Keaton remains his only movie to win a Best Picture Academy Award - beating Star Wars, no less. |
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