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Greatest War Movies Part 6 |
| Film Title/Year/Director, War-time Setting and Brief Description | |
Ballad of a Soldier (1959, USSR) (aka Ballada o soldate)
This original, life-affirming and charming Soviet film set during WWII told about a young 19 year-old grunt infantryman soldier, Pvt. Alyosha Skvortsov (Vladimir Ivashov), who was awarded a medal for heroism, and then granted a week's leave from the Eastern Front to visit his mother. During his journey home through the war-torn land, he met shy young Shura (Zhanna Prokhorenko) on a freight train and fell in love, and was only briefly united with his mother for a simple hug in a wheat field. Devoid of typical war footage, this emotional love story was a poignant tale of war-time romance. [The film commenced by revealing that Alyosha was later killed during battle, never to see his mother or Shura again.] |
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MGM's three and a half hour, wide-screen epic Technicolor blockbuster was a Biblical tale, subtitled A Tale of the Christ. In the Best Picture-winning plot, prince Judah Ben-Hur (Charlton Heston) was enslaved by Roman tribunal friend Messala (Stephen Boyd) (with a homosexual subtext provided by co-writer Gore Vidal), but then returned years later, after an exciting slave galley ship battle in which he saved Roman Quintus Arrius (Jack Hawkins), to seek revenge in the film's centerpiece, a chariot race. |
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Pork Chop Hill (1959)
Lewis Milestone's anti-war masterpiece about the futility of "police action" warfare starred Gregory Peck as Army Lieutenant Joe Clemons of a platoon (King Company, 7th Infantry) in a no-win situation. The military group was commanded to assault a tactically-unimportant, but well-guarded hill held by the N. Koreans and Chinese Communists in the final days of the war. The documentary-styled film was based on the historical battle account titled Pork Chop Hill: The American Fighting Man in Action, Korea, Spring 1953, written by S.L.A. Marshall. |
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The Alamo (1960)
John Wayne both directed (his debut film) and starred (as Davy Crockett) in this highly mythologized version of the struggle between about 180 Texans and Mexican leader General Santa Anna's forces. The final violent assault upon the Alamo was on a large scale, realistically recreated. Remarkably, the film was nominated for seven Academy Awards (including Best Picture), winning only Best Sound. |
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Spartacus (1960)
Stanley Kubrick's ancient 1st century BC epic was a somewhat dated, uneven historical costume (and sword and sandal) epic adapted by openly-credited, blacklisted screenwriter Dalton Trumbo from left-leaning Howard Fast's 1952 fictionalized novel about a slave revolt in Rome between 73-71 BC. This was the story of Thracian Spartacus (Douglas), who led the colossal slave rebellion against Rome and massive final battle sequence (with projected fireballs). Roman patrician Marcus Licinius Crassus' (Laurence Olivier) deal for betrayal was foiled when each devoted slave - in an inspirational scene - proclaimed: "I'm Spartacus" to save the real Spartacus from execution by standing up and daring to be identified as such. |
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El Cid (1961)
Anthony Mann's big-budget, Cinemascopic historical epic about freedom-fighting was also a biopic of legendary Spanish hero, Rodrigo Diaz (known popularly as "El Cid") (Charlton Heston), who sought to unite Spain's warring factions. In the historical romance, Sophia Loren co-starred as fiancee Jimena. The film included an exciting swordfight duel between Rodrigo and Count Gomez (Andrew Cruickshank), the father of his fiancee, and an equally-thrilling jousting gauntlet sequence. |
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The Guns of Navarone (1961)
J. Lee Thompson's thrilling, big-budget adventure film, based on Alistair MacLean's 1957 book, was the top-grossing film of its year. It starred Gregory Peck as Capt. Keith Mallory, who headed a guerrilla mission of mercenaries to destroy a heavily-fortified German cave fortress with giant, long-range guns atop a 400 foot cliff on the Greek island of Navarone in the Aegean Sea, that controlled Mediterranean Sea routes and prevented the evacuation of British troops. |
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David Lean's film was one of the greatest films of all time, with rich cinematography of the immense desert. The sweeping, breath-taking, cinematic biographical epic, winner of Best Picture and Best Director, followed the true-life exploits of a famed British officer, T. E. Lawrence (Peter O'Toole in his first major film), and his transformation from an enigmatic eccentric to a hero in WWI Arabia. Assigned there, he courageously united the warring Arab fractions into a guerrilla front to battle the Turks, Germany's allies. Two of the film's greatest sequences were the guerrilla attack on the Turkish train in the desert, and the cavalry charge from land into the heavily-defended port of Aqaba. |
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The Longest Day (1962)
Producer Darryl F. Zanuck's authentic-looking, three-hour black and white war epic (dubbed "Z-Day" when the producer bailed out the film with his own finances) was about the Normandy landing on D-Day (June 6, 1944) (restaged in Corsica). This landmark film, based on the best-selling book by Cornelius Ryan, was told from four points of view, with four directors (American, English, French, and German) and in three languages. It required 43 major roles (including major stars John Wayne, Robert Mitchum, Richard Burton, Henry Fonda, Sean Connery, Robert Ryan, and more) and 23,000 extras. |
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The Manchurian Candidate (1962)
Based on Richard Condon's novel, and adapted by George Axelrod, this chilling film was a complex, realistic depiction of brainwashing in a frightening, satirical psychological thriller. An American platoon fighting in the Korean War was captured and brainwashed by Communist North Koreans in Manchuria. Upon their return to the US, one of the veterans Major Bennett Marco (Frank Sinatra) was haunted by recurring nightmares about their frightening incarceration. He slowly realized that fellow hero and Congressional Medal of Honor winner Sgt. Raymond Shaw (Laurence Harvey) was controlled and manipulated by his power-hungry, manipulative spy-agent "Queen of Diamonds" ambitious mother (Angela Lansbury). |
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The Great Escape (1963)
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(chronological by film title) Introduction | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 |

