Film Spoilers and
|Film Title/Year and Plot Twist-Spoiler-Surprise Ending Description|
Righteous Kill (2008)
The Serial Killer Was Detective Fisk (or "Rooster"), Not His Partner Detective Cowan (or "Turk") Who Had Confessed To the Murders on a Videotaped Recording - The Taped Confession Was Misleading Because "Turk" Was Only Reading "Rooster's" Confession From His Little Notebook; In the Final Scene, "Turk" Shot "Rooster" to Death
Director Jon Avnet's crime thriller and buddy cop film was only the second film (following Heat (1995)) ever made to co-star Robert De Niro and Al Pacino, two powerhouse actors, who were on-screen together for a significant amount of time. The film followed the two veteran, hard-talking NYC cops on the trail of a serial killer:
The formulaic film opened with a trick sequence and red herring - the key to the entire film. It was a B/W videotaped recording of "Turk" admitting to being the serial killer. In actual fact, he was reading (at gunpoint) the notebook-confessional of his partner "Rooster." [The complete scene was replayed in the film's conclusion.] He began by stating, in the words of the diary, that his name was Detective David Fisk and later, he also reaffirmed: "My name is David Fisk, Detective First Grade." However, the 'real' Fisk had forced his 30 year partner "Turk" to read his own diary confessional (on-camera), admitting that he was the "Poetry Boy" killer. It was confusing for the remainder of the film to hear "Turk"'s voice-over as the narrator for the film's story, offering an interior monologue of the killer's guilt-ridden conscience about his murderous exploits. At first, the script deliberately made it confusing by only using the cops' nicknames, not their real names.
However, in a few cases, it was clear that "Rooster" was the killer and that he had written the monologue. "Turk" spoke on the tape: "Tom Cowan's been my partner for almost 30 years. He's the best cop I've ever seen...He was my role model. The day I stopped trying to be Tom Cowan was the greatest day of my life." The pivotal event that set "Rooster" off to being a 'bad cop' was the "unacceptable" acquittal of child molester and murderer Charles Randall (Frank John Hughes) - after which his idol and partner "Turk" planted a gun at Randall's house to guarantee his conviction ("for the crime he didn't commit").
The cop-poet serial killer was a suspect in a series of ultimately 14 vigilante murders (of murderers, scumbags, degenerates, rapists, drug lords, and pimps) committed over a number of years, all found with a 4-lined rhyming poem and gun next to their bodies. The cops' supervisor, Lt. Hingis (Brian Dennehy), two suspicious and nosy junior detectives Theodore or "Ted" Riley (Donnie Wahlberg) and Simon Perez (John Leguizamo), and forensics specialist Karen Corelli (Carla Gugino) (who was enjoying rough abusive sex with "Turk") were investigating the series of murders - and were convinced that the killer was a cop - with all signs pointing at "Turk."
The film showed flashbacks to some of the other murders:
By film's end, it was clearly revealed that "Rooster" was the actual "Poetry Boy" killer, who had committed the series of "righteous kills" and taken justice into his own hands against criminals who were released due to lack of evidence or other technicalities. In the conclusion, "Rooster's" final vigilante kill was the shooting of drug dealer and Harlem Club 404 owner Marcus "Spider" Smith (rap star Curtis "50 Cent" Jackson) in the head at point-blank range. "Turk" witnessed the execution, and then was forced to read outloud from "Rooster's" little notebook, as his cop-friend explained: "Everything you want to know is in there. So go ahead. Out loud. For the record." "Turk" began reading -- restating what was in the film's opening: "My name is David Fisk, Detective First Grade. I've been a cop in the NYPD for nearly 30 years. In that time, I've killed 14 people."
In the final revelation scene, "Rooster" confessed to "Turk" about the disastrous effects of the Randall gun frame-up: "(You) let me down. I lost my faith. That's when it all started. And once it did, I couldn't stop. Finally, I didn't want to. So I did my own thing. And you know what? In the end, it got done. The scum went down. And that's it. That's that." "Turk" responded that he would have to hold "Rooster" accountable for the murders: "At some point, I gotta call it in." "Turk" wouldn't allow his partner Fisk escape. During a stand-off, "Turk" was goaded into shooting "Rooster" after a short chase in a nearby construction site and warehouse. "Rooster" was left to die there (after he asked to have the ambulance cancelled). "Rooster's" final words were: "You're a good man, Tom. You're a good man. I wish you - I wish you continued success."
The final scene was of "Turk" and his superior officers watching the video of him reading "Rooster's" notebook confessing to all of the "Poetry Boy" murders, and clearing "Turk" of any suspicion. It also appeared that "Rooster's" crime wouldn't be further exposed or prosecuted. "Turk" would choose to continue being a "good" cop.
The Ring (2002)
Rachel Was Spared By Making a Copy of Samara's Videotape To Pass On The "Curse"
In the plot premise of this remake of the original Japanese film, Ringu (1998, Jp.), if a person watched a cursed videotape, they would receive a fatalistic phone call warning them that they only had seven days to live. It was at first thought that simply viewing the videotape would soon cause inevitable death.
The enigmatic tape displayed bizarre grainy images, and led investigative reporter/journalist Rachel Keller (Naomi Watts) in a race against time to learn about a murdered girl named Samara Morgan (Daveigh Chase). The girl had been murdered by her adoptive parents when they dumped her into a water well on a horse farm. The 'ring' was the last thing that Samara saw deep down in the well - it was a corona of daylight as Anna Morgan placed a stone cover-lid on top of the well.
The videotape was created, reportedly by Samara's ability to imprint thermographic images on things, including recording tape. The killing spirit of Samara wished to have as many people suffer as possible, as she did. Rachel thought that the discovery of how Samara died, and the proper burial of her body would end the troubling curse, but she was wrong. Her psychic 9 year-old son Aidan (David Dorfman) warned: "She never sleeps."
In one of the film's scariest scenes set in the apartment of Rachel's ex-boyfriend Noah Clay (Martin Henderson), Aidan's father, his TV turned on by itself with the frightening and haunting image of the undead, partially-decomposed Samara emerging out of her watery well grave, walking toward the screen, and then literally crawling out of the TV set -- before killing Noah with her lethal stare and fulfilling the curse.
Rachel realized that she had been spared from being killed because she passed the curse on by simply making a COPY of the videotape and giving it to someone else to watch. She also helped Aidan to make a copy of the tape to show someone else, so he would survive. But he asked the inevitable question in the film's final line:
The Road Warrior (1981, Aust.) (aka Mad Max 2, or Mad Max 2: The Road Warrior)
The Tanker Truck Was Filled With Sand As A Diversion - To Allow the Band of Survivors to Escape to the Coast; The Film's Narrator Was the Feral Kid
In the lawless wasteland of the post-apocalyptic terrain in this action-thriller sequel, former cop road warrior Mad Max Rockatanksy (Mel Gibson) assisted a small band of decent-living survivors to defend a remote oil refinery under siege. Their petrol was a very precious commodity. The attacks were coming from a nomadic terrorizing, marauding horde led by warlord 'Humungus' (Kjell Nilsson) wearing a mask to cover his disfigured face, and his maniacal mohawk-wearing chief enforcer Wez (Vernon Wells).
In the film's exhilarating chase finale, it was revealed that the Mack tanker truck allegedly filled with refined petroleum fuel ("precious juice") that was driven by Max in a breakout drive toward the coast had been a decoy as a diversionary tactic. Unbeknownst to him, his fuel tanker was filled with sand -- the gasoline was in large drums stored in a school bus back at the fuel compound, allowing the small band of settlers to escape to the coast.
In the epilogue, the helicopter/autogyro pilot Gyro Captain (Bruce Spence) went North with the settlers as their new leader, and the Feral Kid (Emil Minty) (the Narrator) with a bladed boomerang eventually became the chief of the Great Northern Tribe, when Gyro Captain died. And regarding the Road Warrior: "He lives now, only in my memories."
Robot Monster (1953)
Everything Was a Dream of Young Johnny, or Was It?
There was a simple twist ending to this famous schlocky 3D science fiction film, often considered one of the worst films ever made. Alien Ro-Man (George Barrows) - looking like a gorilla wearing a diving helmet - was responsible for the entire pre-emptive conquest of the Earth and destruction of humanity, before an impending invasion. He possessed a deadly cosmic ray called the "Calcinator."
Only eight individuals survived (one scientist, a family of five, and two of the scientist's unseen assistants) who were given an antidote and were immune to the death ray. Many of the earthbound survivors were destroyed when Ro-Man unleashed his Calcinator on their rocketship bound for an orbiting space station, and he was killing the remainder, one-by-one.
The youngest member of the family awoke during the destruction of Earth - and it was revealed that everything that had occurred was from the mind of bratty young Johnny (Gregory Moffett). He was on a picnic with his widowed mother (Selena Royle) and sister Alice (Claudia Barrett) when he came upon a pair of archaeologists, Roy (George Nader) and the Professor (John Mylong), exploring a cave. He thought he had taken a nap, but he had fallen down and hit his head on a rock - experiencing a dream ("Boy was that a dream or was it?"), with the characters taking various roles in his nightmare.
But after Johnny was revived and brought home, the "dream" started again (reminiscent of the plotline of the similar Invaders From Mars (1953)).
An electrical flash revealed the ghostly apparition of Ro-Man, who lumbered menacingly out of a cave towards the camera -- three times!
In the Boxing Finale, Rocky Lost The Fight (By Decision) Although He Went the Distance
In the exciting 15-round world heavyweight boxing fight finale, champ Apollo Creed (Carl Weathers) won by a split decision, although his underdog opponent "Italian Stallion" or Rocky Balboa (Sylvester Stallone), with a bloody face and swollen eyes, had gone the distance.
The importance of the actual outcome of the fight was deliberately muted and in the background, emphasizing the profundity of the moral victory Rocky achieved by "going the distance" against overwhelming odds.
He was lovingly embraced by Adrian (Talia Shire) in the ring following the decision as they proclaimed their love for each other; the self-respecting Rocky proved that he was more than a born loser and "another bum"
Romance (1999, Fr.) (aka Romance X)
Newly-Liberated Marie Was Pleased That the Unloving Father of Her Child Died in a Gas Explosion
This sexually-graphic, unrated drama import from daring French filmmaker Catherine Breillat told about a sexually-frustrated, self-reflective, semi-depressed Parisian elementary school teacher named Marie (Caroline Ducey). She was paired with an unresponsive, unloving male partner and model named Paul (Sagamore Stevenin). He no longer touched her or agreed to intercourse, although she still clung to him.
Feeling dishonored, she began to contemplate finding unbridled sexual gratification and lustful fulfillment through various 'no-strings-attached,' explicit sexual encounters with others, including an Italian stranger, named Paolo (Italian porn star actor Rocco Sefredi). She also associated with her older boss Robert (Francois Berleand), a "prince of seducers," who claimed he had enjoyed 10,000 women (with a record of his conquests). He promoted her potential for S&M masochism, degradation and bondage.
When she began pulling away from Paul, she became pregnant with his child during one rare act of sexual contact (through a drop of his seminal fluid without ejaculation). After nine months of drifting further apart from Paul, she left his apartment to deliver her baby, accompanied by Robert. Paul was left passed out from booze in his apartment's bed, with the gas stove turned on - so that he would die in the subsequent explosion.
The film ended abruptly with Marie pleased with Paul's death, the scene of his funeral, and her voice-over: "I gave my son his father's name. If someone up there counts souls, then we're even."
Rosemary Was Impregnated By Satan, Due to Her Husband's Deal with Devil Worshippers (Their Neighbors); Maternally-Overcome, She Rocked the Devil Child
In this film's shocking twist ending, Rosemary Woodhouse (Mia Farrow) snuck into the neighboring Castevet's apartment through the closet passageway - with a kitchen knife upraised in her hand. There she found a coven of Satanists including her husband Guy (John Cassavetes), surrounding a black-draped baby cradle to pay their respects.
She approached the black bassinet expecting to see her own human child, but when she discovered her Anti-Christ child with inhuman eyes, she screamed: "What have you done to him? You maniacs!", followed by lead Satanist Roman Castevet's (Sidney Blackmer) response: "He has his father's eyes!"
Rosemary realized that she had been impregnated by the Devil and the baby was the offspring of Satan and Rose-Mary (a variant on the name Mary in the Biblical story).
Although Rosemary rejected the devil-worshipping coven, she accepted the reality of the situation and showed an instinctive mothering role and maternally affectionate instinct towards her Satan-spawned baby Adrian in the final scene - she gently rocked the child to sleep.
Run Lola, Run (1998, Ger.)
There Were Three Endings To the Story - Which One Was Real?
This exhilarating film followed three breathtaking and frenetic attempts (all "what-if" scenarios of reliving the past), largely shot in real time.
In each scenario, tattooed, short red-haired Lola (Franke Potente) raced to acquire 100,000 DeutschMarks needed to save the life of her dependent, drug-dealing boyfriend Manni (Moritz Bleibtreau). He was panicking at a phone booth in Berlin, where he was to meet his boss Ronnie (Heino Ferch) at noon (in about 20 minutes) with the cash. However, he had inadvertently left the bag of cash on the subway car, where it was picked up by a homeless bum.
Lola's task was to acquire the replacement cash and get it to Manni before he robbed a grocery store to get the cash he needed to pay off the debt.
The film's twist was that she was off by a matter of seconds each time, drastically altering the consequences:
In the third and happy ending, Manni tried to reassure Lola: "Did you run here? Don't worry. Everything's okay. Come on." The question the viewer must ultimately ask: "Which scenario was the real one?"
Greatest Movie Plot Twists, Spoilers and Surprise Endings
(alphabetical by film title)
Intro | A1 | A2 | B1 | B2 | B3 | B4 | B5 | C1 | C2 | C3 | D1 | D2 | D3 | E1 | E2 | F1 | F2 | G | H1 | H2 | H3 | I | J-K | L1 | L2
M1 | M2 | M3 | M4 | M5 | N | O | P1 | P2 | Q-R1 | R2 | S1 | S2 | S3 | S4 | S5 | S6 | T1 | T2 | T3 | U-V | W1 | W2 | W3 | X-Z