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The Man Who Knew Too Much
(1956)
In Alfred Hitchcock's VistaVision and Technicolored
suspense-thriller - it was an overextended, dramatic assassination
mystery, and a colorful remake of his own political thriller film
from 22 years earlier; it was the only movie in his entire
filmography that he made twice -- the first
was a decidedly B/W British version made in 1934, shorter by 45 minutes
and less sophisticated technically, that starred Peter Lorre as the
criminal villain named Abbott. American scriptwriter John Michael
Hayes adapted the 1934 film's screenplay written by British screenwriters
Charles Bennett and D. B. Wyndham-Lewis.
Hitchcock's film won the Academy
Award for its sole nomination - Best Original Song ("Whatever
Will Be") (aka "Que Sera Sera") sung by Doris Day, and
it became her biggest career hit and her 'signature' song, as well
as serving as her theme song for her TV show The
Doris Day Show (1968-1973). It competed against songs nominated
from Friendly Persuasion (1956), High Society (1956), Written
on the Wind (1956), and Julie (1956). This was James Stewart's third
film for Hitchcock (out of four total) - he had already made Rope
(1948), and Rear Window (1954),
and would go on to star in Hitchcock's masterpiece
Vertigo (1958).
On a budget of $1.2 million, the film made $11.3 million
(domestic) and was moderately successful. The film was effective
in its use of on-location shoots, its evocation of international
intrigue, mistaken identities and murder, and its placement of an
innocent American family in harm's way both in Morocco and in London
as they investigated an alleged assassination plot while trying to
rescue their young son. One of its taglines was: "A little knowledge
can be a dangerous thing!"
- the 1956 production opened with title
credits that appeared over a view of a performing orchestra - it
was a preview and foreshadowing of the film's exciting finale that
was marked by clashing cymbals, accompanied by a title
screen prologue: "A single crash of Cymbals and how it
rocked the lives of an American family"
- the early part of the film introduced
the American McKenna family from Indianapolis, Indiana; it was
the first weekend in June of 1955, and the family had just attended
a medical conference in Paris; after visiting Rome and Lisbon,
they were now vacationing tourists on a bus traveling from Casablanca
to the city of Marrakesh in French Morocco (in Northern Africa);
the family consisted of surgeon-husband Dr. Benjamin "Ben" McKenna (James
Stewart) (at Good Samaritan Hospital) and his wife, newly-retired
singing star celebrity Josephine "Jo" Conway (Doris
Day), with their 7 year-old son Henry or "Hank" (Christopher
Olsen); Mid-western surgeon Dr. McKenna had been stationed in a
Casablanca army field hospital during WWII
"An American Family" on a Bus from Casablanca
to Marrakesh (l to r): "Jo," "Hank," and Ben McKenna
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A Frenchman Intervening to Quell a Dispute With
an Angry Muslim Husband
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The Frenchman Identified as Louis Bernard (Daniel
Gelin) |
- during their trip, Hank walked down the bus aisle,
and when the vehicle jolted, he staggered and reached out his hand
and accidentally grabbed hold and pulled off the veil
of one of the local Muslim women (Mahin S. Shahrivar); for a few
tense moments, the Muslim husband (Abdelhaq Chraibi) threatened
to assault Hank when a friendly, handsome young Frenchman passenger
named Louis Bernard (Daniel Gelin) seated nearby intervened, calmed
the angry man, and reassured the American family that the problem
was resolved: ("There are moments in life when we all need a little help...The Moslem
religion allows for few accidents"); the McKennas
were thankful to the outgoing and unusually helpful Frenchman Bernard,
who befriended them; once the bus arrived in Marrakesh, Louis Bernard
promised to meet them later for drinks in their hotel suite, and
take the family to an "intriguing" Arab
restaurant for dinner where the manner of eating was "exotic"
- on their way to their high-class hotel in an open
carriage-wagon ("a horse-drawn convertible"), the suspicious
Jo cautioned her husband that Bernard was "a very mysterious
man" who they knew nothing about; using her feminine intuition, she reminded
Ben that Bernard had learned way too much about their family in
a very short period of time (he was a "man who knew too much"),
and she felt that Ben was too trusting of him: "He
was asking all kinds of questions, and you were answering. You
might as well have handed him your passport"; she rightly
sensed that Bernard might have something to hide; not taking her
seriously, Ben attempted to quiet her protective complaints by
condescendingly retorting: "I have nothing to hide...You're sore
because this fella didn't ask you any questions" - revealing his hidden contempt for
his wife's popularity and fame
- [Note: their carriage-ride conversation revealed evidence that their marriage
was not entirely one of domestic harmony; in retrospect, if he
had heeded her cautionary advice, the entire plot against their
family - the film's main story - could conceivably have been avoided]
- in front of the Hotel de la Mamounia in Marrakesh,
Jo sensed that they were being watched by another
departing couple, and she told Ben: ("We're being watched") - Ben
reacted with further exasperation at his wife's imagined concerns
- later that early evening in the McKennas' suite
with a view of a crescent moon and minarets in the city, Louis
Bernard had joined the family for cocktails, and was on
the balcony as the family was dressing to leave in the bedroom;
in a domestic scene as Jo was readying her son Hank for bed (and
had arranged for a baby-sitter), Jo began singing the melody of
the song: "Whatever Will Be" to him as he
joined in; Hank sang the line: "I asked my mother, 'What will
I be?'", and Jo looked at Ben to receive his answer: "He'll make a fine
doctor"; the two joined together for another verse (with Ben
whistling the tune), and then sang the final line of the chorus together;
on the balcony, Bernard praised Jo's singing, but avoided answering
any of her questions about his past
The Balcony View From the Hotel
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Jo Singing "Whatever Will Be" to "Hank"
As She Prepared Him for Bed in the Hotel
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- the family was startled when a sinister-looking
man knocked loudly at their door [Note: He would later be identified
as Rien (Reggie Nalder), a hired assassin]; he stated that he was
looking for the room of "Monsieur Montgomery," and had the wrong
room; Bernard witnessed the incident and then abruptly made a phone
call and cancelled his dinner plans with them due to an "important matter"
- that evening in a local Arab restaurant in Marrakesh
in a 'fish-out-of-water' dinner scene due to conflict with cultural
norms in a foreign country, the McKennas were seated; the tall and
lanky Dr. McKenna felt completely awkward sitting on low cushions,
due to his long legs being unable to fit under the table; they were
also unaccustomed to having their hands washed before eating without
utensils; they were befriended by a couple seated behind them (Jo
noted that they were the same couple from the front of their hotel),
who claimed that they were fans of singer-performer "Jo Conway"
- her former stage name; she described how she was temporarily
retired from the musical stage due to her husband's medical work
in the Mid-West: (Jo: "The Broadway musical shows are not produced
in Indianapolis, Indiana. Of course, we could live in New York.
I hear the doctors aren't starving there, are they?")
- the English couple introduced themselves
as Lucy (Brenda De Banzie) and Edward Drayton (Bernard Miles) who worked
for United Nations Relief, and they joined together at one table,
to follow the local custom of eating their chicken dinner with one
hand [Note - Spoiler: the Draytons were later revealed to be the real
criminals - leaders of an anarchist terrorist
group involved in an assassination plot.]
- the McKennas were shocked when Louis Bernard entered
the restaurant to dine with an elegantly-dressed woman (Gladys
Holland) at a corner table; it was unusual that without any explanation,
he basically ignored the McKennas; Jo was able to calm down Ben
who became "worked up" over the insult from Bernard and
was inclined to get up and confront him; the female conversed with
Bernard and asked him - in French: "C'est les deux que cherchez?
(Is that the couple you are looking for?)," and he answered affirmatively
- the next day, the Draytons followed up on their
offer to tour the McKennas through a crowded Marrakesh bazaar
marketplace (with Hitchcock making his customary cameo appearance
watching acrobats); they saw a white-robed, dark-skinned man, obviously
with face paint, being chased by police; a second, faster white-robed
person entered into the chase and stabbed the lead man in the
back; the police continued their pursuit after the second man,
not realizing that the dying victim had stumbled over into
the open-air market square
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The Stabbing of a White-Robed Individual by a Second
Person
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- the dying Arab approached toward the Draytons and
the McKennas; Ben pointed him out to everyone: "Hey, hey look there! "; the victim
reached out to specifically speak to Dr. McKenna and slowly collapsed
to the ground; Ben reached out to the Arab with his hands, and his fingers slid off the man's
face, rubbing dark face paint off onto his fingers; the removal of
the face paint revealed that he was the Frenchman Bernard whom the
McKennas had met earlier
In the Marrakesh Marketplace, The Whispered Cryptic
Secret to Ben McKenna by Dying Louis Bernard
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"Monsieur McKenna. I'm Louis Bernard"
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- the Arab gasped: "Monsieur McKenna. I'm Louis
Bernard"; with his left arm, Bernard pulled Ben down to whisper
a secret into his ear: "A man, a statesman
is to be killed, assassinated, in London. Soon, very soon. Tell them
in London to try Ambrose Chappell"; during a close-up of Ben's
ear, his eyes widened as he heard cryptic
news of an impending assassination of an unnamed statesman in London;
and then Bernard's grip on Ben's neck loosened as he died and fell
back onto the ground; it was then that Ben discovered the knife that
had been sticking out of Bernard's back
- Ben asked Jo for a small notepad and scribbled down
bits and pieces of what he had heard; a uniformed French policeman
approached and asked in French: "Did you know this man?",
and after a translation, Jo answered affirmatively: ("Yes,
we do know him, he's Louis Bernard, the French..."); the two
were asked to proceed to police headquarters to make a statement,
as Mrs. Drayton volunteered to take Hank back to the hotel room
for them; as Ben and Jo walked to a police car, Ben (who was now
the "man who knew too much") was mystified: ("Why was he killed?");
she correctly hypothesized that Bernard "was a spy or something
like that"; and then Ben asked himself: "Why
should he pick me out to tell?" and appeared cluelessly
sympathetic to Bernard: "After what you said about him last night, the poor fella"
- in the police HQs, it was revealed by the
French police inspector (Yves Brainville) to the McKennas that
Bernard was a French Intelligence agent working there in Morocco,
part of the Deuxime Bureau, better known as the "American
FBI"; it had been learned that he had been investigating a potential murder
of a statesman, and shared the secret of what he had discovered
with Dr. McKenna: ("The dead man found out what he had been
sent here to discover. That's why he was killed. He told you what
he had discovered... Because he placed complete confidence in you")
- during the inspector's questioning,
Dr. McKenna was interrupted with an ominous, blackmailing phone
call from an unidentified French-accented individual threatening
harm to his son Hank if he refused to keep quiet about Louis
Bernard's whispered secret in the marketplace: ("If
you tell even one word of what Louis Bernard whispered to you
in the marketplace, your little boy will be in serious danger.
Remember, say nothing"); Mr. Drayton attempted to phone
the hotel to speak to his wife, but nobody reported seeing
her; after threatening to go to their American consulate, the
McKennas signed release papers and returned to the hotel
- on the way back to their hotel, Ben reluctantly
showed Jo his notes on her notepad paper - the notes were verbatim
what Bernard had whispered: "A man, A statesman is to be killed,
Assassinated, in London, soon, very soon. Tell them in London to
try Ambrose Chappell"; Jo offered sound advice - for them to turn the note over to the
American consulate, leave town, and "not get any more involved,"
but Ben was very hesitant
- as Jo entered the hotel, Ben was shocked to hear
from the hotel doorman (John O'Malley) that there had been no sign
of Mrs. Drayton, and that Mr. Drayton had already checked out;
in their hotel room, when Jo mentioned she was going to call Mrs.
Drayton, Ben ordered her to not, and called her "excited and nervous";
he began pressuring her to relax by taking
a strong sleeping sedative, and bargained that the "price of curiosity"
would be for her to take the pills and then he would disclose
something he hadn't yet told her
- after she complied, he described
his sudden revelation to Jo that her intuitions had been right
all along about Bernard; he had figured out why they had been approached
by the overly-friendly Bernard before his death - they had been
mis-identified as the Drayton couple that Bernard was suspiciously
tracking: ("He started to talk to us, and the reason he started to talk to us
was 'cause he was on the lookout for a suspicious married couple...it
was a different married couple....He found them, all right. It
was in the restaurant where we had dinner last night. And that's
one of the reasons he was killed"); he also told her about
the blackmail phone call at the police HQs about keeping silent,
and then that he had deduced that their son Hank had been "taken
away" (kidnapped) by the Draytons for blackmailing purposes; she
was devastated both by the news and how she had been drugged by
him, and at one point, threatened: "I could kill you!"
- once Jo revived, Ben explained how they couldn't
tell the local police - since it would only further endanger Hank's
life; he also discovered that the Draytons had taken Hank on their
private airplane back to London where they lived; Ben had already packed
them up and checked out, before they made a dangerous return
trip back to England, in a plot of counter-espionage and intrigue,
to avert a suspected assassination attempt in London, find Ambrose
Chappell, and search for their kidnapped son Hank
- at the airport in England, Jo was greeted by crowds
of fans and press photographers, even though she hadn't played
in London for four years; Inspector Edington (Harry Fine) of
the Criminal Investigation Department (CID) met them at the plane
and escorted them to briefly meet Special Branch officer Mr.
Woburn (Noel Willman), who then brought them to an interview conducted
by Mr. Buchanan (Ralph Truman) of Scotland Yard; Buchanan revealed
he knew about their situation, but became frustrated when Jo
told him that they wouldn't tell him the whispered secret told
to Ben by Louis Bernard; he demanded that the two stubborn McKennas
divulge the message: "If you don't tell me all you know, you become
an accessory before the fact of murder"; Ben falsely
claimed that Bernard had spoken to him in French, and the couple
decided to not cooperate with the authorities, but implied that
they would investigate on their own
- at that moment, Jo received a phone call from Mrs. Drayton,
and it was confirmed that "Hank" was
OK when she briefly spoke to him; after the McKennas checked into
their luxurious hotel suite, Ben perused the local London phone book,
to locate the names and locations of any persons named "Ambrose Chappell";
Ben was interrupted mid-call with Ambrose Chappell by the unexpected
arrival of Jo's old musical career acquaintances who barged into
their suite: Val and Helen Parnell (Alan Mowbray and Alix Talton),
Jan Peterson (Hillary Brooke) and blonde Cindy Fontaine (Carolyn Jones)
- Ben snuck out of the hotel through the service entrance to meet with the "Ambrose
Chappell" that he had phoned, at their
Camden Town address on Burdett St.; after walking down a long London-area
street and fearing that he was being followed due to the echo of
footsteps behind him, he realized that an Ambrose Chappell owned
a Taxidermy Shop; inside, the workshop area was cluttered with
stuffed animals and workers, and there were two taxidermists - an elderly Ambrose Chappell
Sr. (George Howe) and a middle-aged Ambrose Chappell Jr. (Richard
Wordsworth) (the one who had followed Ben on the street and entered the shop)
- after browbeating, frightening
and subjecting the younger Ambrose to verbal abuse and unfounded
accusations about a killing in Marrakesh and a kidnapping, Ben
suddenly and shockingly realized that he was "in the wrong place"
when employees in the workshop dropped their tools and came to
their employer's defense by assaulting Ben and subduing him; Ben
broke free and raced for the exit door
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In the Taxidermy Shop, Ben Questioning Ambrose Chappell,
Sr. & Ambrose
Chappell, Jr.
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- back in the hotel suite with her friends about an
hour after Ben had left, Jo suddenly had a revelatory insight that
Ben had misinterpreted Bernard's whisper by assuming that Ambrose
Chappell was a person instead of a place: ("It's not a man, it's a place!") -
and "Ambrose Chapel" was where Hank was being held hostage by the Draytons; she confirmed that
'Ambrose Chapel' was in the London phone directory; she hurriedly
left and promised to return as soon as possible
- when Ben arrived back at his hotel suite, he was
told that Jo had left 20 minutes earlier to visit Ambrose
Chapel: (Helen: "It isn't a he! It's an it! A building"); after
speaking on the phone together, the McKennas agreed to meet up there
- it was revealed that the Draytons
were part of an anarchist terrorist group that was holding
Hank hostage in the upstairs of the Chapel, with assistance from
bespectacled Edna (Betty Baskcomb), the church organist;
the group was plotting an assassination of some sort (the murder
of a distinguished visiting foreign dignitary), set to take place at
the end of a concert performance at the Royal Albert Hall that evening;
the assassin - Drayton's hired gunman Rien - was
the man who was seen at the McKenna's hotel doorway in Marrakesh;
Rien was instructed to precisely time his murderous gunshot; it was
planned to coincide with and be drowned out by a dramatic clash of cymbals at the
end of the symphonic concert; marksman Rien was to share a concert
hall balcony box with a Miss Benson (Barbara Burke) to lend him an
"an air of respectability"
- after Ben arrived by taxi in front of the chapel,
the McKennas entered (without police assistance) and sat in a
back row of chairs during the singing of a hymn; they discovered
that Mrs. Drayton was passing the offertory plate, and her husband
was leading the church service; it was a stunning moment when Mrs.
Drayton recognized them in the congregation, and tried to alert
her husband; as Jo left a few moments later to phone Inspector Buchanan, Mr. Drayton
noticed Jo slipping out, and cut the service short
- after the parishioners
filed out, Ben was the only one left in the chairs; he confronted
Drayton, and yelled out to Hank who responded from an upstairs
room, but then Ben was knocked unconscious by one of Drayton's
men; meanwhile, Jo could only speak on the phone to Inspector Buchanan's
assistant Mr. Woburn, since Buchanan was attending a
"diplomatic affair" at the Albert Hall; shortly later,
a police car was dispatched to the chapel, but the officers soon
left after they were unable to enter the emptied and locked Chapel
without a warrant; they didn't realize that a car pulled away from
the rear of the chapel, with Hank and the hostage takers (including
the Draytons), and arrived at a foreign Embassy; later, Ben regained
consciousness and was able to escape by climbing the church bell's rope
- except for the group holding Hank hostage, most
of the main characters converged on London's famous Royal Albert
Hall in a very suspenseful, wordless, 14-minute climactic sequence
during a concert performance of Arthur Benjamin's "Storm Clouds
Cantata" (by the London Symphony Orchestra
conducted by Bernard Herrmann); both McKennas and Inspector Buchanan
were keenly aware of the assassination plot
- as Jo entered the Royal Albert Hall, in the crowded
lobby, she momentarily glimpsed, from her POV, the assassin, who
warned her that if she divulged anything, her son would instantly
be killed: ("You have a very nice little boy, Madame. His safety
will depend upon you tonight"); then, after entering into
the concert hall, she stood in the aisleway and surveyed the scene
- determining the location of the dignitaries' box (the location
of the Prime Minister (Alexis Bobrinskoy)) and where the assassin
would be positioned; Jo observed the assassin seated in one of
the upper balcony boxes (who was observing his target in the audience);
her pained expression revealed her fear; up to this moment, Jo
was completely anguished and powerless as she watched the plot
unfolding around her
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Jo Observing the Assassin with Miss Benson, Who Was
Observing His Target In an Upper Balcony Box -
Foreign Prime Minister (Alexis Bobrinskoy)
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- meanwhile, Dr. McKenna arrived at the Royal Albert
Hall after freeing himself, and he and Jo met briefly in the aisleway
and the two exchanged information - viewed from mid-distance and
without audio dialogue, as the two gestured frantically at each other;
she pointed to the balcony seating where the assassin had been sitting
(although he had by now slipped into the shadows); after separating,
Ben rushed upstairs to try to intervene and find the assassin, but
was impeded by police guarding the Prime Minister's box; the intensity
built as there were various views and
establishing shots of the stage, the conductor, the two balcony boxes,
the musical sheet music, the Covent Garden Chorus, and the orchestra
(and the percussion section with close-ups of the cymbals)
- the final climactic moment came when the assassin's
gun barrel was visible pointing out from behind a red curtain in
the balcony box, as simultaneously, there was a close-up of the cymbalist ready to clash his cymbals
together; at the moment of the potential fatal shot, Jo let go a terrifying, shrieking scream, upsetting the
gunman's timing and causing him to miss his mark; it was another
example of Jo's intuition helping to save the family; the targeted
statesman was only grazed in the arm; Dr. McKenna raced into the
box, jumped onto the assassin and fought with him - Rien fell to
his death when he tumbled from the balcony onto the floor below
The Assassin's Gun-Barrel Pointing Outward From
Behind Curtain
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Assassin Rien Aiming His Weapon at the Prime Minister
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The Target - The Prime Minister's Torso
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Jo McKenna's Scream That Disrupted The Assassin's Gunshot
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The Clashing Cymbals
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Prime Minister Shot in the Right Arm
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- as the grateful, slightly-wounded Prime Minister left
the Concert Hall, he briefly met the McKennas and promised to visit
with them and formally thank them the following day at the Embassy
- hiding out in a foreign Embassy, the Draytons were
notified by the enraged and dastardly Ambassador (Mogens Wieth), the
one who had hired them for the assassination job, that their attempt
had failed, and that their highly-recommended hired assassin Rien
from Marrakesh was dead; the Ambassador ordered Mr. Drayton to "remove" Hank
from the Embassy and keep him silent (in other words, kill him)
- Inspector Buchanan informed the McKennas that the
Draytons were inside the Embassy (presumably where Hank was captive),
but that it was exempt from investigation due to its foreign sovereignty;
Ben phoned the Embassy and Jo was able to convince the Prime Minister
that they could see him that evening instead of the following day
In the Embassy, Jo Singing "Whatever Will Be" In the Embassy
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The Abducted Hank on the 3rd Floor of the Embassy Alerted to the Sound of His Mother's
Tune
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- in the film's second and climactic high point, Ben
and Jo were fortuitously invited by the Prime Minister to attend
a reception that evening at the Embassy; once they arrived, Jo was
asked to entertain the guests at the piano; she sang the film's Academy
Award-winning Best Song: "Que Sera, Sera" ("Whatever
Will Be, Will Be") - Hank's favorite bedtime tune; meanwhile,
Hank was being held captive in a locked room on the third floor by
his kidnappers, the Draytons; the camera moved up the flights of stairs
to the third floor, to indicate how the sound traveled - Hank heard
his mother's echoing voice (another saving moment for Jo) and was overjoyed;
he exclaimed to Mrs. Drayton: ("That's my Mother's voice! That's
my Mother singing!"), and she encouraged him to whistle back in
response
- the sound of Hank's whistling led Ben to slip out
of the mini-concert and proceed to his son's upstairs location; meanwhile,
Mr. Drayton was plotting to murder Hank and take him out of the Embassy,
as Mrs. Drayton became anguished about what might transpire; she
protectively intervened and encouraged Ben - who had broken through
the upstairs locked door - to quickly run off with his son; in the
hallway, Mr. Drayton appeared with a gun and proposed to exit the
Embassy by using both Hank and his father as human shields; as they
descended the Embassy's two sets of stairs, Dr. McKenna pushed Drayton
from behind, who rolled down the second flight of stairs and accidentally
shot himself with his own gun
- the family was reunited once again, and returned to their hotel suite,
where Jo's friends were sleeping and still awaiting her; Ben apologized
- with a tremendous understatement: "I'm sorry we were gone for so long,
but we had to go over and pick up Hank"
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The Last Frame of the Title Screens - A Foreshadowing of
the Climax
"Jo" Cautioning Her Husband Ben About the "Mysterious"
Louis Bernard - A Man Who 'Knew Too Much' About Their Family
Jo Sensing That A Couple Was Observing Them In Front of the Hotel
A Sinister Knock at the McKennas' Hotel Door - A Quick Glimpse
of a Future Assassin!
The Man's View of Bernard on the Balcony
In a Local Arab Restaurant - Ben Sitting Awkwardly
Dinner with a Friendly British Couple - the Draytons
Bernard's Female Dinner Date (Gladys Holland)
Director Hitchcock's Cameo Appearance (lower left)
A Disturbing Phone Call Threatening Harm to Hank If Ben
Broke His Silence About Bernard's Secret
Bernard's Whispered Secret - Written on a Piece of Jo's
Note Paper, Later MisInterpreted
Jo Devastated by News of Hank's Abduction After Being Drugged
by Ben
Inspector Buchanan at the London Airport Demanding To Know
Bernard's Message to Ben
At the London Airport, Phone Call from Mrs. Drayton, Confirming
that Kidnapped Hank Was Still Alive
In Their London Hotel, Ben Perused Phone Book Listings for "Ambrose
Chappell"
Jo's Old Acquaintances Barging Into Their London Hotel Room (l to r):
Val, Cindy, Jan, Helen
Jo's Sudden Revelation: "It's not a man, it's a place!"
Mr. Drayton Instructing His Hired Assassin Rien
The McKennas Recognized by Mrs. Drayton in the Ambrose Chapel
The Climactic Assassination Sequence: Jo Entering the Royal Albert Hall
Jo's POV of the Assassin
Inside the Royal Albert Hall, Jo Stood in the Aisleway to
Survey the Scene
The Concert Hall's Stage, With the Chorus, Orchestra
Jo and Ben Meeting Briefly - Exchanging Information (Without
Audio)
Views of the Orchestra and Conductor As the Music Reached
a Fever Pitch
The Cymbals - Ready to Be
Clashed Together
Ben Wrestling With the Assassin For the Gun
Assassin's Death - Falling From the Concert Hall
Balcony to the Floor Below
The Draytons Informed by the Ambassador in the Embassy That
The Assassin Was Dead, and the Prime Minister Was Only Wounded
Mr. Drayton Holding a Gun on Hank and Ben On the 3rd Floor of Embassy
Drayton's Death at the Bottom of the Embassy's Flight of Stairs
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