The Killing Fields (1984) Pages: (1)
The Killing Fields (1984), a remarkable and deeply affecting film, is based upon a true story of friendship, loyalty, the horrors of war and survival, while following the historical events surrounding the US evacuation from Vietnam in 1975. It detailed the atrocities of Pol Pot's reign of terror in Cambodia in the 1970s. The authentic-looking, unforgettable epic film, directed by Roland Joffe (his first feature film) and produced by Britisher David Puttnam (the Oscar victor three years earlier for Chariots of Fire (1981)), was shot on location in Thailand (and Canada).
Cambodian doctor, non-actor Haing Ngor, in his film debut, was an actual survivor of the Cambodian holocaust, who was forced to leave the city and work in the labor camps of the communist Khmer Rouge. He was tortured and experienced the starvation and death of his real-life family during the actual historical events revisited in this film. He eventually escaped to Thailand and arrived in the US in 1980. [Note: Eleven years after winning his Oscar, Ngor was shot to death outside his apartment near Dodger Stadium in Los Angeles.]
The film's screenplay, by first-time scripter Bruce Robinson, was adapted from Pulitzer Prize-winning NY Times reporter Sydney Schanberg's The Death and Life of Dith Pran from The NY Times Magazine. It was both a war drama and an intense story of a bond of friendship. It was nominated for seven Academy Awards, including Best Picture, Best Actor (Sam Waterston), Best Director (first-timer Roland Joffe), and Best Screenplay Based on Material from Another Medium (Bruce Robinson) and won three Oscars: Best Supporting Actor (Haing S. Ngor), Best Cinematography (Chris Menges), and Best Film Editing (Jim Clark).
Jonathan Demme's one-man show comedy Swimming to Cambodia (1987), a rambling 87 minute monologue, provides an elaborative account of Spalding Gray's experiences as a bit player (as a US consul) in The Killing Fields during the SE Asia shoot.The Story
American newspaper correspondent, New York Times reporter Sydney Schanberg (Sam Waterston) is covering the secret US bombing campaign in Cambodia, along with American cameraman Al Rockoff (John Malkovich) and English reporter Jon Swain (Julian Sands). He is one of the few American journalists left in Phnom Penh when the city fell to the Khmer Rouge guerrillas in 1975. After having persuaded his Cambodian assistant, friend and translator/interpreter, Dith Pran (Dr. Haing S. Ngor) to remain behind with him to help cover the story after the communist Khmer Rouge takeover and withdrawal of US military forces, Schanberg unintentionally betrays his aide by miscalculating the situation. They are separated and Pran is forced to remain when Schanberg and other American journalists and Westerners evacuate to escape a life-threatening situation in occupied-Cambodia during the fall of Phnom Penh in 1975.
The film chronicles unforgettable scenes of suffering endured during the Cambodian bloodbath (known as "Year Zero") that killed 3 million Cambodians, when the courageous and indomitable Dith Pran endures the atrocities of the Pol Pot regime and is captured by the communist Khmer Rouge and punished for befriending the Americans. His struggle to stay alive in the rural, barbaric 're-education' labor camp, his two escape attempts from his captors, and his horrifying walk through the skeletal remains of the brutal massacres in the Valley of Death, the muddy "killing fields," all present potent apocalyptic images on his journey to Thailand.
With John Lennon's tune Imagine playing on the soundtrack, Dith Pran - now finally reunited with Sydney on October 9th, 1979 (according to a subtitle), narrates the last line of the film, affirming that Schanberg needn't ask for forgiveness because there was literally 'nothing to forgive":
Sydney: (Do) You forgive me?
Dith Pran: Nothing to forgive, Sydney, nothing.
The postscript for the film is provided as a footnote on two title cards, as the camera slowly pans to the left over the rooftops, and looks out over rice fields, followed by a still image of two refugee children (that changes from color to black and white):
Dith Pran returned, with Sydney Schanberg, to America to be reunited with his family. He now works as a photographer for The New York Times where Sydney Schanberg is a columnist. Cambodia's torment has not yet ended. The refugee camps on the Thai border are still crowded with the children of the killing fields.