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Introduction to
Cinema Literacy 101:
Watching
a film's moving image, other than just for pure entertainment's
sake, is usually enhanced by viewing it with an informed awareness
of how a film works, and with some understanding, skill and background
training in the elements of the craft of film-making. Each film
viewer or movie-goer should strive to be a 'critic' (in the best
and most general sense of the word) and be receptive to the full
experience.
Viewing a film critically and attentively
means to realize cinema with greater thought and awareness, and
to elevate one's celluloid experience. It also means possessing
an informed knowledge of the film's complex and dense 'language,'
its conventions, codes, symbols, cinematic attributes, and other
factors.
Before investigating a film more thoroughly for a serious film
buff, read about various aspects of film-making, including film
terms essential to know in order to fully understand the
'language' of film. (See this site's illustrated Film
Terms Glossary for definitions of many terms used here.)
Search and view film information
with absolutely no obligation to make a purchase.
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How to Watch
a Film - STEP ONE

Introduction:
This short list is provided for the average movie-goer
to stimulate thought about film. It gives helpful hints
on the art of reading, analyzing, watching, critically viewing,
and deconstructing a film (to take apart the film's components
and interpret how it was all intentionally assembled together).
Anyone can learn the language, techniques, and structure
of cinema of both the past and present. The Internet
Movie DataBase (www.imdb.com)
is always a useful resource for factual information about
films. See also this site's Film
Search page for other helpful film resources.
Here are some simple suggestions, as a first
step, for viewing a film intelligently:
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Choose an Appropriate Film to View:
Usually, watch a film that is worth your while.
If you are in a film studies class, you will probably be studying
some of the classics of cinema, rather than watching the latest
popcorn film, action film or blockbuster.
This exhaustive list of various steps is not
intended for fluffy, entertaining films that are to be watched
for pure enjoyment's sake. However, make sure to choose a
film from any of the wide selection of genre
films available so that you can experience the entire spectrum
of different types of films.
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Have a Second Viewing:
Watch a deserving film more than once, and preferably with others
so that the experience may be discussed afterwards.
During the first viewing:
- become familiar with the basic plot, main
characters, important action, etc.
- in other words, acquire a brief synopsis
of its story including time and place, the characters and
their interactions, and the film's main themes without taking
notes
The second time around:
- pay more detailed attention to what is
being projected
- take notes and make observations
- begin to think in a more concentrated way
about the film's structure, acting, directing, the camera
shots and angles, etc.
[Note: Not all films deserve such scrutiny.]
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Turn on Dialogue Subtitles:
Use the closed-caption feature with DVDs, in order to better
understand the dialogue.
[Note: Oftentimes, the subtitles are
abbreviated and do not match the actual spoken words.]
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Watch Film Extras:
Play the added special features of most DVDs, including audio
commentary, the original theatrical trailer or teaser, deleted
scenes, and other related material. |
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Examine Title and Credits:
Consider a film's main title and its opening credits:
- Why was the specific title chosen (were
there any other alternatives considered?), and how do the
credits establish a tone or mood?
- What are the first sounds and images in
the film?
- Can you find any motifs in the credits?
- Do the end credits have any unusual features
(e.g., out-takes, gags, additional footage, etc.).
[Note: Up until the 1950s, films had
a very set format for the credits: (1) credits at the start,
(2) a "The End" title card following the film, and
(3) a cast list with character names. Recently, most films
immediately begin with a plot sequence, with 'opening' credits
("main title") super-imposed over them after a few
minutes, and extensive rolling 'full credits' ("end title"),
usually white text on a black background, after the film concludes.]
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Use Freeze-Frames:
Be prepared to pause (the freeze technique allows one to 'see'
how everything is positioned in a frame) and to replay various
scenes, shots, or sequences. |
Listen Carefully to the Soundtrack:
Prepare to listen carefully to the film's soundtrack and how
the music, songs, and score enhance the actions of the characters
and the film's mood. |
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Know Original Screensize:
Watch a film in a movie theater, if possible, where it was
designed to be projected, or purchase the film in a 'wide-screen'
format or in its original format.
[Note: Understand that films made before
the late 1950s had a width-to-height aspect ratio of 4:3 (or
1.33:1) called 'Academy Ratio,' similar to a television screen,
while more modern films have non-standard, wide-screen ratios
(that are often viewed in the pan-and-scan mode).]
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Determine Choice of Film Stock:
Consider why the film was made as either color or black/white
(if a choice was possible).
Watch how color (or black and white) is used?
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Evaluate Production Values:
Does the film have one or the other:
- high-production values (with a glossy and
expensive look)
- low-production values (it's a low-budget,
amateurish, B-film)
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Study Running Time and Timeline:
Know the entire run time of the film and the
locations of various segments (or sequences) or turning points
within that time frame.
Keep track of the timeline of the film's parts
- with the digital counter of a VCR or DVD player.
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Maintain Objectivity:
Maintain objectivity to what is being presented, without pre-judging
the film based on what you've heard about it (from critics or
friends), your preconceptions about the actors in it, the reputation
of the director, etc. |
Overall Quality:
View the film as a whole, realizing that it is composed of the
sum of all of its parts. Some individual parts may be 'great'
but the film must hold together, and be cohesive and meaningful
in its entirety. |
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