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Film Spoilers and Surprise Endings Introduction |
(alphabetical by film title) - Introduction Intro | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 |
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During and after the 1970's, major motion pictures began to "play tricks" more regularly on audiences, partly in homage to the "Master of Suspense" Alfred Hitchcock, but also after the re-discovery and appreciation of acclaimed B-films - film noirs in particular that used plot twists fairly regularly - and found that audiences reacted well to them. For example, Hitchcock's Psycho (1960) was one of the first films to caution audiences to not reveal the "shocking secrets" - other films were to follow, e.g., Planet of the Apes (1968), Presumed Innocent (1990), The Crying Game (1992), The Sixth Sense (1999) and The Others (2001), though unlike Hitchcock's carefully devised marketing ploy, these were grassroots campaigns by the filmgoers themselves. Plot Twists: Spoilers: However, some spoilers have become very common knowledge i.e., Planet of the Apes (1968), so that they are no longer considered real spoilers. Sometimes, a spoiler has been embedded in a famous line of dialogue, such as "Soylent Green is people!" Many spoilers are inexplicably revealed explicitly on (1) video/DVD box covers and its cover art (i.e., The Letter (1940), Random Harvest (1942), The Bridge on the River Kwai (1957), Planet of the Apes (1968), Close Encounters of the Third Kind (1977)), (2) the DVD menu itself (i.e., Barton Fink (1991), The Shawshank Redemption (1994)), and (3) the trailer. Spoilers may generally include the revelation of the criminal or culprit, some other secret identity, or some other major plot event that changes the entire direction or perception of the film. Plot twists often help to make film-viewing a renewed experience, because a lot of the hints and red herrings in the film (that were missed during the first viewing) take on new meaning during a second screening. However, some plot twists have become so over-used that they have become tiresome and expected cliches (Halloween (1978) - the "undead dead", or Open Your Eyes/Abre Los Ojos (1997, Sp.) - reality is only a dream). Directors who are best known for film twists include Alfred Hitchcock, Brian De Palma, Pedro Almodovar, M. Night Shyamalan, and Dario Argento. |