Best and Most Memorable
Film Kisses of All Time
in Cinematic History
Part 1
|
|
Best and Most Memorable Part 1 |
Most of these scenes come from vintage, classic Hollywood films, rather than more recent films, and even stretch back to the scandalous The Kiss (1896)! Other discussions of notable romantic or sexual scenes (with more examples of great kissing scenes) may be found elsewhere in this site: Romance Films Genre, or Erotic/Sexual Films Genre, or the History of Sex in Cinema.  are the films that "The Greatest Films" site has selected as the 100 Greatest Films |
|
(in chronological order by film title) Introduction | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 Part 21 | Part 22 | Part 23 | Part 24 | Part 25 |
| |
|
|
| The Kiss (1896) (aka The May Irwin Kiss)
|
Although regarded as "disgusting" and scandalous and prompting demands for censorship, May Irwin and John Rice re-enacted a lingering kiss for Thomas Edison's film camera in this 20-second long short, from their 1895 Broadway stage play The Widow Jones; it was the first film ever made of a couple kissing in cinematic history, and became the most popular film produced that year by Edison's film company (it was filmed at Edison's Black Maria studio, in West Orange, NJ) |  |
| A Fool There Was (1915)
|
The original vamp and first movie sex goddess, the full-bosomed Theda Bara, starred in a number of early silents for the Fox Film Corporation - her first lurid, slinky vamp appearance (and first lead role) was in this Fox "psychological" melodrama, in which she portrayed a worldly, predatory woman who stole a wayward married man (Mr. Victor Benoit) from his wife and child by luring him with kisses ("Kiss me, my Fool!"); the catchphrase later became popularized as: "Kiss me, you fool!" |   |
| Behind the Screen (1916)
|
In this two-reeler's infamous 'gay' scene, hired film studio worker David (Charlie Chaplin) kissed a young girl (Edna Purviance) who was dressed in masculine clothing (as a masquerading way to find work), thereby upsetting his brutish and burly foreman Goliath (Eric Campbell) who believed they were homosexual and teased them mercilessly by acting 'prissy' to mock them |  |
The Four Horsemen of the Apocalypse (1921)
|
This long war epic featured Argentinian Julio's (Rudolph Valentino) sexy (but forbidden) tango dance and kissing scene in a smoke-filled Argentinian cantina |  |
|
|
In this early scene in Erich Von Stroheim's epic tale, self-taught quack dentist McTeague (Gibson Gowland) lustfully looked down at the unconscious, sedated face of his patient - ether-anesthetized, helpless Trina (ZaSu Pitts) in his dental chair; his eyes were fixed on her and he lustfully bent down toward her - but then he held back and resisted the strong temptation and impulse to molest her (inherited from his degenerate hereditary line). He took out his drill to begin working, but still appeared disturbed: (Subtitle) "But below the fine fabric bred of his mother, ran the foul stream of hereditary evil...the taint of generations given through his father"; he smelled her hair and her perfume, and eagerly leaned over and could not resist kissing her full on the mouth while she was under the influence of the ether. His agitated pet bird jumped and hopped about in its cage in a corner of the office. At the conclusion of the shameful kiss, he pulled back, grabbed his hair in distress, and continued working |
|
| Sherlock, Jr. (1924)
|
This classic silent comedy included a scene of lovelorn projectionist and flustered 'detective' Sherlock, Jr. (Buster Keaton) kissing his sweetheart/girlfriend (Kathryn McGuire) in the projection booth when he followed and imitated the cues of the leading-man screen actor kissing his girl on the big screen |  
|
|
|
In a marvelous, fully pantomimed, classic sequence - (one of the most famous scenes in silent film) - filmed in a single, uninterrupted take after they sat down on a bench beside her front steps, American soldier Jim Apperson (John Gilbert) introduced his French-speaking peasant girlfriend named Melisande (Renee Adoree) to American chewing gum with a lesson on how to stretch the gum out of one's mouth. To her surprise, she swallowed the stick of gum with one large gulp and then politely refused his offer of a second piece. With broken French, he boldly and awkwardly attempted to tell her of his love, and she reciprocated the attempt in broken English, and resisted his advances for a kiss. However, during their eight o'clock date that evening, when they both retreated to the wine cellar, in candlelight, he pointed out what he wanted to say to her about his love for her from his French primer. She beamed a smile back at him and they both shared a delicious, long kiss. When they rendezvoused later, their passion was released in a flood of kisses by the stream's edge under a tree; at war's end, when amputee Jim returned to France to meet his lover, they joyously embraced and kissed each other, to end the film |  
|
| Don Juan (1926)
|
In this film - the first Vitaphone feature film in which music and sound effects were synchronized and integrated into the film action, it was reported by Warner Bros' press agents that 42 year-old star John Barrymore (as a roguish Casanova swashbuckler named Don Juan de Marana) kissed his two leading ladies, Estelle Taylor (as jealous Lucretia Borgia) and 17 year old Mary Astor (as innocent and pious Adriana Della Varnese) 127 times in this film, plus smooches with other female companions that added up to a grand total of 191 kisses |  
|
Flesh and the Devil (1926/1927)
|
A luminous, torrid love affair between stars Greta Garbo (as amoral, insatiably sexual and sultry siren Felicitas von Kletzingk) and John Gilbert (as Leo von Sellenthin) occurred during the making of this Clarence Brown drama, filmed in 1926 but released in early 1927; their love/kissing scenes were beautifully photographed by William Daniels, using natural lighting (such as candle light), and the film reportedly had love scenes with the first-ever horizontal-position kiss in American film, and the first Hollywood film with an open-mouthed French kiss between the two stars - who were obviously in love in real-life | 
|
The Sea Beast (1926)
|
This romanticized silent screen film was loosely based on the Herman Melville tale of Moby Dick; John Barrymore starred as hard-loving, peg-legged roustabout seaman Captain Ahab Ceeley; in one infamous scene, four takes of the same kiss-embrace were spliced together to extend the male star's kiss with co-star Dolores Costello (as the lovely minister's daughter Esther Harper - and Barrymore's future real-life wife), who reportedly fainted afterwards | 
|
Introduction: What makes
a memorable screen kiss? Is it the passion, the circumstances, the buildup,
the dialogue, the unpredictability, the awkwardness, the sexiness or
eroticism, the cinematography, the unique quality...? Although any list
of the best, most romantic, and most indelible kisses through film history
is difficult to create, there are a number of kissing scenes in movies
that are unforgettable and deserve special mention. 