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Part 2 |
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has selected as the 100 Greatest Films |
Greatest Movie Death Scenes
(chronological by film title) - Part 2
Intro | Part
1 | Part 2 | Part
3 | Part 4 | Part
5 | Part 6 | Part
7 | Part 8 | Part
9 | Part 10
Part 11 | Part
12 | Part 13 | Part
14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20
Part 21 | Part 22 | Part 23 | Part 24 | Part 25
| Film Title | Description | Example |
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The thrilling and traumatic death scene of the giant ape shot down from biplanes while atop the Empire State Building in NYC; when shot he touched his bloody wounds with his giant paw and examined the blood; then he fell many stories to the street below - in the film's coda, when Carl Denham (Robert Armstrong) was told that the airplanes finally got the monster, he famously asserted: "Oh, no. It wasn't the airplanes. It was Beauty killed the Beast" |
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| The sad scene of dying Beth March (Jean Parker) reassuring her older sister Jo (Katharine Hepburn): "I'm not afraid anymore! I'm learning that I don't lose you, that you'll be more to me than ever, and NOTHING can part us, though it seems to. Oh, Jo! I think I'll be homesick for you - even in heaven"; also Jo's written ode to her sister titled "My Beth": ("Oh my sister, passing from me / Out of human care and strife / Leave me, as a gift those virtues / Which have beautified your life / By that deep and solemn river / Where your willing feet now stand"); and Beth's last words: "I think I can sleep now. Oh look, Jo. My birds. They got back in time") - and at the moment of Beth's death - birds flew off from the window sill |
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| Hjalmar Poelzig (Boris Karloff) was vengefully skinned alive (seen in dark silhouette) with a scalpel by Dr. Vitus Werdegast (Bela Lugosi) as the doctor sadistically asked: "How does it feel to hang on your own embalming rack, Hjalmar?" |
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| Queen of Egypt Cleopatra's (Claudette Colbert) memorable live snake-to-breast death scene as she took an asp from a basket ("Now give me the basket - it holds victory") and held it to her naked breast to be bitten, and then expired while sitting on the throne |
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The ending in which the Monster (Boris Karloff) pulled the fateful lever to bring both creatures and creator to extinction, as the Bride (Elsa Lancaster) expelled one long, snake-like hiss at him. Explosions rocked the stone-tower - rubble from the crumbling foundation buried everyone inside alive |
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| The concluding soft-focus death scene of consumption-wracked Marguerite 'Camille' Gautier (Greta Garbo) |
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The Petrified Forest (1936) |
The death scene at the finale when idealistic and disillusioned writer/world traveler Alan Squier (Leslie Howard) died in the arms of culturally-starved waitress Gabrielle "Gabby" Maple (Bette Davis) after being shot by ruthless fugitive gangster Duke Mantee (Humphrey Bogart) in a run-down Arizona desert cafe (as she recited: "...this is the end for which we twain are met") |
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| Portuguese fisherman Manuel's (Spencer Tracy) death in fishing waters as he was cut free from the tangled mast ropes and drowned |
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The Good Earth (1937) |
Chinese farmer Wang Lung (Paul Muni) told selfless and ailing first wife O-Lan (Luise Rainer) that he would sell his land if it would help her to recover, and gave her two pearls - he told her that she was always the one, but it was too late |
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| At film's end, in a fierce blizzard weather as they plod along after leaving a remote Himalayan monastery, Maria's (Margo) face aged rapidly as she quickly reverted in appearance to her actual age, as George Conway (John Howard) screamed out: "Look at her face! Her face! Look at her face!" Maria died an old wrinkled and withered woman (aging by half a century, the time she spent in the valley) - George could not stand to see the decomposing body of the beloved woman and threw himself over the snowy cliffs |
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| The 'death' of Snow White eating the poisoned apple, and the demise of the Wicked Queen (voice of Lucille La Verne), toppling from a lightning-struck cliff to her death, with two vultures following her descent, in the animated classic fairytale |
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| Rocky Sullivan's (James Cagney) execution scene in which he became "yellow" on his way to the electric chair (accompanied by an incredible Max Steiner score) |
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| The quiet, upstairs death
of young socialite and heiress Miss Judith Traherne (Bette Davis)
with a brain tumor |
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| Bawdy saloon singer "Frenchy"'s (Marlene Dietrich) death - a heroine's sacrifice for Destry (James Stewart), in the final scene |
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