THRILLER and SUSPENSE FILMS

Espionage/Spy Film Thrillers: Introduction

A sub-genre of the thriller/suspense film is the espionage/spy film which can be in the form of a drama, melodrama, comedy, or a good-humored action thriller, set either during wartime or in the Cold War Era. The spy film was most popular during the 1960s when the Cold War was in evidence, and audiences demanded more action/thriller-suspense pictures. [Spies and espionage plots have also been the basis for many TV shows, such as The Man from U.N.C.L.E, I Spy, Alias, and the UK's The Avengers.]

Espionage films could either be serious, fact-based stories (i.e., The Spy Who Came In From the Cold (1965) or films based upon novelists' fictional or fact-based works), or fanciful-escapist films (such as the James Bond series). Spies in real-world situations are often murky, unknown characters who don't want to be revealed, but are truly unknown, non-flashy undercover agents. In any case, most spy films usually depicted spies and/or secret agents seeking to uncover or maintain secrets (often for military use) from each other (or from each other's countries). Spies were usually portrayed as masquerading, amoral, and deceitful characters ready to betray others.

Hitchcock's Spy-Related Films:

As already noted, many of Alfred Hitchcock's suspense/thriller films, especially during his early years, were espionage/spy subgenre films, and he was responsible for the popularity of this kind of film. Most notable were:

'Pre-James Bond' Spy Films with Memorable Spy Agents:

James Bond Espionage-Secret Agent Thrillers:

The modern day action-hero - the James Bond '007' character that was employed for Her Majesty's Secret Service - was loosely based on the agent/spy character in Britisher Ian Fleming's twelve James Bond novels. A number of Fleming's short stories were developed by other writers. Before the movies, Bond made his first appearance on TV, debuting on CBS in 1954, with Barry Nelson as the American 007 agent named Jimmy Bond in an adaptation of Fleming's first Bond novel, Casino Royale.

From Russia With Love - 1963The first in a successful series of suspenseful, special agent 007 James Bond films, begun in the Cold-War 1960s and serving as a metaphor for the threat of Communism, was Dr. No (1962) followed soon after by the definitive Bond film, From Russia With Love (1963), and the polished Goldfinger (1964). The intriguing superhero lead role has been played by six actors: Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig.

Beginning in the Cold War 60s (after restrictions on violence and sex were lifted somewhat), the slick, escapist Bond action/adventure spy films were appealing to large audiences with their exotic, travelogue locales, tongue-in-cheek humor and dialogue, nifty gadgets and ingenious toys to combat evildoers, fast-action suspense and audacious stunts, and gorgeous, scantily-clad sexy women, including the requisite Bond Girls. The action-oriented, sophisticated, and skillful agent, with a taste for dry martinis ('shaken, not stirred'), fancy clothes (often tuxedos) and cars (notably the Aston Martin DB5, the Lotus Esprit, and various BMWs), battled various types of eccentric, deadly and infamous criminals who planned to assault the world. The flashy agent bore little resemblance to the real shadowy world of espionage. (See action films for more details on all of the Bond films.)

James Bond's Imitators:

Bond's imitators and knock-offs included the following serious (and spoofing) characters and films:

Spy and Thriller Films After James Bond:

The Manchurian Candidate - 1962On the flip side of the James Bond series were other tense, Cold War political tales of espionage and intrigue including the ultimate political thriller about brainwashing and political assassination - The Manchurian Candidate (1962), Fail Safe (1964) about a doomsday scenario (released less than a year after Kubrick's black comedy with the same plot - Dr. Strangelove, Or: (1964)), Edward Dmytryk's Mirage (1966) with Gregory Peck and Diane Baker, and Seven Days in May (1964).

More modern, complex, high-intensity political thrillers with paranoic political atmosphere, double- and triple-crosses, threats to entire countries, spies, assassins, conspiracies, and electronic surveillance include:


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