Film Lines or Quotes
(chronological, by film title)
1910s-1930s | 1940s | 1950s | 1960s | 1970s | 1980s | 1990s | 2000s | 2010s
Return to Entire Quotes Index
- "I can't tell you how much you mean to me, how
much I need you and the kids. I just wanted you to know that. You
saved me. You redeemed me from the pit. I was in it, Emily. I was
in that ultimate moment of terror that is the beginning of
life. It is nothing. Simple, hideous nothing. The final truth of
all things is that there is no final Truth. Truth is what's transitory.
It's human life that is real. I don't want to frighten you, Emily,
but what I'm trying to tell you is that that moment of terror is
a real and living horror, living and growing within me now, and the
only thing that keeps it from devouring me is you."
|Altered States (1980)|
- "May I help you?"
|The Blues Brothers (1980)|
|The Elephant Man (1980)|
- "From this day on, let every breed of Mongo live
together in peace."
|Flash Gordon (1980)|
- "I don't know what happened
to Antonio Bay tonight. Something came out of the fog and tried to
destroy us. In one moment, it vanished. But if this has been anything
but a nightmare, and if we don't wake up to find ourselves safe in
our beds, it could come again. To the ships at sea who can hear my
voice, look across the water, into the darkness. Look for the fog."
|The Fog (1980)|
- "Is anyone else alive? Are they all dead?"
|Friday the 13th (1980)|
|The Gods Must Be Crazy (1980)|
|Heaven's Gate (1980)|
- "We did it! We actually pulled it off, and we
|Nine to Five (1980) (aka 9 to 5)|
|Raging Bull (1980)|
|Star Wars: Episode V - The Empire Strikes Back (1980)|
|Superman II (1980)|
"As long as man shall walk the Earth and search
the night sky in wonder, they will remember the courage of Perseus
forever. Even if we, the gods, are abandoned or forgotten,
the stars will never fade, never. They will burn till the end of time."
|Clash of the Titans (1981)|
|Dead & Buried (1981)|
|The French Lieutenant's Woman (1981)|
"Paul? Paul? Paul? Where's Paul?"
|Friday the 13th, Part 2 (1981)|
- "What are your legs? Springs. Steel springs.
What are they gonna do? They're gonna hurl me down the track.
How fast can you run? As fast as a leopard. How fast are you gonna
run? As fast as a leopard. Then let's see you do it."
|Gallipoli (1981, Australia)|
|The Howling (1981)|
(voice-over) "We got the bill, and Andre paid for
our dinner...I treated myself to a taxi. I rode home through the
city streets. There wasn't a street, there wasn't a building that
wasn't connected to some memory in my mind. There, I was buying a
suit with my father. There, I was having an ice cream soda after
school. When I finally came in, Debbie was home from work. And I
told her everything about my dinner with Andre."
|My Dinner with Andre (1981)|
- "Wanna dance, or would you rather just suck
|On Golden Pond (1981)|
- "Hey, what happened? You don't look very
|Raiders of the Lost Ark (1981)|
- "It's too bad she won't live --
but then again, who does?"
|Blade Runner (1982)|
|Blade Runner (1982)|
"And now the prophecy is fulfilled. We are
again one. Many ages ago, in our arrogance and delusion, we shattered
the pure crystal. And our world split apart. Your courage and sacrifice
have made us whole and restored the true power of the Crystal. Hold
her to you. She is part of you, as we all are part of each other. Now
we leave you the crystal of truth. Make your world in its light."
|The Dark Crystal (1982)|
|E.T. The Extra-Terrestrial (1982)|
(voice-over) "When I despair, I remember that
all through history the way of truth and love has always won. There
have been tyrants and murderers and for a time they can seem invincible,
but in the end they always fall. Think of it. Always."
- "Of all unicorns, she is the only one who knows
what regret is, and love. Come then, come with me."
|The Last Unicorn (1982)|
|An Officer and a Gentleman (1982)|
(voice-over narration) "And so began the journey
north to safety to our place in the sun. Among us we found a new
leader: the man who came from the sky, the Gyro Captain. And just
as Pappagallo had planned, we traveled far beyond the reach of men
on machines. The juice, the precious juice, was hidden in the vehicles.
As for me, I grew to manhood and in the fullness of time, I became
the leader the Chief of the Great Northern Tribe. And the Road Warrior?
That was the last we ever saw of him. He lives now only in my memories."
|The Road Warrior (1982, Australia) (aka Mad Max 2)|
- "He's really not dead, so long as we remember
|Star Trek II: The Wrath of Khan (1982)|
- "Fires got the temperature up all over the camp.
Won't last long though."
|The Thing (1982)|
|The Big Chill (1983)|
- "So what did ya tell her tonight?"
|Easy Money (1983)|
(voice-overs) "Rupert Pupkin
was released today from Allenwood after serving two years and nine
months of a six-year sentence. Hundreds were there to greet the
37-year-old comedian and author, among them his new agent and manager
David Ball, who announced that King For A Night, Pupkin's
best-selling autobiography, would be appearing next September as
a major motion picture. Pupkin said he used his stay at Allenwood
to sharpen his material. He said that he and his people were weighing
a number of attractive offers and he looked forward to resuming his
show business career."
|The King of Comedy (1983)|
(voice-over) "The Mercury program was over.
Four years later, astronaut Gus Grissom was killed, along with astronauts
White and Chaffee, when fire swept through their Apollo capsule. But
on that glorious day in May 1963, Gordo Cooper went higher, farther,
and faster than any other American - 22 complete orbits around the
world. He was the last American ever to go into space alone. And for
a brief moment, Gordo Cooper became the greatest pilot anyone had ever
|The Right Stuff (1983)|
|Risky Business (1983)|
"OK, Sosa. You want to f--k with me? You're
f--kin' with the best! Come on. You wannna f--k with me? OK. You
cockroaches. You wanna play games? Okay, I play with you. Come
on. OK. You wanna play rough? OK. Say hello to my little friend!
You wanna play rough? OK. There! OK. You like that? Huh? You want
more? You whores! Cowards! Wanna f--k with me? Go ahead! Come on.
How'd you like that? Huh? You f--kin' maricon! Huh? You think
you can take me? You gonna need a f--kin' army, if you gonna take
me! You hear? Come on! I take you all to f--kin' hell! Come on, come
on. Come to me. OK. Who you think you f--kin' with, right? I'm Tony
Montana! You f--k with me, you f--kin' with the best! I'm still standing.
Come on! I take your f--kin' bullet! Come on! Go ahead. I take your
f--kin' bullet! You think you kill me with bullets? I take your f--kin'
bullets! Go ahead!"
- "You see, I've always wanted a little girl. But
of course, when my husband left. Oh, well! That's all water under
the bridge, as I always say. Water under the bridge. But it certainly
will be a nice little surprise when Richard comes home to find a
little girl in the house. Yes, I've always dreamed of a little girl
just like you. I mean, we already have a boy. So another one simply
would not do. Oh, no, absolutely not. A little girl would be so much
nicer. Don't you think so, Angela? Angela. Such a lovely name.
Why, I believe it means 'angel.' Why, yes. I'm sure it does. I know
you're going to like that name. Won't you, Peter?"
|Sleepaway Camp (1983)|
(interviewer) "Now that
people recognize you, what's, what's it like?"
|Star 80 (1983)|
- "They did it!"
|Star Wars: Episode VI - Return of the Jedi (1983)|
- "Hey, let's dance."
|All of Me (1984)|
"I will speak for you, Father. I speak for
all mediocrities in the world. I am their champion. I am their patron
saint. (laughter) Mediocrities everywhere.
I absolve you! I absolve you! I absolve you! I absolve you! I absolve
you all! (laughter)"
- "I was thinkin' about stoppin' off and get
somethin' to drink, though."
|Beverly Hills Cop (1984)|
|Blood Simple (1984)|
"I'm here tonight because I wanted to finally
start telling the truth. My wife and I - we have split up for good.
That's right. Me, the boy scout, hah, I just
never had the guts to admit the truth, that Amy and I had just stopped
loving each other. There's nobody to blame. That's just what happened.
Then, I met this woman, Joanna. She saved my life. We're together
now. I'm not sure if it's gonna work out. We don't have a, a whole
helluva lot in common, other than the fact that, that we both need
help, and each other. The
thing, you see, that scared me the most during my marriage was just
admitting that I was scared and letting Amy down. Well, I can't pretend
anymore. I was scared s--tless to come back here. I told Joanna,
and she took me in her arms and she said, 'It's OK to be scared.'
I felt stronger and freer and more like a man than I've ever felt
before in my life. Then we f--ked our brains out."
|Crimes of Passion (1984)|
(voice-over narration) "Muad'Dib had become
the hand of God, fulfilling the Fremen prophecy. Where there was
war, Muad'Dib would now bring peace. Where there was hatred, Muad'Dib
would bring love, to lead the people to true freedom, and to change
the face of Arrakis."
"I LOVE THIS TOWN!"
(voice-over) "Well, that's the story. So if
your air conditioner goes on the fritz or your washing machine blows
up or your video recorder conks out, before you call the repairman,
turn on all the lights, check all the closets and cupboards, look
under all the beds, 'cause you never can tell, there just might be
a gremlin in your house."
|The Killing Fields (1984)|
(announcer) (bat connects with ball) "And it's
way back up, high into the right field! That ball is still going.
It's way back, high up in there. He did it. Hobbs did it!"
|The Natural (1984)|
(viewed and heard on TV screen) - "I accuse myself
of the following crimes. I have seduced Party members of both sexes.
I have been to the proletarian areas. I have deliberately contracted
syphilis to spread the disease to my wife and other Party members.
Together with other agents, I have counterfeited banknotes, wrecked
industrial machinery, polluted the water supply, and guided Eurasian
rocket bombs to targets on Airstrip One by means of coded radio signals.
I stand here, a victim of the influence of Emmanuel Goldstein, guilty
on all counts. I'm glad I was caught. I was mentally deranged. Now
I am cured. I ask only for you to accept my love of our leader. I
ask only to be shot while my mind is still clean."
|Nineteen Eighty-Four (1984)|
- "Yours is one we would never touch, Mr. Bailey."
|Once Upon a Time in America (1984)|
- "Hey! I like your boots."
|Romancing the Stone (1984)|
- "Thanks for getting my
|Sixteen Candles (1984)|
- "My father says that you have been my friend.
You came back for me."
|Star Trek III: The Search for Spock (1984)|
(dictating into tape recorder) - "Should I tell you about your father? Boy, that's a tough one. Will it
affect your decision to send him here, knowing that he is your
father? If you don't send Kyle, you can never be. God, a person could
go crazy thinking about this. I suppose I will tell you. I owe him
that. Maybe it'll help if you know that in the few hours that
we had together, we loved a lifetime's worth."
|The Terminator (1984)|
- "If you could not play rock 'n' roll, what would
|This Is Spinal Tap (1984)|
(voice-over) "...We have
seen the process of life take place. Maybe this is the way it happened
on Earth millions of years ago. Maybe it's something completely different.
I still don't know really what the monolith is. I think it's many
things. An embassy for an intelligence beyond ours, a shape of some
kind for something that has no shape. Your children will be born
in a world of two suns. They will never know a sky without them.
You can tell them that you remember when there was a pitch black
sky with no bright star, and people feared the night. You can tell
them when we were alone, when we couldn't point to the light and
say to ourselves: 'There
is life out there.' Someday the children of the new sun will
meet the children of the old. I think they will be our friends. You
can tell your children of the day when everyone looked up and realized
that we were only tenants of this world. We have been given a new lease
-- and a warning -- from the landlord."
|2010: The Year We Make Contact (1984)|
|Back to the Future (1985)|
(voice-over) - "Dear
Mr. Vernon: We accept the fact that we had to sacrifice a whole Saturday
in detention for whatever it was we did wrong. But we think you're
crazy to make us write an essay telling you who we think we are.
You see us as you want to see us, in the simplest terms, in the most
convenient definitions. But what we found out is that each one of
us is a brain..."
|The Breakfast Club (1985)|
- "All right, who done it?"
- "Leave anything for us?"
|Jagged Edge (1985)|
(voice-over) "This you knows. The years travel
fast. And time after time I've done the Tell. But this ain 't one
body's Tell. It's the Tell of us all. And you got to listen it and
'member. 'Cause what you hears today, you got to tell the newborn
tomorrow. I's lookin' behind us now, into history back. I sees those
of us that got the luck and started the haul for home. And I 'members
how it led us here and how we was heartful 'cause we seen what there
once was. One look, and we knewed we'd got it straight. Those what
had gone before had the knowin' and the doin' of things beyond our
reckoning, even beyond our dreamin'. Time counts and keeps countin'.
And we knows now findin' the trick of what's been and lost ain't
no easy ride. But that's our track. We got to travel it. And there
ain't nobody knows where it's gonna lead. Still, in all, every night
we does the Tell so that we 'member who we was and where we came
from. But most of all we 'members the man who finded us, him that
came the salvage, and we lights the city not just for him but for
all of 'em that are still out there, 'cause we knows there'll come
a night when they sees the distant light and they'll be comin' home."
|Mad Max Beyond Thunderdome (1985)|
- "Are we talking about the weather?"
|Murphy's Romance (1985)|
(voice-over) "The mail has come today and a
friend writes this to me: 'The Masai have reported to the district
commissioner at Ngong that many times at sunrise and sunset, they
have seen lions on Finch Hatton's grave. A lion and a lioness have
gone there and stood or lain on the grave for a long time. After
you went away, the ground around the grave was leveled out into a
sort of terrace. I suppose that the level place makes a good site
for the lions. From there they have a view over the plain and the
cattle and game on it.' Denys will like that. I must remember to
|Out of Africa (1985)|
(on screen dialogue) "You don't wanna get mixed
up with a guy like me. I'm a loner, Dottie, a rebel."
|Pee Wee's Big Adventure (1985)|
|Prizzi's Honor (1985)|
"I came here tonight and I didn't know what
to expect. (Russian translation) I've
seen a lot of people hatin' me and I didn't know what to feel about
that, so I guess I didn't like you much none either. (translation) During
this fight, I seen a lot of changin', (translation) the
way youse felt about me and the way I felt about you. (translation) In
here, there were two guys killin' each other. But I guess that's
better than 20 million. (translation) What I'm tryin' to say
is, that if I can change (translation) and you can change,
(translation) everybody can change! (translation) (applause)
I just want to say one thing to my kid who should be home sleepin'.
Merry Christmas, kid! (translation) I love you."
|Rocky IV (1985)|
- "You didn't sleep with
|The Sure Thing (1985)|
- "Come on, let's go."
|The Trip to Bountiful (1985)|
"You just listen to the ol' Pork-Chop Express
here now and take his advice on a dark and stormy night, when the
lightning's crashin' and the thunder's roarin', and the rain's comin'
down in sheets thick as lead. Just remember what ol' Jack Burton
does when the Earth quakes, and the poison arrows fall from the sky,
and the pillars of Heaven shake. Yeah, Jack Burton just looks that
big ol' storm right square in the eye and he says: 'Give me your
best shot, pal. I can take it.'"
|Big Trouble in Little China (1986)|
- "Jeffrey, come over here and look at this. Look."
|Blue Velvet (1986)|
"You look beautiful.
(translating her sign language) You wanted to see me. (his
response) It was a shock, seeing you in there. I didn't know what
to do. (translating) You were scared, too. I hear that Boomerang song. (singing) 'Ooh,
my love can't catch ya.' (translating
her sign language) You've been angry since you were a little girl.
You didn't want to hurt again, so you used your anger to push me
away. You're sorry. (signing back) Well, I'm sorry for hurting
response to him, translated) But you learned from me. You learned
that you can hurt and you won't shrivel up and blow away. (his
response to her) I
don't want to be without you, either. Do
you think that we could find a place where we can meet, not in silence
and not in sound?" (they sign that they love each other,
and then hug)
|Children of a Lesser God (1986)|
- "Eddie, what are you gonna do when I kick your
|The Color of Money (1986)|
|Deadly Friend (1986)|
- "If you're fixin' to do anything to us, you better
think twice. There's a Iawyer sitting in my office Iooking at your
fingerprints on my Iedgers. If he doesn't hear from us within an hour,
he'II know what to do with them."
|52 Pick-up (1986)|
- "I'm Matt Scudder. I'm an alcoholic."
|8 Million Ways to Die (1986)|
- "Yup. I said it before and I'll say it
again. Life moves pretty fast. If you don't stop and look around
once in a while, you could miss it."
|Ferris Bueller's Day Off (1986)|
|The Fly (1986)|
|Hannah and Her Sisters (1986)|
(voice-over) "Jimmy, I want you to meet someone.
This is Norman Dale, our new coach."
(voice-over) "So, your Holiness, now your priests
are dead, and I am left alive. But, in truth, it is I who am dead, and
they who live. For, as always, your Holiness, the spirit of the dead
will survive in the memory of the living."
|The Mission (1986)|
- "How am I doing, son?"
|The Mosquito Coast (1986)|
|Nothing in Common (1986)|
- "And I kept trying to push you away. But
you wouldn't give up."
|Peggy Sue Got Married (1986)|
"I think now, looking back, we did
not fight the enemy. We fought ourselves. And the enemy was in us.
The war is over for me now, but it will always be there for the
rest of my days as I'm sure Elias will be, fighting with Barnes
for what Rhah called possession of my soul. There are
times since when I've felt like a child born of those two fathers.
But be that as it may, those of us who did make it have an obligation
to build again, to teach to others what we know, and to try with
what's left of our lives to find a goodness and meaning to this
(voice-over) "After several weeks, I found
myself talking to her after class. Her name was Pam, and I told her
I thought she had a beautiful voice, and I asked her if she ever
sang in public. I sort of had a crummy seat, but that's her in the
chorus, 8th row, 12th from the left. After
the concert I thought things over, and then somewhat
cautiously asked her if she'd like to see a movie with me on the
|Sherman's March (1986)|
- "Dad, can we go now?"
|Stand By Me (1986)|
- "The bureaucratic mentality is the only constant
in the universe. We'll get a freighter."
|Star Trek IV: The Voyage Home (1986)|
- "Hello, Pete Mitchell. I heard the best of
the best were gonna be back here, so, uhm..."
|Top Gun (1986)|
|84 Charing Cross Road (1987)|
"My thoughts drift back to erect nipple wet
dreams about Mary Jane Rottencrotch and the Great Homecoming F--k
Fantasy. I'm so happy that I am alive, in one piece and short. I'm
in a world of s--t, yes. But I am alive. And I am not afraid."
|Full Metal Jacket (1987)|
- "Good morning, Vietnam! This is Eddie Garlick
coming to you live from AFRS... Armed Forces Radio Saigon. It's 1629
hours here in Saigon, and Airman Adrian Cronauer is going home today.
But he left a farewell message for all you guys out there still sweatin'
it out in the fields. So without further ado, here's a farewell extravaganza."
|Good Morning, Vietnam (1987)|
|Lethal Weapon (1987)|
- "Oh, my boys."
|The Lost Boys (1987)|
- "Come, come, come. Your
brother is here and..."
|A Nightmare on Elm Street 3: Dream Warriors (1987)|
- "Since the invention of the kiss, there have
been five kisses that were rated the most passionate, the most pure.
This one left them all behind. The end. Now, I think you oughta go
to sleep....Alright, OK, OK, OK, alright, so long."
|The Princess Bride (1987)|
(voice-over) "I never forgot that New Year's
Eve, when Aunt Bea awakened me to watch 1944 come in. And I've never
forgotten any of those people, or any of the voices we used to hear
on the radio. Although the truth is, with the passing of each New
Year's Eve, those voices do seem to grow dimmer and dimmer."
|Radio Days (1987)|
"...But still I hadn't dreamt nothin' about
me and Ed, untiI the end. And this was cIoudier, 'cause it was
years, years away. But I saw an oId coupIe bein' visited by their
chiIdren and all their grandchiIdren too. The oId coupIe weren't
screwed up, and neither were their kids or their grandkids....And
I don't know. You tell me. This whoIe dream. Was it wishfuI thinkin'?
Was I just fleein' reaIity, Iike I know I'm IiabIe to do? But me
and Ed, we can be good too. And it seemed reaI. It seemed Iike
us. And it seemed Iike, well, our home. If not Arizona, then a land not too far
away, where all parents are strong and wise and capable, and all children
are happy and beloved. I don't know. Maybe it was Utah."
|Raising Arizona (1987)|
- "How can we help you, Officer?"
- "I went inside, and I thought what it was about
Chris that attracted me. It wasn't the way he looked. Well, that's
not true. At first, it was the way he looked. It was how he made
me feel. He made me feel romantic, intelligent, feminine. But it
wasn't him doing that to me. It was you. All these other men, Charlie,
they've got flat, featureless faces. No character, no fire, no nose.
Charlie, you have a big nose. You have a beautiful, great, big flesh-and-bone
nose. I love your nose. I love your nose, Charlie. I love you, Charlie.
- "Remember how I said I'd rather be with someone
for the wrong reasons than alone for the right ones? I'd rather be
right. It's gonna feel good to stand on my own. Here. In your heart
you wanted to give these to somebody else. Go. Go on."
|Some Kind of Wonderful (1987)|
- "All right, Marshal, take him away."
|Superman IV: The Quest for Peace (1987)|
- "Mr. Ness! Mr. Ness! Any comment for the record?
'The man who put Al Capone on the spot.'"
|The Untouchables (1987)|
(on television video) "Take it easy. We don't
want the whole household in here, do we, boys? That's it. Good boys,
we're gonna do just fine. Now come on, come on to Daddy and gimme
a big kiss. Come on, good boys, come on. Come on, come to Daddy,
cootchie, cootchie, cootchie, coo. That's it, ha, ha, ha, ha, ha,
come on, come on. come on. Aw, ladies, come on...!" (TV
|The Witches of Eastwick (1987)|
"I have of late, but wherefore I know not,
lost all of my mirth. And indeed it goes so
heavily with my disposition that
this goodly frame the earth seems
to me a sterile promontory. It's a
most excellent canopy, the air. Look
you, this brave, o'er hanging firmament.
This majestical roof fretted with golden fire. Why,
it appeareth nothing to me but
a foul and pestilent congregation of vapors. What a piece of work
is a man! How noble in reason! How infinite in faculties! How like
an angel in apprehension, how like a God! The beauty of the world,
paragon of animals! And yet to me, what is this quintessence of
dust? Man delights not me: no, nor women neither. Nor women neither."
|Withnail and I (1987)|
- "Miss Murphy, what was the deciding
factor in the case?"
|The Accused (1988)|
|The Adventures of Baron Munchausen (1988)|
"Well, looks like I'm next. Ha, ha.
Good thing too. I've got to do a photo shoot for G.Q. in about an
hour and a half. Yeah, they've been after me for months. It's some
kind of underwear deal. I don't know what... Oh, hey, wait a, hey,
stop it, hey, you're messing up my hair. Come on, whoa, whoa, stop
it. Whoa! Hey, this might be a good look for me."
(voice-over) "Walt Whitman once
said, 'I see great things in baseball. It's our game. The American
game. It will repair our losses and be a blessin' to us.' You could
look it up."
|Bull Durham (1988)|
|Dirty Rotten Scoundrels (1988)|
|A Fish Called Wanda (1988)|
- "The bastard stole my jewels."
|The Last Temptation of Christ (1988)|
"...And if you agree to all of the above, please state
so by saying: 'I do.' (in unison: "I do.") Now,
may I extend a warm congratulation. You are now citizens of the United
States of America."
|Mac and Me (1988)|
- "You son of a bitch."
|Midnight Run (1988)|
- "You know, I slept through all of
last night and I haven't done that in days."
|A Nightmare on Elm Street 4: The Dream Master (1988)|
|The Unbearable Lightness of Being (1988)|
|Who Framed Roger Rabbit (1988)|
- "We should be dead. We didn't decompress."
|The Abyss (1989)|
- "Doc, Doc, Doc!"
|Back to the Future, Part II (1989)|
- "All righty, comin' through! All right,
sweetheart. Straight on through. Straight on through."
|Born on the Fourth of July (1989)|
(voice-over) "We are all faced
throughout our lives with agonizing decisions and moral choices.
Some are on a grand scale, most of these choices are on lesser points.
But we define ourselves by the choices we have made. We are, in fact,
the sum total of our choices. Events unfold so unpredictably, so
unfairly. Human happiness does not seem to have been included in
the design of creation. It is only we, with our capacity
to love that give meaning to the indifferent universe. And yet, most
human beings seem to have the ability to keep trying and even to find
joy from simple things, like their family, their work, and from the hope
that future generations might understand more."
|Crimes and Misdemeanors (1989)|
- "Fresh water, it's extravagant."
|Dead Calm (1989)|
- "Leave, Mr. Keating. I said, 'Leave, Mr. Keating.'"
|Dead Poets Society (1989)|
(radio broadcast voice-over) "...There's
no end in sight from this heat wave. So today, the cash-money word
is 'chill.' That's right, C-H-I-L-L. When you hear 'chill,' call
in at 555-LOVE and you'll win cash money, honey. This is Mr. Senor
Love Daddy coming at you from what's last on your dial but first
in your hearts, and that's the quintessential truth, Ruth. The next
record goes out to Radio Raheem. We love you, brother."
|Do the Right Thing (1989)|
(voice-over) "It's this f--king life. You never
know what's gonna happen next....That's why Nadine spiked herself
with the easy way out. And that's why Diane keeps on goin' like she
does. See, most people, they don't know how they're gonna feel from
one minute to the next, but a dope fiend has a pretty good idea.
All you gotta do is look at the labels on the little bottles. You
gotta know how to read the signs. That's what the hat on the bed
was which is why I'm not scared. I paid my debt to the hat. The
irony was f--kin' brilliant. The chicken-s--t cops were givin' me
an escort to the fattest pharmacy in town. I was still alive. Hope they can
keep me alive."
|Drugstore Cowboy (1989)|
|Field of Dreams (1989)|
- "Well, here's to you, my dear."
|Licence to Kill (1989)|
- "All right. Who's gonna tell me what the hell
|Road House (1989)|
|sex, lies, and videotape... (1989)|
- "When are you gonna grow up?"
|Skin Deep (1989)|