Greatest Song and Dance Musical Movie Moments and Scenes

Part 8


Introduction: The following listing (in multiple parts, organized alphabetically) is a collection of many of the Greatest Song and Dance Musical Movie Moments in film history. Many of the greatest musical moments were accompanied by a well-staged production number, a lavish set, or a great memorable tune. Though the list appears to be dominated by musicals, other genres were examined and included. See also this site's writeup of the Musicals Film Genre.

Key to Iconic Symbols:

Exceptional examples of the development of song/dance

Entries in AFI's 25 Greatest Movie Musicals of All Time with ranking number (#)

Entries in Entertainment Weekly's 25 Best Movie Musicals of All Time with ranking number (#)


Greatest Musical - Song and Dance
Movie Moments and Scenes

(alphabetical) - Part 8
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 |
Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25
Movie Title
Brief Scene Description Example

Doctor Dolittle (1967)

This Best Picture-nominated Fox film musical adaptation of a favorite children's story by director Richard Fleischer was considered overproduced and flat, although it starred Rex Harrison as the title character animal veterinarian who spoke in many animal tongues, and featured the Oscar-winning song If You Could Talk to the Animals (pictured) and the ridiculously romantic ode When I Look In Your Eyes (pictured) sung to a female seal dressed in a bonnet.


The Doors (1991)

Director Oliver Stone's documentary-style biopic included Val Kilmer's uncanny portrayal of 1960s Doors frontman lead singer Jim Morrison, including his own singing on stage as the rock great - especially in the Ed Sullivan Show scene in which he refused to self-censor words in his performance of Light My Fire - he mocked the camera with a huge grin and stressed the forbidden word "higher".


Down Argentine Way (1940)

Fox's 'peaches-and-cream' Betty Grable (as vacationing American heiress Glenda Crawford in South America) had a star-making role opposite Don Ameche (as Ricardo Quintana) in this enjoyable and garish "south-of-the-border" musical - the studio's first 'exotic' Technicolored musical; it featured Carmen Miranda's (aka the "Brazilian Bombshell") American debut - appearing in a few of the film's nightclub scenes; Grable sang and danced to the Oscar-nominated Best Original song Down Argentina Way ("You'll find your life will begin The very moment you're in Argentina...") in a light blue top.

Dreamgirls (2006)

The many songs in Bill Condon's lavish adaptation of Michael Bennett's Broadway musical, highlighted by spurned lead-turned-backup singer Effie Melody White's (Jennifer Hudson) show-stopper And I'm Telling You (I'm Not Going), preceded by the group's breakup song It's All Over; other major songs included girl group The Dreams' signature song Dreamgirls ("I'm your dream girl") and Family; also, the cabaret torch song by solo-ing Effie One Night Only that was stolen by The Dreams' manager Curtis Taylor, Jr. (Jamie Foxx) and turned into an opulent disco hit by Diana Ross-like backup-turned-lead singer Deena Jones (Beyonce Knowles) at Studio 54; and the three memorable songs by James 'Thunder' Early (Eddie Murphy): Cadillac Car, Steppin' to the Bad Side with The Dreamettes as backup singers, and the exuberant, drug-fueled solo Jimmy's Rap during a nationally televised program, culminating with his pants falling down


The Duke is Tops (1938)

This vintage, low-budget, independent film made specifically for black audiences was completed in less than two weeks in the late 30s - it featured 21 year-old Lena Horne's screen debut as singer Ethel Andrews (billed as 'The Bronze Nightingale'); the highlight number of the film was Lena Horne's I Know You Remember; although the film was little seen at the time of its initial release, it was re-released as The Bronze Venus (1944) with Horne's name above the title, after her cross-over success in Cabin in the Sky (1943) and Stormy Weather (1943).

Dumbo (1941)

There were many memorable songs in this Disney animation, including the nightmarish song-and-dance of the Pink Elephants, When I See An Elephant Fly sung by minstrel show crows, and the touching Baby Mine sung by Mrs. Jumbo to her young son Dumbo.


Easter Parade (1948)

This memorable MGM film by director Charles Waters was set in 1912, with a storyline of how vaudeville dancer Don Hewes (Fred Astaire, coming out of retirement) turned an aspiring chorus girl protege Hannah Brown (Judy Garland) into a star after he was dropped by his Broadway-bound dance partner Nadine Hale (Ann Miller). This was Astaire's and Garland's first and only teaming together, and producer Arthur Freed's fifth collaboration with composer Irving Berlin. It was filled with seventeen Irving Berlin songs, including the dance number It Only Happens When I Dance With You (pictured) between Astaire and partner Ann Miller in a hotel suite, Miller's strong song/dance rendition of Shakin' the Blues Away, Astaire's slow-motion version of Steppin' Out With My Baby, the gleeful Astaire/Garland comic duet (We're) A Couple of Swells while dressed as tramps, the opening rendition of Happy Easter, the marvelous vaudeville montage sequence with Astaire and Garland entitled When That Midnight Choo-Choo Leaves for Alabam, and the closing performance of the title number Easter Parade (pictured). The film won the Academy Award for Best Musical Score.



8 Mile (2002)

This semi-biographical urban drama included Jimmy 'B-Rabbit' Smith Jr.'s (controversial rap star Eminem) performance of the Oscar-winning Best Song Lose Yourself ("You better lose yourself in the music, the moment / You own it, you better never let it go, oh /You only get one shot, do not miss your chance to blow / This opportunity comes once in a lifetime, oh") - ranked #93 on the AFI list of the 100 Greatest Songs from American Films!

Everyone Says I Love You (1996)

Writer/actor/director Woody Allen attempted to recapture the era of Hollywood musicals with this musical comedy and a large cast, and a soundtrack that contained many old 30s and 40s standards (such as non-singing actor Edward Norton singing Just You, Just Me in the opening scene and My Baby Just Cares for Me), that also included a romantic, graceful, and gravity-defying flying dance between divorced couple Joe (Woody Allen) and Steffi (Goldie Hawn) on the banks of the Seine River on Christmas Eve (with homage to Gene Kelly and Leslie Caron in An American in Paris (1951)) after she wistfully sang I'm Thru With Love; also memorable was Hooray for Captain Spaulding with a room full of dancing Groucho Marxs.

Evita (1996)

Director and screenwriter Alan Parker honored Tim Rice's book of the musical play Evita and Andrew Lloyd Webber's 1978 Broadway musical in this melodramatic and musical screen adaptation. The wife of Argentinian president and dictator Juan Perón, Eva Duarte Perón (pop singer Madonna) emotionally belted out Don't Cry For Me, Argentina from a balcony (filmed in Buenos Aires' Casa Rosada presidential palace) to an adoring crowd. The film's only original new song You Must Love Me, in which Evita pleaded for loving reassurance, was an Oscar winner (music by Webber and lyrics by Rice) for Best Original Song, although Madonna was snubbed for an acting nomination. The film was most notable for its record number of costume changes (85).

The Fabulous Baker Boys (1989)

This film included the infamously torrid scene in which high-heeled, sensuous and slinky ex-hooker Susie Diamond (Michelle Pfeiffer), wearing a high-slit red dress, sang Makin' Whoopee as she slithered atop a slippery piano top.

A Face in the Crowd (1957)

In this Elia Kazan-directed satirical drama, Andy Griffith (in his first dramatic role) starred as Larry 'Lonesome' Rhodes - an opportunistic, drunken Arkansas homeless man who strummed his bluesy guitar with the homespun song Rye Whiskey for radio producer/interviewer Marcia Jeffries (Patricia Neal) - and soon became an overnight media celebrity on the radio and later a mean-spirited TV demagogue.

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 |
Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25


Previous Page Next Page