Title Screen Film Genre(s), Title, Year, (Country), Length, Director, Description
Anatomy of a Murder (1959), 160 minutes, D: Otto Preminger
Army officer Lt. Frederick Manion (Ben Gazzara) was charged with the murder of the owner of Thunder Bay Inn, Barney Quill. Manion turned himself in after shooting and killing Quill, and was arrested for murder. Manion alleged that Quill had raped his attractive wife Laura (Lee Remick). Country-styled Paul Biegler (James Stewart), more interested in jazz piano and fishing than trying cases, was hired to represent and defend Manion. During questioning, the couple claimed that Quill beat and raped Laura - and afterwards, under an "irresistible impulse," calmly strode to the tavern and committed the crime. Was Manion legally sane or insane? The tough prosecutor was Claude Dancer (George C. Scott), who tried to paint Laura as a trampy, provocative woman. There was a long debate about "missing panties" (allegedly torn off by Quill) - later verified by the inn manager Mary Pilant (Kathryn Grant), who found them in Quill's laundry chute, and shockingly revealed that Quill was her father. Manion was found not guilty. He unexpectedly left town with only a note for Biegler, explaining that he was seized by an "irresistible impulse" to leave.
Ben-Hur (1959), 211 minutes, D: William Wyler
Renowned, Best Picture-winning Biblical epic of enormous scale about friendship and then adult enmity between boyhood pals, filmed in Italy. The winner of 11 Oscars. The 1880 novel by Lew Wallace had previously been made in 1927 as a silent film with Ramon Novarro. A character-driven, action-filled, star-studded extravaganza and one of the cinema's greatest epics -- a compelling human story of revenge, bitterness, redemption and forgiveness. Charlton Heston is the Prince of Judea, Judah Ben Hur, who confronts the conquering Romans and tyrannical boyhood friend Messala (Stephen Boyd). His actions send him and his family (Martha Scott and Cathy O'Donnell) into banishment and slavery - and an inspirational encounter with Jesus. As a galley slave, he saves the life of Roman nobleman/admiral Quintus Arrius (Jack Hawkins), is adopted and becomes a respected citizen and a famed chariot racer under the tutelage of an Arabian horse racer (Hugh Griffith). Heston finally meets his rival Messala in a justly famous chariot race - often regarded as one of the most exciting action sequences ever filmed. Upon his return to Judea, Ben-Hur also rescues his suffering, leprous family and witnesses the crucifixion of Jesus - on his way to Golgotha, and is inspired to convert to Christianity.
Black Orpheus (1959, Braz./Fr./It.) (aka Orfeu Negro), 100 minutes, D: Marcel Camus
Compulsion (1959), 103 minutes, D: Richard Fleischer
This film-noirish biopic was a modified version of the Nathan Leopold-Richard Loeb case from the mid-1920s, when two 18 year-old killers, law students at the Univ. of Chicago, were defended by famed Clarence Darrow. Likewise in the film set in 1924, two University of Chicago law students, Judd Steiner (Dean Stockwell) and Arthur "Artie" Straus (Bradford Dillman) were both rich, spoiled, and elitist genuises, with a dominant-submissive relationship to each other - Artie was the bullying and sadistic one. [Note: There was also the strong possibility of a homosexual relationship, although that had to be avoided due to censorship of films at the time.] They kidnapped young Paulie Kessler as a thrill, as an attempt to commit the "perfect crime," and as a way to taunt law-enforcement. During the incident, Paulie was killed (by a blow to the head from a blunt instrument), and afterwards his body was drowned in a park. However, Steiner lost his glasses at the crime scene - a crucial piece of evidence. The case was helped by the investigation of their law school colleague Sid Brooks (Martin Milner), who worked part-time for the Globe newspaper. The two killers continued their crime spree - after Straus challenged Steiner to rape Sid's girlfriend Ruth Evans (Diane Varsi), although he didn't carry through with the sexual assault when Ruth reacted with compassion rather than resistance. A tough DA Henry Horn (E.G. Marshall) traced the glasses back to Steiner. The two made a detailed confession and blamed each other, before the case went to trial. Legendary socialist lawyer Jonathan Wilk (Orson Welles) was hired by the defendants' wealthy parents to defend them. During the trial, Horn delivered an opening statement, which was followed by Wilk's shrewd change of the clients' plea to guilty, to eliminate trial by jury. He realized there was overwhelming evidence against his clients, that would assure them of a harsh punishment. For ten days, Wilk introduced psychological evidence to show how mentally ill the two remorseless defendants were, but not insane. He did not want to plead an insanity case (which would also require the jury). He wanted to plead their case solely before the judge. The film's most dramatic and flamboyant moments came during Wilk's closing argument (the longest true monologue in film history) - an eloquent diatribe against capital punishment ("I'm pleading for love"), when he stated that the barbaric practice should be ended. He conceded that his clients were guilty and made an impassioned plea against the state being able to execute the two youths regardless of the severity of their pre-meditated crime. The judge was persuaded - he sentenced the two to life imprisonment, plus 99 years.
The Diary of Anne Frank (1959), 180 minutes, D: George Stevens
Floating Weeds (1959, Jp. (aka Ukikusa), 119 minutes, D: Yasujirô Ozu
The Four Hundred Blows (1959, Fr.) (aka Les 400 Coups, Les Quatre Cents Coups, The 400 Blows), 97 minutes, D: Francois Truffaut
Hiroshima Mon Amour (1959, Fr./Jp.), 90 minutes, D: Alain Resnais
Imitation of Life (1959), 125 minutes, D: Douglas Sirk
North by Northwest (1959), 136 minutes, D: Alfred Hitchcock
Hitchcock's great suspense thriller, another mistaken-identity case involving a Madison Avenue ad executive Roger Thornhill (Cary Grant). He is targeted as a US government agent (who doesn't actually exist) by international spies, abducted, framed for murder, and chased cross-country. On the run throughout the entire film, he is pursued by the foreign operatives, the head of the spy ring Philip Vandamm (James Mason), the CIA, the police, and a mysterious blonde Eve Kendall (Eva Marie Saint). A literal plot-twisting cliff-hanger, with superb sequences including the famous cropduster scene in an open field, and the chase across the face of Mount Rushmore.
The Nun's Story (1959), 149 minutes, D: Fred Zinnemann
Pickpocket (1959, Fr.), 75 minutes, D: Robert Bresson
Pillow Talk (1959), 105 minutes, D: Michael Gordon
Ride Lonesome (1959), 73 minutes, D: Budd Boetticher
Rio Bravo (1959), 141 minutes, D: Howard Hawks
Room at the Top (1959, UK), 115 minutes, D: Jack Clayton
Shadows (1959), 81 minutes, D: John Cassavetes
Sleeping Beauty (1959), 75 minutes, D: Disney Studio
Some Like It Hot (1959), 120 minutes, D: Billy Wilder
Wilder's wonderfully-satirical, funny comedy. Two unemployed, 20's era Chicago jazz musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon) accidentally witness the St. Valentine's Day Massacre, and must flee from gangsters. They masquerade as women - Jo-sephine and Daphne - and join Sweet Sue's all-girl band with luscious, voluptuous singer Sugar Kowalczyk (Marilyn Monroe) heading for Florida to elude the pursuit of retaliatory bootleggers. Joe also disguises himself as a wealthy, impotent, Cary Grant-like yacht owner to attract the loving attention of fellow band member Sugar, while Daphne (impressed with his own new sexy image) distracts the real millionaire - a smitten, oft-wed Osgood Fielding III (Joe E. Brown). The Chicago hitmen, with dime-flipping, spats-wearing ringleader Spats Columbo (George Raft) arrive at the Florida hotel for a convention, disrupting their gender-bending escapades. With the greatest fade-out line in film history: "Nobody's perfect."
Suddenly, Last Summer (1959), 114 minutes, D: Joseph L. Mankiewicz
The World of Apu (1959, India) (aka Apur Sansar, or Apu Trilogy 3), 105 minutes, D: Satyajit Ray
The Young Philadelphians (1959), 136 minutes, D: Vincent Sherman
This bold, lengthy drama was based upon Richard P. Powell's 1956 novel "The Philadelphian." In the film's opening, William Lawrence III (Adam West) of the upper-class Philadelphian family married Kate Judson (Diane Brewster). On their wedding night, he confessed that he was unable to have sex with her - due to his homosexuality (not stated directly in the film). Ashamed, he fled from her and died in an automobile accident. Kate sought comfort and sex with longtime working class friend Mike Flanagan (Brian Keith), and they had a child within the year. The boy, given the last name of "Lawrence" to maintain the family line, became known as Anthony "Tony" Judson Lawrence (Paul Newman), who would eventually become an aspiring lawyer. The secret of his father's identity (and the Lawrence fortune) was kept from him. In law school, Tony's playboy friend Chester "Chet" Gwynn (Robert Vaughn) introduced him to socialite Joan Dickinson (Barbara Rush). Although they fell in love, Joan dumped Tony when she learned that her father Gilbert Dickinson (John Williams) had offered (or bribed) Tony with a position in the prestigious Dickinson law firm, in exchange for postponing marriage to Joan. In spite, she married aristocratic millionaire Carter Henry (Anthony Eisley). Tony acquired a summer law job with John Marshall Wharton (Otto Kruger), the head of another Philadelphia law firm, stealing the position away from fellow student Louis Donetti (Paul Picerni), and he soon acquired a permanent job (as a tax specialist) with the Wharton firm after serving in the Korean War. Due to his expertise and success with wealthy clients (such as Mrs. J. Arthur Allen (Billie Burke)), Tony was made a partner. Then, his often-drunk friend Chet was arrested for first degree murder of his uncle Morton Stearnes (Robert Douglas) - who had a tight clamp on Chet's inheritance. Without criminal trial experience, tax attorney Tony decided to represent Chet. Further complications arose when Tony's parents Kate and Mike revealed the shocking truth of his real parentage to him, and Morton's brother, family patriarch Dr. Shippen Stearnes (Frank Conroy), threatened to publically reveal that Tony's real father was Mike Flanagan if Tony didn't do well. During the trial, Tony took up Chet's defense, while DA Louis Donetti prosecuted the murder case. On the witness stand, one of the last witnesses - Morton Stearnes' butler George Archibald (Richard Deacon) stated that he assumed Chet was drinking alone in the study. Then, he heard a noise and a gunshot. Morton was found dead with a gun next to him, while Chet was nowhere to be seen. During Tony's cross-examination, the butler's testimony was discredited with a failed sniffing test of various drinking glasses. The butler also admitted that he never saw Chet and Morton together in the study. And George also agreed that the noise might have been Chet leaving through the garden gate, long before Morton committed suicide. Then, Dr. Shippen Stearnes revealed that Morton had a brain tumor and was mentally depressed - a major rationale for suicide. The jury ruled that Chet was not guilty of the murder. As a result of Tony's successful defense, a reconciled Joan (whose husband died in the Korean War) and Tony made wedding plans.