|Film Title/Year and Description|
Richard III (1995)
Richard III (Ian McKellan) died a fiery death in this modernistic adaptation of the Shakespearean play, set in a fictional, fascistic Britain set some time in the late 1930s. (See also Laurence Olivier's original British version of film, Richard III (1955)).
In the film's conclusion in an abandoned industrial site, Richard III refused to be captured and told his rival - in a line written by Shakespeare in King Richard III, Act V, Scene 3:
[In Shakespeare's play, the line was delivered before battle, not immediately before Richard's death.]
Then he lifted his right gloved hand as if to wave, and fell backwards into the inferno to his death. His demise was accompanied by the unusually-cheerful song I'm Sitting On The Top Of The World (Ray Henderson, Joe Young and Sam Lewis).
Director David Fincher's crime thriller ended with a unforgettable, nail-biting, concluding climax.
Maniacal serial killer John Doe (Kevin Spacey) led arrogant, hotshot replacement Detective David Mills (Brad Pitt) and retiring veteran Detective Somerset (Morgan Freeman) to a remote desert area, promising to reveal the last two bodies and give his confession.
There, another sick and gruesome crime and souvenir - "her pretty head" in a bloody box was delivered by a van. It proved to ultimately demonstrate one of the last two of the Seven Deadly Sins (gluttony, greed, sloth, lust, pride, envy, and wrath).
Doe confessed to the sin of Envy, having killed Mills' wife Tracy (Gwyneth Paltrow) and having her severed head (never shown) delivered to their location in a cardboard box:
To demonstrate Wrath, anguished and angered Lt. Mills (Brad Pitt) shot Doe (Kevin Spacey) repeatedly, emptying his gun, in revenge for his pregnant wife's beheading.
His partner Detective Somerset (Morgan Freeman) begged him not to:
Doe kept pressing:
Even though Somerset advised: "If you kill him, he will win," Mills executed Doe. The film ended with Somerset quoting from Ernest Hemingway's For Whom the Bell Tolls:
There were three remarkable death (or killing) scenes in director Roger Donaldson's science-fiction thriller, about a deadly half-human, half-alien seductress. Pretty nymphomaniacal alien Sil (Natasha Henstridge) wished to be impregnated in order to reproduce her own kind and unleash alien spawn, as she insatiably stalked suitable mates in Los Angeles. When aroused or threatened, the murderous creature would often turn into her alien self - a scaly, bipedal tentacled creature.
Strange Days (1995)
In the violent conclusion to Kathryn Bigelow's cyberpunk, dystopian tech-noir thriller, everything converged an hour before the dawn of the New Millennium at the downtown LA Bonaventura Hotel.
The film's backstory was that the public revelation of the covered-up murder of 27 year-old outspoken militant black rapper Jeriko One (Glen Plummer) (not due to gangbanger-related violence as originally blamed) would ignite a catastrophic race riot, if the truth came out. It was revealed that there had been a "hard-line" death-squad conspiracy - two rogue LA cops ("two loose-cannon cops") had killed him in cold blood.
The film's protagonist Lenny Nero (Ralph Fiennes), peddler of illegal virtual reality "clips," planned to trade the "lightning bolt from God" tape showing Jeriko's murder, in exchange for ex-girlfriend and aspiring singer Faith Justin (Juliette Lewis). Lenny viewed a tape, thinking it was another rape/strangulation tape of Faith's murder, but then realized it was an erotic-asphyxiation sex scene between Faith and her secret lover - Lenny's own best friend and PI Max Peltier (Tom Sizemore). The wily, long-haired, and menacing ex-cop had betrayed Lenny. Max was the main villain behind the film's many murders. He quipped: "The world's gonna end in ten minutes, anyway."
When Max set up Lenny to take the fall for various murders (the murder of Gant and Iris), the two fought to the death in the hotel room and onto its balcony, high above the revelers. Max precariously hung onto Lenny's tie until Lenny cut off the tie with the knife stuck in his back - sending Max hurtling to his death on the street below.
To Die For (1995)
In the conclusion of director Gus Van Sant's dark comedy, ruthless, manipulative and icy blonde WWEN-TV weathercaster Suzanne Stone Maretto (Nicole Kidman) was killed off-screen.
The murderer was a "Hollywood producer" (David Cronenberg in a cameo, credited as "Man at the Lake") who was hired by father Joe Maretto (Dan Hedaya) (with Mafia connections), to seek revenge for her plotting to successfully kill her husband Larry Maretto (Matt Dillon). Sociopathic Suzanne had seduced a student named Jimmy Emmett (Joaquin Phoenix) to commit the deadly deed. Although Suzanne was brought to trial and there was taped evidence of a confession, she walked free when police were accused of entrapment.
She was later seen dead under the ice of a frozen pond as Larry's sister Janice (Illeana Douglas) skated and performed twirls and pirouettes on the frozen lake (literally dancing above the location of the frozen body), to the tune of Donovan's "The Season of the Witch."
12 Monkeys (1995)
Director Terry Gilliam's science fiction film featured plot twists, time-travel, and unusual efforts to thwart a devastating plague.
Having successfully enlisted the help of psychiatrist Dr. Kathryn Railly (Madeleine Stowe), she and delusional, time-traveling prison convict James Cole (Bruce Willis) (from the year 2035) donned disguises. He glued on a mustache and wore a tropical-designed shirt, and she dyed her hair blonde. They were planning to fly together to a dream vacation destination - the Florida Keys.
At the airport, they both realized that red-haired, pony-tailed bio-terrorist and "apocalyptic nut" Dr. Peters (David Morse) had just taken a sticker-covered carry-on suitcase through security in front of them that contained live samples of a deadly virus. When gun-brandishing Cole pursued the madman through security (with Dr. Railly not far behind), he was fatally gunned down in the film's climactic ending (filmed in slow-motion) by airport police, as madman Peters escaped and boarded his plane to San Francisco and other worldwide cities to unleash a doomsday virus.
Cole's repeated dreams/memories were now made clear - as a young boy (Joseph Melito), he had witnessed the shooting (and his own death), with his newfound lover Dr. Railly (from the 1990s) grieving above him - who at one point knowingly noticed young Cole when their eyes met.
(chronological by film title)
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