Greatest Films of the 1960s
Greatest Films of the 1960s


Greatest Films of the 1960s
1960 | 1961 | 1962 | 1963 | 1964 | 1965 | 1966 | 1967 | 1968 | 1969

1963

Title Screen Film Genre(s), Title, Year, (Country), Length, Director, Description

America America (1963) (aka The Anatolian Smile), 174 minutes, D: Elia Kazan

The Birds (1963), 119 minutes, D: Alfred Hitchcock
Another modern Hitchcock thriller/masterpiece - his first film with Universal Studios. Loosely based upon a short story by Daphne Du Maurier, it is the apocalyptic story of a northern California coastal town (Bodega Bay) filled with an onslaught of seemingly unexplained, arbitrary and chaotic attacks of ordinary birds - not birds of prey. Ungrammatical advertising campaigns emphasized: "The Birds Is Coming." The dark film hinted that the bird attacks were punishment for the failings of the relationships between the main characters. This Technicolor feature came after Psycho (1960) - another film filled with 'bird' references. The film's technical wizardry was extraordinary, especially in the film's closing scene (a complex, trick composite shot) - the special visual effects of Ub Iwerks were nominated for an Academy Award (the film's sole nomination), but the Oscar was lost to Cleopatra (1963). Hundreds of birds (gulls, ravens, and crows) were trained for use in some of the scenes, while mechanical birds and animations were employed for others. The film's non-existent musical score was replaced by an electronic soundtrack (including simulated bird cries and wing-flaps), with Hitchcock's favorite composer Bernard Herrmann serving as a sound consultant. Hitchcock introduced a 'fascinating new personality' for the film - his unknown successor to Grace Kelly - a cool, blonde professional model named 'Tippi' Hedren (the mother of Melanie Griffith), in her film debut in a leading role.

Charade (1963), 113 minutes, D: Stanley Donen

Cleopatra (1963), 243 minutes, D: Joseph L. Mankiewicz

Contempt (1963, Fr./It.) (aka Le Mépris, or Il Disprezzo), 103 minutes, D: Jean-Luc Godard

8 1/2 (1963, It./Fr.), 135 minutes, D: Federico Fellini

From Russia With Love (1963, UK), 110 minutes, D: Terence Young

The Great Escape (1963), 169 minutes, D: John Sturges

The Haunting (1963, UK/US), 112 minutes, D: Robert Wise

High and Low (1963, Jp.) (aka Tengoku to jigoku) (Heaven and Hell), 143 minutes, D: Akira Kurosawa

Hud (1963), 112 minutes, D: Martin Ritt

It's a Mad, Mad, Mad, Mad World (1963), 192 minutes, D: Stanley Kramer

The Leopard (1963, It./Fr.) (aka Il Gattopardo), 187 minutes, D: Luchino Visconti

Lilies of the Field (1963), 94 minutes, D: Ralph Nelson

The Nutty Professor (1963), 107 minutes, D: Jerry Lewis

The Pink Panther (1963), 113 minutes, D: Blake Edwards

The Servant (1963, UK), 112 minutes, D: Joseph Losey

Shock Corridor (1963), 101 minutes, D: Samuel Fuller

This Sporting Life (1963, UK), 134 minutes, D: Lindsay Anderson

Tom Jones (1963, UK), 129 minutes, D: Tony Richardson

Yesterday, Today and Tomorrow (1963, It.) (aka Leri, Oggi, Domani), 119 minutes, D: Vittorio De Sica


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