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Main Film Genres
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Genre Types
(represented by icons)
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Genre Descriptions
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Select an icon or film
genre category below, read about the development and history of the
genre, and view chronological lists of selected, representative greatest
films for each one (with links to detailed descriptions of individual
films).
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Action
films usually include high energy, big-budget physical stunts
and chases, possibly with rescues, battles, fights, escapes,
destructive crises (floods, explosions, natural disasters, fires,
etc.), non-stop motion, spectacular rhythm and pacing, and adventurous,
often two-dimensional 'good-guy' heroes (or recently, heroines)
battling 'bad guys' - all designed for pure audience escapism.
Includes the James Bond 'fantasy' spy/espionage series, martial
arts films, so-called 'blaxploitation' films, and some superhero films. A major sub-genre is the disaster
film. See also Greatest
Disaster and Crowd Film Scenes and Greatest
Classic Chase Scenes in Films. |
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Adventure films are usually
exciting stories, with new experiences or exotic locales, very similar
to or often paired with the action film genre. They can include traditional swashbucklers, serialized
films, and historical spectacles (similar to the epics film genre), searches or expeditions for lost continents, "jungle"
and "desert" epics, treasure hunts, disaster films, or searches
for the unknown. |

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Comedies are light-hearted
plots consistently and deliberately designed to amuse and provoke
laughter (with one-liners, jokes, etc.) by exaggerating the situation,
the language, action, relationships and characters. This section
describes various forms of comedy through cinematic history, including slapstick, screwball, spoofs and parodies, romantic comedies, black comedy (dark satirical comedy),
and more. See this site's Funniest
Film Moments and Scenes collection - illustrated, and also Premiere Magazine's 50
Greatest Comedies of All Time. |
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Crime (gangster) films
are developed around the sinister actions of criminals or mobsters,
particularly bankrobbers, underworld figures, or ruthless hoodlums
who operate outside the law, stealing and murdering their way through
life. Criminal and gangster films are often categorized as film
noir or detective-mystery films - because of underlying similarities between these cinematic
forms. This category includes a description of various 'serial killer'
films. |
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Dramas are serious, plot-driven
presentations, portraying realistic characters, settings, life situations,
and stories involving intense character development and interaction.
Usually, they are not focused on special-effects, comedy, or action,
Dramatic films are probably the largest film genre, with many subsets.
See also melodramas, epics (historical dramas),
or romantic genres. Dramatic biographical films (or "biopics") are a major sub-genre, as are 'adult' films (with mature subject
content). |
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Epics include costume
dramas, historical dramas, war films, medieval romps, or
'period pictures' that often cover a large expanse of time set against
a vast, panoramic backdrop. Epics often share elements of the elaborate adventure films genre.
Epics take an historical or imagined event, mythic, legendary, or
heroic figure, and add an extravagant setting and lavish costumes,
accompanied by grandeur and spectacle, dramatic scope, high production
values, and a sweeping musical score. Epics are often a more spectacular,
lavish version of a biopic film.
Some 'sword and sandal' films (Biblical epics or films occuring
during antiquity) qualify as a sub-genre. |
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Horror films are designed
to frighten and to invoke our hidden worst fears, often in a terrifying,
shocking finale, while captivating and entertaining us at the same
time in a cathartic experience. Horror films feature a wide range
of styles, from the earliest silent Nosferatu classic, to today's
CGI monsters and deranged humans. They are often combined with science
fiction when the menace or monster is related to a corruption
of technology, or when Earth is threatened by aliens. The fantasy and supernatural film
genres are not usually synonymous with the horror genre. There
are many sub-genres of horror: slasher, teen terror, serial killers,
Satanic, Dracula, Frankenstein, etc. See this site's Scariest
Film Moments and Scenes collection - illustrated. |
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Musical/dance films are
cinematic forms that emphasize full-scale scores or song and dance
routines in a significant way (usually with a musical or dance performance
integrated as part of the film narrative), or they are films that
are centered on combinations of music, dance, song or choreography.
Major subgenres include the musical
comedy or the concert film. See this site's Greatest
Musical Song/Dance Movie Moments and Scenes collection -
illustrated. |
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Sci-fi
films are often quasi-scientific, visionary and imaginative
- complete with heroes, aliens, distant planets, impossible
quests, improbable settings, fantastic places, great dark and
shadowy villains, futuristic technology, unknown and unknowable
forces, and extraordinary monsters ('things or creatures from
space'), either created by mad scientists or by nuclear havoc.
They are sometimes an offshoot of fantasy films
(or superhero films), or they share some similarities with action/adventure films.
Science fiction often expresses the potential of technology
to destroy humankind and easily overlaps with horror films,
particularly when technology or alien life forms become malevolent,
as in the "Atomic Age" of sci-fi films in the 1950s. |
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War (and anti-war) films acknowledge
the horror and heartbreak of war, letting the actual combat fighting
(against nations or humankind) on land, sea, or in the air provide
the primary plot or background for the action of the film. War films
are often paired with other genres, such as action, adventure, drama, romance, comedy (black), suspense, and even epics and westerns,
and they often take a denunciatory approach toward warfare. They
may include POW tales, stories of military operations, and training. See this site's Greatest War Movies (in multiple parts). |
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Westerns are the major
defining genre of the American film industry - a eulogy to the early
days of the expansive American frontier. They are one of the oldest,
most enduring genres with very recognizable plots, elements, and
characters (six-guns, horses, dusty towns and trails, cowboys, Indians,
etc.). Over time, westerns have been re-defined, re-invented and
expanded, dismissed, re-discovered, and spoofed. |
In the lists of recommended genre films,
those that have been selected as
the 100
Greatest Films are marked with a .
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Genre
Categories:
They are broad enough
to accommodate practically any film ever made, although film categories
can never be precise. By isolating the various elements in a film and
categorizing them in genres, it is possible to easily evaluate a film
within its genre and allow for meaningful comparisons and some judgments
on greatness. Films were not really subjected to genre analysis
by film historians until the 1970s. All films have at least one major
genre, although there are a number of films that are considered crossbreeds
or hybrids with three or four overlapping genre (or sub-genre)
types that identify them.
The Auteur System can
be contrasted to the genre system, in which films are rated
on the basis of the expression of one person, usually the
director, because his/her indelible style, authoring vision
or 'signature' dictates the personality, look, and feel of
the film. Certain directors (and actors) are known for certain
types of films, for example, Woody Allen and comedy, the Arthur
Freed unit with musicals, Alfred Hitchcock for suspense and
thrillers, John Ford and John Wayne with westerns, or Errol
Flynn for classic swashbuckler adventure films. |