Sex in Cinema:
T
he Greatest and Most Influential
Erotic / Sexual Films and Scenes


Sex in Cinema: In the following collection, excerpted from the Mini-History of Sex in the Cinema at this site, here are some of the most significant milestones, and most influential and memorable sexual/erotic scenes and films on the big screen through cinematic history. Most of these films, with portrayals of sex and/or nudity, were considered quite erotic, groundbreaking, unique and/or controversial at the time.

HISTORY OF SEX IN CINEMA - INDEX (chronological by film title)

Intro | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 |
Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 |
Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 |
Part 31 | Part 32 | Part 33 | Part 34 | Part 35 | Part 36 | Part 37 | Part 38 | Part 39 | Part 40 |
Part 41 | Part 42 | Part 43 | Part 44 | Part 45 | Part 46 | Part 47 | Part 48 | Part 49 | Part 50 |

Sex in Cinema: Part 43
Greatest and Most Influential Erotic / Sexual Films and Scenes
(chronological by film title)
Milestone Films With Scenes That Were Especially
Notorious, Infamous, Controversial, or Scandalous
Movie Title
Brief Scene Description

Example

Great Expectations (1998)

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Alfonso Cuarón's R-rated modern adaptation of Charles Dicken's novel featured lushful cinematography set in Florida and New York City; it told about the long-term relationship between artist Finnegan Bell (Ethan Hawke) and the love of his life, golden-haired, cool, elitist and radiant Estella (Gwyneth Paltrow) over a period of years; it included two water fountain kissing scenes (one in their youth as 10 year-olds - portrayed by Jeremy James Kissner and Raquel Beaudene, and one as adults), a nude painting scene (with only brief partial-nude glimpses of Paltrow, although the sketch displayed full-frontal nudity), and a passionate love-making scene

Happiness (1998)

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Controversial film-maker Todd Solondz's infamous and subversive unrated film about pedophilia was a black satire on middle-class suburban dysfunctionality; the film portrayed an unlikeable suburban dad and psychiatrist - Dr. Bill Maplewood (Dylan Baker), who was a predatory pedophile, exhibited in the scene at a little league game, in the backseat of his car (where he masturbated to a teen magazine), and during sleepovers hosted by his adolescent son Billy (Rufus Read) when he drugged and molested his son's schoolpal and teammate; also it included the scene of the honest conversation between father and son regarding the father being a "serial rapist" and "pervert" (the son asked: "Would you ever f--k me?" with his father's reply: "No, I'd jerk off instead"); also the famous ending scene of Billy admitting: "I came" (masturbating while spying on a buxom sunbather from the balcony); the film won the Cannes International Critics Prize in 1998, but was considered repulsive by the MPAA -- it received an NC-17 rating, even without explicit intercourse or violence




High Art (1998)

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In writer/director Lisa Chodolenko's honest and convincing 'lesbian chic' film (her feature film debut), burnt-out, drug-addicted gay photographer Lucy Berliner (Ally Sheedy) and ambitious, mid-20s, heterosexual photography journal (Frame) associate editor Syd (Radha Mitchell) gradually fell in love and experienced deeper feelings for each other; during a trip to upstate New York in a pivotal scene, they experienced a slow, intimate and maturely-presented sex scene as they explored their insecurities and decided to have sex for the first time - within their doomed relationship; the film won the screenwriting award at the 1998 Sundance Film Festival


The Idiots (1998, Denmark) (aka Idioterne, Les Idiots)

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Danish filmmaker Lars Von Triers filmed this stark black comedy with a hand-held camera - it was the second film made under the rules of Dogme '95; the subversive and unconventional film was made to protest bourgeois principles and conventions, in its story about a Copenhagen commune of middle-class individuals who pretended to be "spazzing" - or finding one's 'inner idiot' as if they were retarded or mentally challenged, to liberate themselves from social restrictions; it was an extremely controversial film due to nudity, group sex, and graphic unsimulated penetrative sex - the extended orgy sequence of the R-rated film was censored for U.S. audiences with black bars blocking images of male genitalia


Kirikou and the Sorceress (1998, Fr/Senegal, 2003 US)

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French director Michel Ocelot's astonishing, sexually-mature French children's (?) film was based on West African mythical lore; it was a transparent parable for sexual politics and adult responsibility; the unrated film was controversial in its unabashed nudity and sexual themes, and its depictions of bare-breasted and semi-nude African villagers, and the appearance of the title character - a completely naked, anatomically-correct, precocious, small-statured young boy named Kirikou, who ultimately "conquered" the wicked, blackmailing, and castrating sorceress Karaba; the director was asked to draw bras on the women in his film and to cover up the title character but refused

New Rose Hotel (1998)

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Abel Ferrara's mind-bending R-rated film, an adaptation of William Gibson's short story, told about freelance corporate espionage agents Fox (Christopher Walken) and X (Willem Dafoe) who were involved in a 'kidnapping' scheme of a Japanese scientist named Hiroshi (Yoshitaka Amano); X's love affair with seductive, nubile accomplice Sandii (Asia Argento), hired as a hooker to seduce the scientist in Morocco, developed during 'training' sessions, and endangered the plan; with plentiful nakedness, including an erotic swimming pool scene between Dafoe and Argento

Out of Sight (1998)

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Director Steven Soderbergh's crime caper contained a well-known cat-and-mouse, romantic love-making scene between convicted bank robber Jack Foley (George Clooney) and kidnapped deputy federal agent/marshal Karen Sisco (Jennifer Lopez); their first meeting was their celebrated locked-in-a-car trunk scene in a getaway car when they exchanged sexy quips and banter (about Faye Dunaway's films such as Bonnie and Clyde and Three Days of the Condor) and he stroked her thigh; later, they flirtatiously called each other different names: Gary and Celeste, with the sequence inter-cutting between their conversation in a Detroit hotel lounge sharing a drink and the scene of them, minutes later, kissing, undressing and getting into bed in a penthouse hotel room -- with snow falling outside and the lights of the city seen through the window

Pleasantville (1998)

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Director Gary Ross' PG-13 fantasy comedy (his directorial debut film) included colorful scenes of Lover's Lane where teenaged couples went to have sex in their perfect, black-and-white 1950s, sexless sitcom town; in one scene, strait-laced and repressed wife Betty Parker (Joan Allen) experienced her first orgasmic, masturbatory, pleasurable climax of self-discovery during a solitary, sensual bath (magically, the tree in the front yard of the white picket-fence home also burst into flames); and later newly-independent Betty declared her newfound emotive-color to her traditionalist husband George (William Macy): "I don't want it to go away" - and then boldly posed nude for artistic soda shop proprietor Mr. Johnson (Jeff Daniels) - and had the portrait displayed in the store window




Shakespeare in Love (1998, US/UK)

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John Madden's R-rated, Best Picture-winning romance/period drama featured a scene in which writers-block suffering bard/playwright William Shakespeare (Joseph Fiennes) lovingly unwrapped the bound torso of a scandalous, disguised, cross-dressed female Lady Viola De Lesseps (Oscar-winning Gwyneth Paltrow) for naked love-making- she would soon become his inspiration for writing a work titled "Romeo and Ethel, The Pirate's Daughter" ("the greatest love story almost never told" according to the film's tagline)

Slums of Beverly Hills (1998)

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Writer/director Tamara Jenkins' semi-autobiographical coming-of-age sex comedy told about a Jewish family in mid-70s Southern California; this insightful independent film followed the post-puberty growing pains of a soon-to-be high school freshman named Vivian Abramowitz (Natasha Lyonne in her first major feature film role), who inherited ample breasts - which awkwardly blossomed when she became "stacked overnight" and required an industrial-strength bra that brought her continual embarrassment -- the modestly-sized Lyonne needed large-sized prosthetic breasts for the role; in one scene, she allowed drug-dealing neighbor Eliot (Kevin Corrigan) to touch her new acquisitions under her clothing ("Just breasts. Second base. That's it, not all the way"); she also had a new-found curiosity about sexuality when her hormones raced out of control, and let Eliot take her virginity in a car "just to get it over with"; later, she had to undergo breast reduction surgery - reflected in a mirror view


There's Something About Mary (1998)

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This often-offensive Farrelly Brothers' effort - mostly a raucous, vulgar, non-PC, no-limits romantic comedy, was one of many gross-out comedies that spewed forth in the late 90s; it actually had little nudity but was full of raunchy and lewd sight gags, off-color comedy, and immature sick jokes about mostly tasteless subjects; most often, this film was advertised with the crude image of Mary Jensen (Cameron Diaz) with 'all-natural' creamy white hair gel taken for her own hair styling from Ted Stroehmann's (Ben Stiller) left ear lobe after he was interrupted during a self-pleasuring session - this sank the teen comedy genre to a new low; and in one of the film's earlier scenes, accident-prone prom date Ted was thought to be a masturbating voyeur and accidentally and painfully caught his manhood ("frank and beans") in his pants zipper

Twilight (1998)

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Writer/director Robert Benton's R-rated LA who-dunit detective drama was one best forgotten by an aspiring actress before she became famous; it told about blackmail, murder, and how the past haunted retired, aging private investigator Harry Ross (Paul Newman); it contained a brief early nude scene of 17 year-old Mel Ames (future Oscar-winner Reese Witherspoon for Walk the Line (2005)) who had run off to Mexico with an older loser boyfriend named Jeff (Lieve Schreiber), whom she asked: "Do you love me?" after he kissed her; as he showered in the room, she was confronted by Harry - and hypothesized: "Let me guess. My parents sent you"

HISTORY OF SEX IN CINEMA - INDEX (chronological by film title)

Intro | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 |
Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 |
Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 |
Part 31 | Part 32 | Part 33 | Part 34 | Part 35 | Part 36 | Part 37 | Part 38 | Part 39 | Part 40 |
Part 41 | Part 42 | Part 43 | Part 44 | Part 45 | Part 46 | Part 47 | Part 48 | Part 49 | Part 50 |


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Created in 1996-2008 © by Tim Dirks. All rights reserved.