Best Film Speeches
and Monologues


Best Film Speeches and Monologues
Title Screen
Film Title/Year and Description of Film Speech/Monologue

Addams Family Values (1993)
Screenwriter(s): Paul Rudnick

The Hypocrisy of Thanksgiving

Steely-glaring, contemptuous Wednesday Addams (Christina Ricci), participating in a summer camp play at Camp Chippewa about the "First Thanksgiving" feast as the lead Native American Pocahontas, lambasted the lead white Pilgrim character with this ad-libbed monologue to the stunned reactions of everyone:

Wait!.. We cannot break bread with you...You have taken the land which is rightfully ours. Years from now, my people will be forced to live in mobile homes on reservations. Your people will wear cardigans, and drink highballs. We will sell our bracelets by the roadsides. You will play golf, and enjoy hot h'ors d'oeuvres. My people will have pain and degradation. Your people will have stick shifts. The gods of my tribe have spoken. They have said: 'Do not trust the pilgrims, especially Sarah Miller'...And for all these reasons, I have decided to scalp you and burn your village to the ground.

Falling Down (1993)
Screenwriter(s): Ebbe Roe Smith

"I Want Breakfast"

Frustrated, divorced, recently unemployed defense agency worker William 'D-Fens' Foster (Michael Douglas) demanded to have breakfast at 11:33 am in a Whammy-Burger fast-food restaurant from a patronizing manager named Rick (Brent Hinkley) and clerk Sheila (Dedee Pfeiffer), during his volatile trek across Los Angeles on foot:

I'd like a ham and cheese Whamlette, an order of Wham fries...
(Sheila: "I'm sorry, we stopped serving breakfast, but we are on lunch menu now.")
I want breakfast.
(Sheila: "Well, you can't have it. We're not serving it.")
So you said. Is that the manager?...Could I speak to him please?...Hi, I'd like some breakfast.
(Rick: "We stopped serving breakfast.")
I know you stopped serving breakfast, Rick. Sheila told me you stopped serving breakfast. Why am I calling you by your first names? I don't even know who you are. I still call my boss 'Mister,' and I worked for him for seven and a half years. But I walk in here, all of a sudden, a total stranger, I'm calling you Rick and Sheila like we're in some kind of AA meeting. I don't want to be your buddy, Rick. I just want a little breakfast.
(Sheila: "You can call me Miss Folsom if you want." Rick: "Sheila! We stopped serving breakfast at 11:30.")
Rick, have you ever heard the expression, 'The customer is always right'?...Yeah, well here I am. The customer.
(Rick: "That's not our policy. You have to order something from the lunch menu.")
I don't want lunch. I want breakfast.
(Rick: "Yeah, well hey, I'm really sorry.")
Yeah, well hey, I'm really sorry too. (He pulled out a semi-automatic weapon from his bag)

When he finally agreed to being served lunch (a double Whammyburger with cheese and an order of Whammy fries and a Choco-Wham shake) after accidentally shooting a hole in the restaurant's ceiling, he further complained about the size of the burger that he had been served, when compared to the marketing poster behind the counter:

(He opened the burger container with disgust) See, this is what I'm talkin' about. Turn around. Look at that. Do you see what I mean. It's, it's plump, it's juicy, it's three inches thick. Now, look at this sorry, miserable, squashed thing. Can anybody tell me what's wrong with this picture? Anybody? Anybody at all.

The Fugitive (1993)
Screenwriter(s): Jeb Stuart, David Twohy

"Your Fugitive's Name is Dr. Richard Kimble"

Single-minded US Marshal Sam Gerard (Tommy Lee Jones) instructed his men on how to look for escaped fugitive Dr. Richard Kimble (Harrison Ford):

Listen up, ladies and gentlemen. Our fugitive has been on the run for 90 minutes. Average foot speed over uneven ground, barring injuries, is 4 miles-an-hour. That gives us a radius of six miles. What I want out of each and every one of you is a hard-target search of every gas station, residence, warehouse, farmhouse, henhouse, outhouse and doghouse in that area. Checkpoints go up at fifteen miles. Your fugitive's name is Dr. Richard Kimble. Go get him.

Gettysburg (1993)
Screenwriter(s): Ronald F. Maxwell

"What We're Fighting For!"

Play clip (excerpt): Gettysburg

The address of Colonel Joshua Lawrence Chamberlain (Jeff Daniels) to the 20th Maine Volunteer Infantry Regiment about freedom, and his need for them to fight with him at the Battle of Gettysburg:

...You know who we are and what we're doing here, but if you want to fight along side us, there's some things I want you to know. This regiment was formed last summer in Maine. There were a thousand of us then. There are less than three hundred of us now. All of us volunteered to fight for the Union, just as you did. Some came mainly because we were bored at home, thought this looked like it might be fun. Some came because we were ashamed not to. Many of us came because it was the right thing to do. All of us have seen men die. This is a different kind of army. If you look back through history, you will see men fighting for pay, for women, for some other kind of loot. They fight for land, power, because a king leads them or, or just because they like killing. But we are here for something new. This has not happened much in the history of the world. We are an army out to set other men free.

America should be free ground - all of it. Not divided by a line between slave state and free, all the way from here to the Pacific Ocean. No man has to bow. No man born to royalty. Here, we judge you by what you do, not by who your father was. Here, you can be something. Here, is the place to build a home. But it's not the land. There's always more land. It's the idea that we all have value - you and me. What we're fighting for, in the end, we're fighting for each other. Sorry, I, uh, didn't mean to preach. You, uh, you go ahead. You talk for awhile. Uh, if you, uh, if you choose to join us, you want your muskets back, you can have 'em. Nothing more will be said by anybody anywhere. If you, uh, choose not to join us, well you can come along under guard, and when this is all over I will do what I can to see you get a fair treatment. But for now, we're moving out. Gentlemen, I think if we lose this fight, we lose the war. So if you choose to join us, I'll be personally very grateful.

In the Line of Fire (1993)
Screenwriter(s): Jeff Maguire

"I Shoulda Reacted"

Guilt-ridden and haunted Secret Service agent Frank Horrigan (Clint Eastwood) recalled to fellow agent Lilly Raines (Rene Russo) how he couldn't save President Kennedy on the fateful day of November 22, 1963, when he failed to act quickly enough after the first shot:

For years, I've been listenin' to all these idiots on barstools with all their pet theories on Dallas. How it was the Cubans, or the CIA, or the white supremacists, or the Mob. Whether there was one weapon, or whether there was five. None of that's meant too much to me. But Leary, he questioned whether I had the guts to take that fatal bullet.

God, that was a beautiful day. The sun was out, been raining all morning, the air was... First shot, sounded like a firecracker. I looked over, I saw him, I could tell he was hit. I don't know why I didn't react. I shoulda reacted. I shoulda been running flat out. I just couldn't believe it. If only I reacted, I coulda taken that shot.

That woulda been alright with me.

Indecent Proposal (1993)
Screenwriter(s): Amy Holden Jones

The Girl That Got Away

Businessman billionaire John Gage (Robert Redford), when asking for "just one dance" from financially-strapped married female Diana Murphy (Demi Moore), recalled a "beautiful" girl he had fleetingly seen on the subway - borrowing a scene of a recollection by Mr. Bernstein (Everett Sloane) from Citizen Kane (1941):

I remember once when I was young, and I was coming back from some place, a movie or something. I was on the subway. And there was a girl sitting across from me, and she was wearing this dress that was buttoned clear up right to here. She was the most beautiful thing I'd ever seen. And I was shy then, so when she would look at me, I would look away. Then afterwards, when I would look back, she would look away. Then I got to where I was gonna get off, and got off. The doors closed. And as the train was pulling away, she looked right at me and gave me the most incredible smile.

It was awful. I wanted to tear the doors open. I went back every night, same time, for two weeks, but she never showed up. That was 30 years ago, and I don't think that there's a day that goes by that I don't think about her. I don't want that to happen again. Just one dance?

Malice (1993)
Screenwriter(s): Aaron Sorkin, Scott Frank

"Do I Have a God Complex?"

Play clip (excerpt): Malice

Sued for malpractice, pompous and narcissistic St. Agnes Hospital surgeon Dr. Jed Hill (Alec Baldwin) responded (off-the-record) to the question of whether he had a "God Complex" or not:

The question is, 'Do I have a 'God Complex'? Dr. Kessler says yes, which makes me wonder if this lawyer has any idea as to the kind of grades one has to receive in college to be accepted at a top medical school. Or if you have the vaguest clue as to how talented someone has to be to lead a surgical team. I have an M.D. from Harvard. I am board certified in cardio-thoracic medicine and trauma surgery. I have been awarded citations from seven different medical boards in New England. And I am never, ever sick at sea. So I ask you, when someone goes into that chapel and they fall on their knees and they pray to God that their wife doesn't miscarry, or that their daughter doesn't bleed to death, or that their mother doesn't suffer acute neural trauma from post-operative shock, who do you think they're praying to? Now, go ahead and read your Bible, Dennis, and you go to your church - and with any luck you might win the annual raffle. But if you're looking for God, he was in operating room number two on November 17th, and he doesn't like to be second-guessed. You ask me if I have a God complex? Let me tell you something: I Am God - and this side show is over.

The Piano (1993, NZ/Austr./Fr.)
Screenwriter(s): Jane Campion

"I Don't Think Myself Silent"

Play clip (excerpt): The Piano (1993)

As she began her journey to New Zealand with her daughter Flora (Anna Paquin) in the mid-19th century for an arranged marriage as a mail-order bride, strong-willed mute pianist Scotswoman Ada McGrath (Holly Hunter) thought to herself, in voice-over in the film's first lines.

She explained how she had not spoken a word since she was six years old. Instead, she expressed herself through her piano - something she would miss during the long trip:

The voice you hear is not my speaking voice, but my mind's voice. I have not spoken since I was six years old. Lord knows why, not even me. My father says it is a dark talent, and the day I take it into my head to stop breathing will be my last.

Today, he married me to a man I have not yet met. Soon my daughter and I shall join him in his own country. My husband said my muteness does not bother him. He writes - and hark this! 'God loves dumb creatures, so why not he?' Were good he had God's patience, for silence affects everyone in the end. The strange thing is, I don't think myself silent, that is, because of my piano. I shall miss it on the journey.

The Piano (1993, NZ/Austr./Fr.)
Screenwriter(s): Jane Campion

"My Will Has Chosen Life!"

Play clip (excerpt): The Piano (1993)

Mute pianist Ada McGrath (Holly Hunter) delivered a haunting closing voice-over monologue about choosing life over death (by drowning) in New Zealand, when she was ensnared in her submerging "spoiled" piano and was plunged underwate. She decided to kick off her boot and swim back to the surface, and was hauled onto the boat by natives. In voice-over, she mused:

What a death! What a chance! What a surprise! My will has chosen life!? Still, it has had me spooked and many others besides!

(Epilogue) I teach piano now in Nelson. George has fashioned me a metal finger tip. I am quite the town freak which satisfies! I am learning to speak. My sound is still so bad I feel ashamed. I practice only when I'm alone and it is dark.

At night, I think of my piano in its ocean grave, and sometimes of myself floating above it. Down there, everything is so still and silent that it lulls me to sleep. It is a weird lullaby and so it is -- it is mine.

(As the camera continued to pull back, Ada was seen dead, still tied to the piano.)

There is a silence where hath been no sound. There is a silence where no sound may be. In the cold grave under the deep deep sea. (Thomas Hood quote)

Best Film Speeches and Monologues
(chronological, by film title)
1920-1931 | 1932-1935 | 1936-1937 | 1938-1939 | 1939
1940 | 1941 | 1942 | 1943-1944 | 1945-1947 | 1948 | 1949 | 1950 | 1951 | 1952-1954
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