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History of Sex in Cinema: |
See also the multi-part Sexual and Erotic Films in Cinema, The Most Controversial Films of All-Time and the Best and Most Memorable Film Kisses of All Time in Cinematic History. Key to Icon Symbol:
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| Greatest and Most Influential Erotic / Sexual Films and Scenes (chronological order, by film title) - 1995 - 2 Intro | Pre-1920s | 1920-1928 | 1929-1930 | 1931 | 1932 | 1933 | 1934-1937 | 1938-1943 | 1944-1946 | 1947-1952 | 1953-1954 | 1955-1957 | 1958-1959 | 1960-1961 | 1962-1963 | 1964 | 1965-1966 | 1967 | 1968 | 1969 | 1970 | 1971 | 1972 | 1973 | 1974 | 1975 | 1976 | 1977 | 1978 | 1979 | 1980 | 1981 | 1982 | 1983 | 1984 | 1985 | 1986 | 1987 | 1988 | 1989 | 1990 | 1991 | 1992-1 | 1992-2 | 1993 | 1994-1 | 1994-2 | 1995-1 | 1995-2 | 1996-1 | 1996-2 | 1997-1 | 1997-2 | 1998-1 | 1998-2 | 1999-1 | 1999-2 | 2000-1 | 2000-2 | 2001-1 | 2001-2 | 2002-1 | 2002-2 | 2003-1 | 2003-2 | 2004-1 | 2004-2 | 2005-1 | 2005-2 | 2006-1 | 2006-2 | 2007-1 | 2007-2 | 2008 | 2009 | |
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| Movie Title |
Brief Scene Description | Example |
Never Talk to Strangers (1995)
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In this psycho-sexual thriller (similar in part to The Silence of the Lambs (1991) and Basic Instinct (1992)), brilliant, cool blonde criminal psychologist Dr. Sarah Taylor (Rebecca DeMornay) was evaluating the sanity of accused serial killer Max Cheski (Harry Dean Stanton) when she fell in love with smooth talking, quick-tempered, passionate, long-haired Latino stranger Tony Ramirez (Antonio Banderas) who she said was "a bad influence"; in his "loft" apartment where walls were composed of wire fencing and wooden cages, she found vigorous, kinky thrills with him inside one of the 'caged' or mesh-screened rooms; but she was increasingly frightened by things sent to her: threatening phone messages, dead flowers, her own newspaper obituary, and her dead cat; in the twist ending, it was revealed that Tony was a police officer and surveillance expert investigating the disappearance of Sarah's ex-fiancee a year earlier; he demonstrated that Sarah had multiple personality disorder and was stalking herself by sending the strange gifts - her illness stemmed from an abusive childhood from her despised father Henry (Len Cariou) (who committed incest) during which time she murdered her mother to satisfy Henry and cover up the crime; in the end, Sarah's homicidal alter ego killed both Tony and her father, and then convinced the police that Tony murdered her father and that she killed Tony in self-defense |
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A Reason to Believe (1995)
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Holly Marie Combs (star of TV's magical fantasy series Charmed as Piper Halliwell) was featured in this mostly-unseen low-budget independent film by first-time director Douglas Tirola about date rape on a college campus (with the tagline: "Sometimes the people you know the best are the ones you can trust the least") - she appeared topless (as Sharon) in one short sex scene that was unrelated to the main plot when she provided oral sex for a guy after putting a condom on him; this was possibly one of the few reasons that anyone has heard of this film; the film told about a popular and pretty sorority girl named Charlotte Byrne (Allison Smith) who attended a frat party where she was raped (forced into unwanted sex) by her boyfriend Wesley's (Danny Quinn, actor Anthony Quinn's son) womanizing best friend Jim (Jay Underwood); subsequently, she lost her boyfriend, was shunned by her sorority sisters, and suffered confusion and terror; when she finally took a stand against the rape and made strong allegations (with support from a campus women's group), her actions led to both positive and negative consequences |
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Director Paul Verhoeven's erotic show-biz, sexploitation drama (teamed up again with screenwriter Joe Eszterhas) was the first attempt of Hollywood to mass market a studio film with an NC-17 rating (since the failure of Caligula (1979)), although it was a tremendous flop; in subsequent years, it has regained some of its status as a deliberately campy, misogynistic guilty-pleasure adult film; it was controversially loaded with very frequent nudity, sexuality, notorious dialogue (Cristal: "I like nice tits. I always have. How about you?" Nomi: "I like having nice tits." Cristal: "How do you like havin' 'em?" Nomi: "What do you mean?" Cristal: "You know what I mean"), and campy sleaze in a drama about the sex industry that took an uncensored look at cheap Las Vegas strip clubs and shows (with pole-dancing at the Cheetah) and higher-class hotel shows and their headliner dancers; although it flopped at the box-office, the notorious film found an audience among cult film-goers, although it reportedly destroyed the career of star Elizabeth Berkley, earlier noted for her role in the late 80s TV show Saved By the Bell; there were many memorable scenes in this infamous film, including the overacted, over-the-top swimming pool scene with champagne and thrashing orgasmic activity between leggy pole dancer Nomi Malone (Berkley) and hotel entertainment director and impresario Zack Carey (Kyle Maclachlan) - the scene was voted the #1 'unsexiest' or worst sex scene in cinema history by Empire Magazine in 2005; there were many other unclad scenes, including the voyeuristic lap-dance sequence, the topless 'Chorus Line-like' dance audition and "Thrust It" coaching administered by a dancing choreographer, numerous dressing room scenes, the love-hate/lesbian sex and kiss encounter between Nomi and Stardust Hotel revue showgirl star Cristal Connors (Gina Gershon), the stage performance of the "Goddess" topless dance show, and more |
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Species (1995)
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Director Roger Donaldson's R-rated, titillating science-fiction thriller contained plentiful sex and nudity - exhibited by gorgeous, deadly, part-alien/part-human nymphomaniacal Sil (model Natasha Henstridge) who prowled the LA singles scene looking to procreate with a suitable male mate to provide her with the genetic seed necessary to have offspring for colonization; the beauteous murderous creature enticingly seduced men in many scenes by becoming naked and aggressively demanding sex (a reversal of normal sex roles), especially in one hot tub sequence; when aroused, spikes came sprouting from her back and after she was impregnated, she would kill her shocked male victim |
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Strange Days (1995)
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Director Kathryn Bigelow's realistic science-fiction story told about virtual reality clips (sold on computer discs and played back on head-worn devices called squids) that were obtained for entertainment's sake in the future Los Angeles of 1999 - to experience the real sensations of others, with sleazy ex-vice cop and clip peddler/user Lenny Nero's (Ralph Fiennes) ecstatic 'jacking in' playback of a sexy clip of ex-girlfriend Faith Justin (Juliette Lewis) filmed from a first-person perspective as he prepared to have sex with her - before they broke up and she chose a singing career; another tense playback opened the film - a robbery gone wrong while another was more horrifying for Nero to watch - a contraband snuff clip (or 'blackjack') in which the murderer forced the female hooker/victim Iris (Brigitte Bako) to be 'jacked in' in order to experience her own brutal rape, strangulation and death |
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Welcome to the Dollhouse (1995)
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Todd Solondz's painfully-realistic, uncompromising rites-of-passage black comedy - his first major independent film success, was about bespectacled, geeky 11 year-old outcast Dawn Weiner (Heather Matarazzo) in a middle-class New Jersey family; without scenes of sex, nudity, or violence (although there are some vulgarities), the film followed her cruel, miserable, and isolated progress through puberty, when called "lesbo," "weiner dog," and "dog-face" by her junior-high classmates and shunned in the cafeteria; she was told that she was "ugly" - the main reason for her tauntings; in one scene, she developed an obvious crush on her brother's garage band-mate Steve Rodgers (Eric Mabius); in another, violence-prone and jealous Lolita (Victoria Davis) forced Dawn in the toilet to relieve her bowels, to exercise power over her; and in a potential rape scene, Heather was menacingly told by crass 7th grade bully Brandon (Brendan Sexton, Jr.) at her locker that he was going to rape her at 3 pm, but then didn't follow through (because he didn't actually know what rape was and only wanted to awkwardly express his interest in her) - although she was willing to let him kiss her and submit in order to be accepted |
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When Night is Falling (1995, Can.)
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Writer/director Patricia Rozema's realistically-told and beautifully-photographed lesbian love story (released unrated rather than as NC-17) was about the repressed and erotic desire within an unexpected and improbable romance between a conservative Quebec religious university literature professor named Camille Baker (Pascale Bussieres) and flamboyant and free-spirited circus performer Petra (Rachael Crawford) - after a chance meeting at a laundromat; the crisis in the story revolved around Camille's conflict of love due to her relationship with fiancee and ministerial colleague Martin (Henry Czerny) and her choices between homosexual/heterosexual love, her religious beliefs and feelings, and between career and free-spirited romance -- succinctly expressed by Petra: "Ordinary with you would be... wild" |
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Wild Side (1995)
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Writer/director Donald Cammell's tawdry soft-core erotic thriller (with the tagline: "Going Too Far Was Just the Beginning") told about the growing sexual relationship between two lesbians: an indebted Long Beach corporate financial consultant/loans officer and moonlighting, sophisticated high-class call girl Alex (Anne Heche) - and Virginia Chow (Joan Chen), the attractive Chinese ex-wife of one of her brutish clients (Christopher Walken as Bruno Buckingham); they believably found themselves attracted to each other in an international bank's executive washroom with bright red walls, and convincingly made tender love in a naturalistically-filmed scene in Virginia's hotel room (Alex: "You're just...beautiful. And your lips are so soft. I've never kissed such soft lips before. I've never done that before." Virginia: "Such innocence." Alex: "Do you like me?" Virginia: "I love you." Alex: "Can I touch you?" Virginia: "Yes"); the film was heavily re-edited by the studio to avoid being unrated or receiving an NC-17 rating, and released directly to video and cable TV; after the director committed suicide and self-outed Heche garnered controversial headlines with Ellen Degeneres, the film was restored to its original posthumous Director's cut and re-released in 1999 with extended lesbian scenes |
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