Greatest Film Directors
and Their Best Films

Part 6

Greatest Film Directors
(alphabetical)
Introduction, Part 1, Part 2, Part 3, Part 4, Part 5 , Part 6

Greatest Film Directors: These honored selections are designed as a tribute to some of the greatest directors of predominantly English-language films, with suggested or recommended Best Films or 'Must-See' Films from their filmographies. See also this site's multi-part compilation of other deserved film directors (alphabetical) - More Great Film Directors.

Key to Iconic Symbols: The following sources are indicated by icons in Filmsite's compilation:

Entries in Entertainment Weekly's (April 19, 1996 issue) list of "The 50 Greatest Directors and Their 100 Best Movies" in a cover-story article - with ranking number (#)
Entries in the UK Empire Magazine's "Top 40 Greatest Directors of All-Time" conducted in 2005 - with ranking number (#)
Filmsite's selections of the "50 Greatest Film Directors" - without ranking numbers.

The Greatest Directors and Their Best Films
Part 6
(Alphabetical Order, Unranked)



# 8
QUENTIN TARANTINO 1963-
Volatile, Pop Cultural, Brilliant Director/Screenwriter/Actor of Audacious, Off-Beat Violent Films of the 90s - Symbol of a New Generation of Film-Makers

A brilliant pop-culture collagist, he thrilled movie lovers with Reservoir Dogs, Pulp Fiction, and the Kill Bill series.

Suggested Filmography: Reservoir Dogs (1992) (screenwriter and director), True Romance (1993) (screenwriter only), Natural Born Killers (1994) (screenwriter only), Pulp Fiction (1994) (screenwriter and director), Four Rooms (1995) - one segment, Jackie Brown (1997) (screenwriter and director), Kill Bill, Vol. I (2003), Kill Bill, Vol. II (2004), Sin City (2005) - special guest director, Grindhouse (2007) - one segment "Death Proof", Death Proof (2007), Inglourious Basterds (2009), Django Unchained (2012).



# 46
JACQUES TATI 1909-1982
French Film-maker

Suggested Filmography: L'École des facteurs (1947), Jour De Fete (1948), Mr. Hulot's Holiday (1953), Mon Oncle (1958), Playtime (1967).



# 27
# 26

FRANCOIS TRUFFAUT 1932-1984
Film Critic and French Film-maker, Part of the New Wave Movement in the 1950s

Suggested Filmography: The 400 Blows (1959), Shoot the Piano Player (1960), Jules and Jim (1962), The Soft Skin (1964), Fahrenheit 451 (1967), The Bride Wore Black (1968), Mississippi Mermaid (1969), The Wild Child (1970), Two English Girls (1972), Day for Night (1973), Such a Gorgeous Kid Like Me (1973), The Story of Adele H (1975), The Man Who Loved Women (1977), The Last Metro (1980), The Woman Next Door (1981), Confidentially Yours (1983).

KING VIDOR 1894-1982
Versatile Early Pioneer of Silent and Early Sound Films with Simple Themes

Suggested Filmography: The Big Parade (1925), The Crowd (1928), Show People (1928), Hallelujah! (1929), The Champ (1931), Our Daily Bread (1934), The Wedding Night (1935), Stella Dallas (1937), The Citadel (1938), The Wizard of Oz (1939) (uncredited), Comrade X (1940), Northwest Passage (1940), Duel in the Sun (1946), Beyond the Forest (1949), The Fountainhead (1949), Ruby Gentry (1952), Man Without a Star (1955), War and Peace (1956), Solomon and Sheba (1959).



# 37

JOSEF von STERNBERG 1894-1969
Famous Austrian-Born Collaborator in Seven Films With Actress Marlene Dietrich

Suggested Filmography: It (1927) (uncredited), Underworld (1927), The Docks of New York (1928), The Last Command (1928), The Blue Angel (1930), Morocco (1930), Dishonored (1931), Blonde Venus (1932), Shanghai Express (1932), The Scarlet Empress (1934), The Devil Is a Woman (1935), The Shanghai Gesture (1941), Jet Pilot (1957).

ERICH von STROHEIM 1885-1957
Perfectionistic, Original, and Notorious Austrian-Born Director of Epic, Extravagant, Often Re-Edited Masterpieces

Suggested Filmography: Blind Husbands (1919), The Devil's Passkey (1920), Foolish Wives (1922), Greed (1925), The Merry Widow (1925), The Wedding March/The Honeymoon (1928), Queen Kelly (1929).

RAOUL WALSH 1887-1980
Capable, Prolific Director Noted for Energized, Robust, Brisk-Paced Films Spanning Silent and Sound Eras

Suggested Filmography: The Thief of Bagdad (1924), What Price Glory (1926), Sadie Thompson (1928), In Old Arizona (1929), The Big Trail (1930), Klondike Annie (1936), The Roaring Twenties (1939), They Drive By Night (1940), Dark Command (1940), High Sierra (1941), The Strawberry Blonde (1941), They Died With Their Boots On (1941), Gentleman Jim (1942), Objective, Burma! (1945), The Horn Blows at Midnight (1945), Pursued (1947), White Heat (1949), Colorado Territory (1949), Captain Horatio Hornblower (1951), Along the Great Divide (1951), The World In His Arms (1952), A Lion is in the Streets (1953), Battle Cry (1955), Band of Angels (1957), The Naked and the Dead (1958).



# 38
PETER WEIR 1944-
Australian-Born Director of Mystical, Visually-Poetic, Mysterious and Ambiguous Films

Suggested Filmography: Picnic at Hanging Rock (1975), The Last Wave (1977), Gallipoli (1981), The Year of Living Dangerously (1982), Witness (1985), The Mosquito Coast (1986), Dead Poets Society (1989), Green Card (1990), Fearless (1993), The Truman Show (1998), Master and Commander: The Far Side of the World (2003), The Way Back (2010).



# 2
# 9

ORSON WELLES 1915-1985
Influential, Uncompromising, Expertly-Genius Film Director/Producer, Hollywood's Premier Enfant Terrible and Victim; Director of Filmdom's Most Studied Film - Citizen Kane

Larger than life, he debuted with the dazzling Citizen Kane, then he saw studios hack up The Magnificent Ambersons and Touch of Evil.

Suggested Filmography: Citizen Kane (1941), The Magnificent Ambersons (1942), The Stranger (1946), The Lady From Shanghai (1948), Macbeth (1948), Othello (1952), Mr. Arkadin (1955), Touch of Evil (1958), The Trial (1962), Chimes at Midnight/Falstaff (1966), F for Fake (1975).

WILLIAM A. WELLMAN 1896-1975
Versatile, Maverick Film-Maker of Numerous Films, Including the First Best Picture Winner

Suggested Filmography: Wings (1927), Night Nurse (1931), Other Men's Women (1931), The Public Enemy (1931), Frisco Jenny (1932), The Purchase Price (1932), So Big! (1932), Heroes for Sale (1933), Midnight Mary (1933), Wild Boys of the Road (1933), The Call of the Wild (1935), Nothing Sacred (1937), A Star is Born (1937), Beau Geste (1939), Roxie Hart (1942), Lady of Burlesque (1943), The Ox-Bow Incident (1943), The Story of G.I. Joe (1945), Yellow Sky (1948), Battleground (1949), The Happy Years (1950), Westward the Women (1951), Island in the Sky (1953), The High and the Mighty (1954), Track of the Cat (1954), Blood Alley (1955).



# 24
# 19

BILLY WILDER 1906-2002
Maverick Austrian-Born Writer/Director of Daring, Caustic, Provocative, Controversial Themes - with 21 Academy Award Nominations (Winner of 6)

His wit and unflinching eye for hypocrisy produced Sunset Boulevard and Ace in the Hole along with the gender-bending Some Like It Hot.

Suggested Filmography: The Major and the Minor (1942), Five Graves to Cairo (1943), Double Indemnity (1944), The Lost Weekend (1945), A Foreign Affair (1948), The Emperor Waltz (1948), Sunset Boulevard (1950), The Big Carnival/Ace in the Hole (1951), Stalag 17 (1953), Sabrina (1954), The Seven Year Itch (1955), Love In the Afternoon (1957), The Spirit of St. Louis (1957), Witness For the Prosecution (1957), Some Like It Hot (1959), The Apartment (1960), One, Two, Three (1961), Irma La Douce (1963), Kiss Me, Stupid (1964), The Fortune Cookie (1966), The Private Life of Sherlock Holmes (1970), Avanti! (1972), The Front Page (1974), Fedora (1978), Buddy Buddy (1981).

ROBERT WISE 1914-2005
Versatile, Accomplished, Veteran Director/Producer/Editor

Suggested Filmography: Citizen Kane (1941) (editor), The Curse of the Cat People (1944), The Body Snatcher (1945), Born to Kill (1947), Blood On The Moon (1948), The Set-Up (1949), The Day The Earth Stood Still (1951), The Desert Rats (1953), Executive Suite (1954), Somebody Up There Likes Me (1956), Tribute to a Bad Man (1956), Helen of Troy (1956), I Want to Live! (1958), Run Silent, Run Deep (1958), Odds Against Tomorrow (1959), West Side Story (1961) (co-directed with Jerome Robbins), The Haunting (1963), The Sound of Music (1965), The Sand Pebbles (1966), Star! (1968), The Andromeda Strain (1971), The Hindenburg (1975), Audrey Rose (1977), Star Trek: The Motion Picture (1979).

SAM WOOD 1883-1949
Overlooked, Neglected Director

Suggested Filmography: Hold Your Man (1933) (uncredited), A Night at the Opera (1935), A Day At The Races (1937), Gone With the Wind (1939) (uncredited), Goodbye, Mr. Chips (1939), Kitty Foyle (1940), Our Town (1940), Raffles (1940), The Devil and Miss Jones (1941), Kings Row (1942), The Pride of the Yankees (1942), For Whom the Bell Tolls (1943), Guest Wife (1945), Saratoga Trunk (1945), Ivy (1947), Command Decision (1948), The Stratton Story (1949).

WILLIAM WYLER 1902-1981
Renowned, Three-Time Best Director Oscar Winner, Superb and Elegant Story-Teller

His elegant storytelling made dramas (The Best Years of Our Lives), romances (Roman Holiday), and epics (Ben-Hur) sparkle.

Suggested Filmography: Come and Get It (1936) (partial), Dodsworth (1936), These Three (1936), Dead End (1937), Jezebel (1938), Wuthering Heights (1939), The Letter (1940), The Westerner (1940), The Little Foxes (1941), Mrs. Miniver (1942), The Best Years of Our Lives (1946), The Heiress (1949), Detective Story (1951), Carrie (1952), Roman Holiday (1953), The Desperate Hours (1955), Friendly Persuasion (1956), The Big Country (1958), Ben-Hur (1959), The Children's Hour (1961), The Collector (1965), How to Steal a Million (1966), Funny Girl (1968).



# 22
ROBERT ZEMECKIS 1951-
80s and 90s Director (and Producer) of Half-Fantasy, Comic-Strip Worlds, Often with Special Effects

He used new technologies to seamlessly combine reality and fantasy in movies like Back to the Future and Who Framed Roger Rabbit.

Suggested Filmography: I Wanna Hold Your Hand (1978), Used Cars (1980), Romancing the Stone (1984), Back to the Future (1985), Who Framed Roger Rabbit (1988), Back to the Future II (1989), Back to the Future III (1990), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), What Lies Beneath (2000), Cast Away (2000), The Polar Express (2004), Beowulf (2007), A Christmas Carol (2009).

FRED ZINNEMANN 1907-1997
Maker of Meticulously-Cautious, Well-Crafted 'Realistic' Dramas

Suggested Filmography: The Seventh Cross (1944), The Search (1948), Act of Violence (1949), The Men (1950), High Noon (1952), The Member of the Wedding (1952), From Here to Eternity (1953), Oklahoma! (1955), A Hatful of Rain (1957), The Old Man and the Sea (1958) (uncredited), The Nun's Story (1959), The Sundowners (1960), A Man For All Seasons (1966), The Day of the Jackal (1973), Julia (1977), Five Days One Summer (1982).



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