Best Film Speeches and Monologues
|Film Title/Year and Description of Film Speech/Monologue
The Iron Giant (1999)
Screenwriter(s): Tim McCanlies, Brad Bird
Dark Side of Progress - "I Don't Feel Safe"
At a soda fountain counter, paranoid federal
government agent Kent Mansley (voice of Christopher McDonald)
went into a delusional rant to young boy Hogarth Hughes (voice
of Eli Marienthal) about destroying any foreign threat during
the height of the Cold War:
You know, Hogarth, we live in a strange
and wondrous time: the Atomic Age. But there's a dark side
to progress, Hogarth. Ever hear of Sputnik?... Foreign satellite,
Hogarth, and all that that implies. Even now it orbits
overhead - Boop! Boop! Watching us. We can't see it, but
it's there. Much like that giant thing in the woods. We
don't know what it is or what it can do. I don't feel safe,
Hogarth. Do you?... What am I talking about? WHAT AM I
TALKING ABOUT?! I'm talking about your goldarned security,
Hogarth! While you're snoozing in your widdle jammies,
back in Washington, we're wide awake and worried! Why?
Because everyone wants what we have, Hogarth! Everyone!
You think this metal man is fun, but who built it? The
Russians? The Chinese? Martians? Canadians? I don't care!
All I know is, we didn't build it, and that's reason enough
to assume the worst and blow it to kingdom come! Now, you
are going to tell me about this thing. You are going to
lead me to it. And we are going to destroy it before it
Screenwriter(s): Paul Thomas Anderson
Was Only A Matter of Chance" - "These Strange Things
Happen All the Time"
The film's opening voice-over narration by Burt
Ramsey (voice of Ricky Jay) was preoccupied with the "matter
of chance." Three vagrants were hanged for a murder -
their last names (Green, Berry and Hill) were the same as the
area of London where their crimes were committed; a scuba diver
wearing his gear was found dead at the top of a tall pine tree
in the middle of a forest fire, after being scooped out of
the lake by a firefighting airplane (piloted by a blackjack
dealer) and deposited atop the tree; and an attempted suicide
became a murder as the victim fell past the apartment window
where his mother (arguing with his father) fired a shotgun
out the window and accidentally killed him as he fell.
Did these three cases just happen randomly by
chance, or was it something less coincidental? In his "humble
opinion," the narrator stated that these things did not
happen by chance:
In the New York Herald, November 26,
year 1911, there is an account of the hanging of three
men. They died for the murder of Sir Edmund William Godfrey
- Husband, Father, Pharmacist and all around gentleman
resident of Greenberry Hill, London. He was murdered by
three vagrants whose motive was simple robbery. They were
identified as: Joseph Green, Stanley Berry, and Daniel
Hill. Green, Berry, Hill. And I Would Like To Think This
was Only A Matter Of Chance.
As reported in the Reno Gazette, June
of 1983, there is the story of a fire, the water that it
took to contain the fire, and a scuba diver named Delmer
Darion. Employee of the Nugget Hotel and Casino, Reno, Nevada.
Engaged as a blackjack dealer. Well-liked and well-regarded
as a physical, recreational and sporting sort, Delmer's true
passion was for the lake. As reported by the coroner, Delmer
died of a heart attack somewhere between the lake and the
tree. A most curious side note is the suicide the next day
of Craig Hansen. Volunteer firefighter, estranged father
of four and a poor tendency to drink. Mr. Hansen was the
pilot of the plane that quite accidentally lifted Delmer
Darion out of the water. Added to this, Mr. Hansen's tortured
life met before with Delmer Darion just two nights previous.
The weight of the guilt and the measure of coincidence so
large, Craig Hansen took his life. And I Am Trying To Think
This Was All Only A Matter Of Chance.
The tale told at a 1961 awards dinner for the
American Association of Forensic Science by Dr. Donald Harper,
president of the association, began with a simple suicide
attempt. Seventeen-year-old Sydney Barringer in the city
of Los Angeles on March 23, 1958. The coroner ruled that
the unsuccessful suicide had suddenly become a successful
homicide. To explain: the suicide was confirmed by a note
in the right hip pocket of Sydney Barringer. At the same
time, young Sydney stood on the ledge of this nine-story
building, an argument swelled three stories below. The neighbors
heard, as they usually did, the arguing of the tenants and
it was not uncommon for them to threaten each other with
a shotgun, or one of the many handguns kept in the house.
And when the shotgun accidentally went off, Sydney just happened
to pass. Added to this, the two tenants turned out to be:
Faye and Arthur Barringer. Sydney's mother and Sydney's father.
When confronted with the charge, which took some figuring
out for the officers on the scene of the crime, Faye Barringer
swore that she did not know the gun was loaded.
A young boy who lived in the building, sometimes
a visitor and friend to Sydney Barringer, said that he had
seen, six days prior, the loading of the shotgun. It seems
that all the arguing and the fighting and all of the violence
was far too much for Sydney Barringer, and knowing his mother
and father's tendency to fight, he decided to do something.
Sydney Barringer jumps from the ninth floor rooftop. His
parents argue three stories below. Her accidental shotgun
blast hits Sydney in the stomach as he passes the arguing
sixth-floor window. He is killed instantly but continues
to fall, only to find, five stories below, a safety net installed
three days prior for a set of window washers that would have
broken his fall and saved his life if not for the hole in
his stomach. So Faye Barringer was charged with the murder
of her son, and Sydney Barringer noted as an accomplice in
his own death.
And it is in the humble opinion of this narrator
that this is not just 'Something That Happened.' This cannot
be 'One of Those Things... ' This, please, cannot
be that. And for what I would like to say, I can't. This
Was Not Just A Matter Of Chance. Ohhhh. These strange things
happen all the time.
Screenwriter(s): Paul Thomas Anderson
Self-help guru, author and 'seduction specialist'
Frank Mackey (Tom Cruise) mesmerized a crowded
room of single men in a San Fernando Valley hotel attending
a motivational course on how to "tame" (mistreat)
and pick up women. The motivational huckster stood in front
of a "SEDUCE
AND DESTROY" poster ("No Pussy Has Nine Lives"),
and his opening speech was introduced by the playing of Thus
Respect the cock! And tame the cunt! Tame
it! Take it on headfirst with the skills that I will teach
you at work and say no!...You will not control me! No!...You
will not take my soul! No!...You will not win this game!
'Cause it is a game, guys. You want to think it's not,
huh? You want to think it's not? You go back to the schoolyard
and you have that crush on big-titted Mary Jane. Respect
the cock. You are embedding this thought. I am the one
who's in charge. I am the one who says Yes!...No!...Now!...Here!...
And it's universal, man. It is evolutional. It is anthropological.
It is biological. It is animal. We...are...men! (simulating
...Let me tell you what we're gonna teach Denise
when we put our calendars to work and we set goals. What
I say is, 'Denise...' 'Denise the Piece.' I mark it down.
I write it up. And you have been warned. Because I have my
lasers. I have my Tasers, I have my ICBMs. I have my bazookas,
I have my jets pointed right at you. Because me and my brothers,
we like to celebrate. And on the first of May, we celebrate
V-Day. And come June, oh-ho baby, it is the lick of my spoon.
Come August, we like to celebrate Saint Suck My Big Fat F--king
Sausage! I set goals for myself and when I say I do not want
to take it anymore. I will not take it anymore. Do you think
she's your friend, Geoff? You come here and you think she's
your friend. They're not your friends. Do you really think
that she's gonna be there when things go bad? Huh, guys?
When things go wrong, do you think they're gonna be there
for us? Oh-ho. You think again. Oh, f--king Denise, Denise
the piece. You're gonna give me that cherry pie, sweet mama
Screenwriter(s): Paul Thomas Anderson
Guilt-ridden trophy wife Linda Partridge (Julianne
Moore) gave a speech about the love she had for her near-death
husband Earl (Jason Robards) in a confessional to lawyer
Alan Kligman (Michael Murphy). She sobbed that she originally
married her husband (his second marriage) for his money but
now had truly fallen in love with him, and to keep her integrity,
wanted to change the will at the last moment, but Kligman could
I have to tell you something, I have something
to tell you. I want to change his will. Can I change his
will? I need to....No, no, no, you see, uhm, I never loved
him. I never loved him. Earl. When I met him, when I started,
I met him, I f--ked him, and I married him because I wanted
his money. Do you understand? I'm telling you this. I've
never told anyone, I didn't love him, but now, you know,
I know I'm in that will. I mean, we're all there together.
We made that f--king thing and all the money I'll get.
And I don't want it, because I love him so much now. I've
fallen in love with him now for real as he's dying. And,
uhm, I look at him, and he's about to go, Alan. He's moments.
I took care of him through this, Alan. What now, then?
I don't want him to die.
I didn't love him when we met, and I did so
many bad things to him that he doesn't know. Things that
I want to confess to him, but now I do. I love him....This
isn't any f--king medication talking! This isn't -- I don't
know, I don't know. Can you give me nothing? You, you have
power of attorney! Can you go, can you go in the final f--king
moments and change the will? I-I don't want any money. I
couldn't live with myself with this thing that I've done.
I've done so many bad things. I f--ked around. I f--king
cheated on him. I f--king cheated on him, Alan! There. There.
You're his lawyer, our lawyer. I am his wife. We are married.
I broke the contract of marriage. I f--ked around on him
many times. I s--ked other men's cocks...
Screenwriter(s): Paul Thomas Anderson
Go Away, You F--king Asshole!"
Estranged son Frank Mackey (Tom Cruise) watched
as his father Earl (Jason Robards) died of cancer. He was extremely
bitter for a ruined life - when he was a child, his father
had abandoned him and his mother, and Frank had to nurse her
through death by cancer.
He let loose a venal stream of hatred against
Earl, while at the same time begged him not to die:
Earl. You don't look that bad. You prick.
'Cocksucker.' That's what you used to like to say, right?
'Cocksucker.' But you are a cocksucker, Earl. It hurts,
doesn't it? Huh? You in a lot of pain? She was in a lot
of pain. Right to the end, she was in a lot of pain. I
know because I, I was there, Earl. You didn't like illness,
though, do you? I was there. She waited for your call.
For you to come. I am not gonna cry. I am not gonna cry
for you! You cocksucker, I know you can hear me. I want
you to know that I hate your f--king guts. You can just
f--king die, you f--k. And I hope it hurts, I f--king hope
it hurts. Why didn't you call? (sobbing) I f--king
hate you. Goddamn you, you f--king asshole. Oh, God, you
f--king asshole! Don't go away, you f--king asshole! Don't
go away, you f--king asshole! Oh, God, don't go away, you
Screenwriter(s): Paul Thomas Anderson
Sick, And I'm In Love"
"Quiz Kid" Donnie Smith (William H.
Macy), winner of TV's game show What Do Kids Know? when
a child in the 1960s, and now a drunk, was speaking to mocking
barfly Thurston Howell (Henry Gibson). Donnie asked Howell, "Do
you have love in your heart?", and then declared in a
touching moment that he had "lots of love to give" and
was worth loving. He revealed his "special secret crush" for
braces-wearing Brad the Bartender (Craig Kvinsland):
(To Thurston Howell) I'm sick. I'm sick here
now. I confuse melancholy with depression sometimes. You
see?....I'm sick....I'm sick, and I'm in love....That's
right! That's the first time you've been right. I confuse
the two, and I don't care!
(To Brad the bartender) Hey, Hey, I love you. I love
you, and I'm-I'm sick. I'll talk to you - I'll talk to you
tomorrow. I'm getting corrective oral surgery tomorrow, for
my teeth. I love you, Brad. Brad the bartender. You want
to love me back? I'll be good to you. I'll be goddamn good
for you. I won't be mad if you don't know who said what.
I won't punish you if you get the answer wrong. I can teach
and tell you...
(To Howell) You shut up. Mind your own
business. (To Brad) Brad, I know you don't love me
now...You wanna know the common element for the entire group
like he asked? I'll tell you the answer: I'll tell you 'cause
I had that one. (pointing to the TV) I had that question.
Carbon. Carbon. In pencil lead, it's in the form of graphite.
In coal, it's mixed up with other impurities and in the diamond,
it's in hard form. (in the guise of Jimmy Gator, the TV
quiz show announcer) 'Well, all we really wanted to know
was the common element, Donnie, but thank you for all that
unnecessary knowledge. Ha, ha, kids! Heads so full of useless
knowledge. Thank you. Thank you.' And the book says: 'We
may be through with the past, but the past is not
through with us!' (To Howell) And no, it is not dangerous
to confuse children with angels!
Screenwriter(s): Andy Wachowski, Lana Wachowski
Matrix - "You Have To See it For Yourself"
Underground hacker and captain of the Nebuchadnezzar Morpheus
(Laurence Fishburne) began to teach computer programmer Thomas
Anderson/Neo (Keanu Reeves) about the truth of reality:
I imagine that right now you're feeling a
bit like Alice. Tumbling down the rabbit hole? Hmm? ...I
see it in your eyes. You have the look of a man who accepts
what he sees because he's expecting to wake up. Ironically,
this is not far from the truth. Do you believe in fate,
Neo answered: "Because I don't like the
idea that I'm not in control of my life."
Morpheus replied, and then described the Matrix,
an illusory simulated version of the real world developed by
machines to enslave and imprison humankind:
I know exactly what you mean. Let me tell
you why you're here. You're here because you know something.
What you know you can't explain. But you feel it. You felt
it your entire life: that there's something wrong with
the world. You don't know what it is, but it's there. Like
a splinter in your mind, driving you mad. It is this feeling
that has brought you to me. Do you know what I'm talking
Do you want to know what it [The Matrix] is?
The Matrix is everywhere. It is all around us. Even now,
in this very room. You can see it when you look out your
window or when you turn on your television. You can feel
it when you go to work, when you go to church, when you pay
your taxes. It is the world that has been pulled over your
eyes to blind you from the truth. (Neo asked: "What
truth?") That you are a slave, Neo. Like everyone else,
you were born into bondage, born into a prison that you cannot
smell or taste or touch. A prison for your mind.
Unfortunately, no one can be told what the
Matrix is. You have to see it for yourself. This is your
last chance. After this, there is no turning back. (He
held out a blue and red pill in each palm) You take the
blue pill, the story ends, you wake up in your bed and believe
whatever you want to believe. You take the red pill, you
stay in Wonderland, and I show you how deep the rabbit-hole
goes. Remember, all I'm offering is the truth. Nothing more.
(Neo chose the red pill and swallowed it) Follow me.
Screenwriter(s): Andy Wachowski, Lana
Beings Are A Virus - "You Are a Plague and We Are the
Sinister and sentient Agent Smith (Hugo Weaving),
having imprisoned Morpheus (Laurence Fishburne), and with his
captive audience declared that human beings were a virus:
I'd like to share a revelation that I've
had during my time here. It came to me when I tried to
classify your species and I realized that you're not actually
mammals. Every mammal on this planet instinctively develops
a natural equilibrium with the surrounding environment.
But you humans do not. You move to an area, and you multiply
and multiply, until every natural resource is consumed.
And the only way you can survive is to spread to another
There is another organism on this planet that
follows the same pattern. Do you know what it is? A virus.
Human beings are a disease. A cancer of this planet. You
are a plague. And we are the cure.
Slightly later, he removed his sunglasses and
continued to show his disgust for Morpheus and the entire human
race, while trying to extract the access codes to the mainframe
of Zion - the unplugged humans' subterranean refuge in the
Can you hear me, Morpheus? I'm going to be
honest with you. I hate this place, this zoo, this prison,
this reality, whatever you want to call it. I can't stand
it any longer. It's the smell. If there is such a thing.
I feel saturated by it. I can taste your stink. And every
time I do, I fear that I have somehow been infected by
it. (He wiped sweat from Morpheus' forehead onto the
tips of his fingers, and had Morpheus smell it) It's
repulsive. Isn't it? (He tightly held Morpheus' head
between his hands) I must get out of here. I must get
free. And in this mind is the key. My key. Once Zion is
destroyed, there is no need for me to be here. Do you understand?
I need the codes. I have to get inside Zion and you have
to tell me how. You're going to tell me or you're going
to die. (He gouged his fingers into Morpheus' flesh)
Notting Hill (1999)
Screenwriter(s): Richard Curtis
Requirements of Being an American Movie Star
When asked why she deserved the last brownie
at dinner, Hollywood star actress Anna Scott (Julia Roberts)
argued that she was the most pathetic of all of them:
I've been on a diet every day since I was
nineteen, which basically means I've been hungry for a
decade. I've had a series of not nice boyfriends, one of
whom hit me. Uh, and every time I get my heart broken,
the newspapers splash it about as though it's entertainment.
And it's taken two rather painful operations to get me
lookin' like this...Really. And, one day not long from
now, my looks will go, they will discover I can't act and
I will become some sad middle-aged woman who looks a bit
like someone who was famous for a while.
The assembled family around the table then refused
her attempt, joking: "Nice try, gorgeous, but you don't
and "pathetic effort to hog the brownie."
The Straight Story
Screenwriter(s): John Roach, Mary Sweeney
a Deer Killing
During his cross-country mower-riding journey,
Alvin Straight (Richard Farnsworth) encountered a slightly-unbalanced
Deer Woman (Barbara Robertson) who lamented hysterically that
she had just killed another deer and seriously dented the front
end of her car:
You can't help me. No one can help me. I've
tried driving with my lights on. I've tried sounding my
horn. I scream out the window. I roll the window down and
bang on the side of the door and play Public Enemy real
loud. I have prayed to St. Francis of Assisi, St. Christopher,
too. What the heck. I've tried everything a person can
do. And still, every week, I plow into at least one deer.
I have hit thirteen deer in seven weeks driving down this
road, mister. And I have to drive down this road
every day, forty miles back and forth to work. I have to
drive to work and I have to drive home. Where do they come
from? He's dead. And I love deer.