Greatest Films of the 1990s
Greatest Films of the 1990s


Greatest Films of the 1990s
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1999

Title Screen Film Genre(s), Title, Year, (Country), Length, Director, Description

All About My Mother (1999, Sp./Fr.) (aka Todo Sobre Mi Madre), 101 minutes, D: Pedro Almodovar

American Beauty (1999), 120 minutes, D: Sam Mendes
The tragic, absurdist, dark domestic tale of Lester Burnham (Kevin Spacey), who calmly narrates his own story posthumously a la Joe Gillis from Sunset Boulevard (1950) - he's a "chronic loser" and American suburbanite family man who is unable to speak his mind or actually feel much of anything. But in a mid-life awakening, he becomes infatuated with his self-loathing daughter Jane's (Thora Birch) under-aged cheerleader friend Angela Hayes (Mena Suvari). After enduring too many years of a demeaning job, and a dysfunctional marriage to his obsessive-compulsive, adulterous realtor wife Carolyn (Annette Bening), while feeling disrepect from Jane -- who has fallen for the drug-peddling, video-voyeur neighbor next door Ricky Fitts (Wes Bentley), Lester decides to make radical, ultimately fatal changes to his suburban life. A Best Picture-winning film.

The Audition (1999, Jp./S.Kor.) (aka Odishon), 115 minutes, D: Takashi Miike

Being John Malkovich (1999), 112 minutes, D: Spike Jonze

The Blair Witch Project (1999), 87 minutes, D: Daniel Myrick, Eduardo Sanchez

Boys Don't Cry (1999), 116 minutes, D: Kimberly Peirce

Bringing Out the Dead (1999), 121 minutes, D: Martin Scorsese

Eyes Wide Shut (1999), 159 minutes, D: Stanley Kubrick
Stanley Kubrick's last completed film was titled 'eyes wide shut,' to imply self-contradictory opposites: at first being exposed or tempted, and then reflexively turning away or retreating. It was taglined simply with three words: "Cruise. Kidman. Kubrick." Tom Cruise starred as prominent, affluent NYC doctor Bill Harford, supposedly happily-married to Alice (real-life Nicole Kidman). In the opening sequence at a fashionable Christmas party, both were separately propositioned - jarring their comfortable conjugal state of marital harmony. He was ignorant of the fact of her past sexual infidelity with a naval officer (imagined fantasy or real?) which she confessed to him after smoking pot. This propelled him onto his own prolonged, risky and dangerous night-long quest for sexual intimacy (also portrayed possibly as a waking dream or fantasy), including a controversial masked ball orgy sequence and the self-sacrifice of a nude masked reveler. He survived his traumatic, baffling encounters to return 'redeemed' to his wife - who bluntly encouraged them to resume their sexual lives together, although with an uncertain future.

Fight Club (1999), 139 minutes, D: David Fincher

The Insider (1999), 157 minutes, D: Michael Mann

The Iron Giant (1999), 86 minutes, D: Brad Bird

Magnolia (1999), 188 minutes, D: Paul Thomas Anderson
Creative writer/director Paul Thomas Anderson's challenging third feature, an ambitious, artful, soap opera-like drama (at over three hours length) featured a compelling, bold and overlapping multi-strand narrative. The melancholy lyrics of singer-songwriter Aimee Mann underscored the film's motifs. Set in the San Fernando Valley over 24 hours, the ensemble-casted film reflected the emotional desperation and personal traumas of many bruised characters - a disparate collection of misguided, sad and miserable souls plagued by fractured relationships. Themes of life's meaning, the twists of fate and life's regrets, the painful and haunting past ("We may be through with the past, but the past ain't through with us"), the elusiveness of love and pervasiveness of death, and the transcendent, surprise raining of frogs from the sky (biblically-true) highlighted the exhilarating piece. Superstar Cruise memorably portrayed Frank Mackey, a sleazy, cock-worshipping, stud-huckster who evangelized with 'Seduce and Destroy' seminars for sex-starved woman-haters. By its end, one recalled the narrator's conclusion from the off-beat prologue - that some coincidences can't be explained: "…strange things happen all the time."

The Matrix (1999), 136 minutes, D: Andy and Larry Wachowski
The Wachowski Brothers' popular, imaginative, visually-stunning science-fiction action film - the first in a trilogy with inferior sequels: the somewhat successful but critically derided The Matrix Reloaded (2003) and the artificially-expanded The Matrix Revolutions (2003). A computer software company techie programmer and illegal hacker named Thomas Anderson (Keanu Reeves) (with screen name alias Neo) is contacted by the mysterious, vinyl-clad heroine Trinity (Carrie-Anne Moss) and the super-cool, messianic space-ship captain Morpheus (Laurence Fishburne) who is the leader of the rebel forces. He is told (with an Alice in Wonderland reference) via his computer: "The Matrix has you. Follow the white rabbit." Neo is informed that he is the champion or chosen one to save Mankind from a malevolent, sentient machine race, that has entrapped all of humanity, in the year 2199!, inside a computer simulation (The Matrix) dreamworld, and tricked them into believing that the simulation is reality. The Artificial Intelligence system also uses the brains and bodies of the trapped human beings as expendable "living batteries." Freed by this knowledge, Neo soon learns to take advantage of the Matrix, bending the malleable laws of physics to his will, such as impossible feats of physicality (such as running up walls or leaping impossibly high) and altering his perception so dramatically that he sees bullets in flight in order to dodge them. The true standout of the film is the menacing Machine Army agent "Agent Smith," played with a tongue-in-cheek, edgy pseudo-serious flair by Hugo Weaving, whose mannerisms recall 1950's Cold War governmental "Men In Black" agents. The Matrix became best known for its revolutionary visual effects - airborne kung fu, 3-D freeze frame effects with a rotating or pivoting camera, and bullet-dodging. The film became a smash hit, featuring elaborate fighting and stunt sequences, as well as a convoluted screenplay that blurred the edge between reality and fantasy without losing the audience's grasp of the story.

The Sixth Sense (1999), 105 minutes, D: M. Night Shyamalan

South Park: Bigger, Longer & Uncut (1999), 88 minutes, D: Trey Parker

Star Wars: Episode I: The Phantom Menace (1999), 131 minutes, D: George Lucas
See Star Wars series.

The Straight Story (1999), 111 minutes, D: David Lynch

The Talented Mr. Ripley (1999), 139 minutes, D: Anthony Minghella

Three Kings (1999, US/Australia), 115 minutes, D: David O. Russell
Set during the first days after the cease-fire was declared in the First Persian Gulf War in March of 1991, David O. Russell's groundbreaking, unconventional, powerful and genre-defining war comedy followed a group of American servicemen (George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze) who possessed a map (found in an enemy soldier's butt cheeks) and went after promised treasure within Iraq - stolen gold bars that Iraq leader Saddam Hussein had acquired from Kuwait. Jaded Special Forces Green Beret Major Archie Gates (George Clooney) joined the opportunistic group of good ol' boy, rogue Americans for a fortune-hunting quest, but mostly found the harsh realities and consequences of the senseless, morally-chaotic war in its aftermath, including obscene violence. The most spectacular, talked-about segment of the potent, anti-war film was a close-up of a bullet's trajectory as it pierced a body, plowed through tissue and entered the liver to release blackish bile into the abdominal cavity.

Topsy-Turvy (1999, UK), 160 minutes, D: Mike Leigh

Toy Story 2 (1999), 92 minutes, D: John Lasseter, Lee Unkrich, Ash Brannon
The sequel, Toy Story 2 (1999), far surpassed the original in terms of the quality of animation, voice acting and script, as the themes from the first film -- obsolescence and loyalty -- are explored even more deeply. Woody (voice by Tom Hanks) faces the reality that not only do toys get damaged, but that children inevitably grow up and forsake their childhood playthings. While Andy is at cowboy camp, Woody (regarded as a valuable collectible) is kidnapped by greedy toy collector Al (of Al's Toy Barn). He soon discovers that he was once a legend in the 60's, on a TV show called Woody's Roundup, complete with the usual wide array of merchandising tie-ins. He also realizes that he's the final missing piece in the collector's Woody's Roundup set, with fellow toys Cowgirl Jessie (voice by Joan Cusack), prospector Stinky Pete (voice by Kelsey Grammer), and Woody's faithful horse Bullseye. Woody faces the choice of living forever with them in a museum display in Tokyo, or leaving and returning to Andy, thereby dooming his newfound friends to be sent back into abandonment and storage, and facing his own dilemma that he won't last another year as Andy's favored toy. Toy Story 2 and Chicken Run (2000) would influence the Academy to finally take animated films more seriously with the new Best Animated Feature Film category that debuted with Oscar-winning Shrek (2001), another CGI-animated feature.


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